An uneven but loving tribute to a remarkable woman -- who would, undoubtedly, have wished to rewrite it herself.
The Prize Winner of Defiance, Ohio (2005)
Tomatometer
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Reviews Counted:79
Fresh:47
Rotten:32
Average Rating:6.1/10
Consensus: Noteworthy for Julianne Moore's performance, Prize Winner is nonetheless a largely indistinct and tentative film that fails to convey the true power of its bittersweet tale.
Runtime: 1 hr 39 mins
Genre: Dramas
Synopsis: Julianne Moore returns to FAR FROM HEAVEN territory in THE PRIZE WINNER OF DEFIANCE, OHIO, which springs from the pages of Terry Ryan's memoir of the same name. Playing 1950s housewife Evelyn Ryan,... Julianne Moore returns to FAR FROM HEAVEN territory in THE PRIZE WINNER OF DEFIANCE, OHIO, which springs from the pages of Terry Ryan's memoir of the same name. Playing 1950s housewife Evelyn Ryan, who struggles to raise 10 kids while dealing with an alcoholic husband, Moore brings director Jane Anderson's film to life with another moving performance to add to her résumé. Evelyn's husband, Kelly (Woody Harrelson), works at the local factory but has sunk the family into financial trouble with his dangerously boozy habits. Struggling with her husband's drinking and the stress of raising so many children, Evelyn tries her luck in some jingle-writing contests. Writing rhyming couplets for companies like Dr. Pepper and Maidenform bras, the beleaguered housewife is surprisingly successful, and manages to tip the family's finances back into good health. Anderson peppers the action with short direct-to-camera monologues from Evelyn, which help to explain the idiosyncrasies of the competitions and also highlight her steely determination to pull her family through the hard times. But Kelly can't accept his wife's position as the major breadwinner of the family, and his violent, alcohol-fueled outbursts put an enormous strain on their relationship. Moore shines throughout the movie, giving a convincing performance as a strong woman who always puts her family's happiness before her own. As a first feature film, THE PRIZE WINNER OF DEFIANCE, OHIO, is a strong debut from Jane Anderson, who gained Emmy nominations for her HBO show NORMAL, which she wrote and directed; she also wrote the screenplay for this movie, faithfully molding Terry Ryan's words into a film that tugs heavily at the heart strings. [More]
Starring: Julianne Moore, Woody Harrelson, Laura Dern, Simon Reynolds
Starring: Julianne Moore, Woody Harrelson, Laura Dern, Simon Reynolds
Director: Jane Anderson
Director: Jane Anderson
Screenwriter: Jane Anderson
Producer: Jack Rapke, Steve Starkey, Robert Zemeckis, Jonathan Freeman, Marty P. Ewing
Composer: John Frizzell
Studio: DreamWorks Distribution LLC
Reviews for The Prize Winner of Defiance, Ohio
Not satire, but not serious, the movie chirps along with corny jingles and patronizingly 'feminist' winks at Evelyn's sugarcoated nightmare.
What distinguishes Anderson's work is her obvious empathy with all of her characters, including Kelly Ryan, whom she does not demonize.
It's a well-done autobiography, full of small but telling moments and details that add dark edges to the frame.
This is an engaging film about a real family and about optimism in the midst of hardship, but it's also a fascinating historical document.
Anderson can't do much with the inherent limitations of the hagiopic, which demands a repetitive litany of sacrifice and sanctity, with each hill and every valley designed to further enhance the landscape of inspiration.
There's not much to the film's story, but the characterization of a family's life is vivid and rich.
Julianne Moore delivers another hard-hitting performance as a 1950s housewife – and despite being too earnest to be entirely believable, it’s a highly rewarding film.
Moore's radiant performance does for this movie what the real-life Ryan's "contest-ing" did for her family in the 1950's -- it holds it together with mesmerizing grace.
It has its own subversive power, as it elevates one family's struggle for working-class survival and valorizes a woman of simple faith and inner strength.
Moore's performance stays miraculously away from caricature, makes us believe the nobility of her Donna Reed-ish character and turns the movie into a strangely satisfying, retro-feminist vision.
A mixed bag of goods. A bag of goods, it definitely is, but without a consistent point of view.
A lot of the time it feels like Angela's Ashes have been scattered in Pleasantville.
Julianne Moore is absolutely outstanding in this role, giving an Oscar-worthy performance.
While the film is deliciously retro in its look, it is decidedly retro in its values and message.
Talk about desperate, long-suffering housewives! This poignant, syrupy domestic saga, set in the Betty Crocker '50s, borders in being infuriating.
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