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Prey for Rock & Roll (2003)
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Reviews Counted:46
Fresh:26
Rotten:20
Average Rating:5.8/10
Consensus: Gershon is a fierce rocker, but the plot is a cliche-filled melodrama.
Runtime: 1 hr 44 mins
Genre: Dramas
Synopsis: Two days before her 40th birthday, Los Angeles rock musician/tattoo artist Jacki (Gina Gershon) is considering throwing in the towel on her her dreams of stardom. As frontwoman for the all-female... Two days before her 40th birthday, Los Angeles rock musician/tattoo artist Jacki (Gina Gershon) is considering throwing in the towel on her her dreams of stardom. As frontwoman for the all-female band Clam Dandy, she gets the band booked in plenty of local clubs, but the big break she keeps hoping for never seems to materialize. To add to her frustration, her band resembles a dysfunctional family: drummer Sally (Shelly Cole), the band's youngest member, is the live-in lover of guitarist Faith (Lori Petty), and bassist Tracy (Drea De Matteo), is an addict whose habits are funded by her wealthy father. Jacki's luck seems to be on the upswing when a record company rep begins coming to the band's shows and she gains a budding romantic interest in Sally's ex-con brother, Animal (Marc Blucas)--but she can rest assured that all obstacles are not behind her. Based on Cheri Lovedog's autobiographical rock musical of the same name, PREY FOR ROCK AND ROLL offers an electric, true-to-life portrait of the struggles of a working rock band. Gina Gershon, in a formidably strong and sexy performance, sings all her own vocals in a series of fierce, punky songs also written by Lovedog. Petty, De Matteo, and Cole, who learned their respective instruments for the film, also turn in excellent work in this gritty look at the elusiveness of the rock-and-roll dream. [More]
Starring: Gina Gershon, Drea de Matteo, Marc Blucas, Lori Petty
Starring: Gina Gershon, Drea de Matteo, Marc Blucas, Lori Petty, Shelly Cole, Ivan Martin
Director: Alex Steyermark
Director: Alex Steyermark
Producer: Donovan Mannato, Gina Resnick, Gina Gershon
Screenwriter: Cheri Lovedog, Robin Whitehouse
Composer: Cheri Lovedog
Studio: Mac Releasing
Reviews for Prey for Rock & Roll
There's a sharp sense of honest rock-chick energy that draws us into this film, even when its story takes a few overwrought and melodramatic turns.
[A] smartly feminist exploration of what it means to wake up one day with too many tattoos and fading dreams of fame.
The execution is as stale as the draft beer in some of the joints where the band entertains.
Take an amateur playwright with an ax to grind, a novice director without the slightest idea of what he is doing and an actress who confuses sleaze with grittiness, and you have the makings of a first-rate flop.
'Prey for Rock and Roll' is as grungy and sleazy as a film about lesbian punk rockers who haven't made it by age 40 can be. It's also an exuberant celebration of the music life, no matter how dire, demeaning and heartbreakingly disappointing it can get.
Edgy, intense, and thoroughly engaging. What makes this movie work is Gina Gershon - the movie rests squarely on her shoulders and she never gives a false note.
Director Alex Steyermark, making a fluid, textured debut, shapes this long, midfilm sequence like a thriller, and it works, but once it plays out, all that's left is the tension-free question of whether Jacki will quit the band.
...a fairly enjoyable look at the trials and tribulations of an all-girl punk band.
Alternatively sharp-witted and bracingly sad, the film fixes firmly on Gershon's floppy, unruly bangs and never lets go.
[Gershon] is riveting as the driven and decent rocker who won't give up.
Gershon's self-aware shtick is either titillating or irritating, depending on your taste, but the rest of the actors are uniformly excellent.
Nothing drives the film, the dialogue is awful, and dramatic tensions are completely missed.
Either very cynical or quite naive, and that title suggests the former.
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