It's amiable enough but there's nothing on show to make it stand out from the average rom-com.
Puccini for Beginners (2007)
Tomatometer
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Reviews Counted:60
Fresh:30
Rotten:30
Average Rating:5.7/10
Consensus: A Woody Allen-ish film that needs more of the caustic wit expected from the best New York rom coms.
Runtime: 90 mins
Genre: Comedies
Synopsis: Everyone is love-crazed in Maria Maggenti's delightfully quick-witted screwball comedy, Puccini for Beginners; but Allegra Castiglione–our dashing, adorable heroine–is by far the most commitment... Everyone is love-crazed in Maria Maggenti's delightfully quick-witted screwball comedy, Puccini for Beginners; but Allegra Castiglione–our dashing, adorable heroine–is by far the most commitment phobic. Her lesbian lover dumped her because she couldn't settle down and say "I love you." And just as she's drowning her sorrows in a giant slice of Camembert, in walks Philip, a dapper Columbia professor who, against her better judgment, lights her fire. Kicking and screaming, she launches an affair with–heaven forbid–a man! Meanwhile, she falls into bed with irresistibly gorgeous Grace, a recently single, straight woman, of all things. While juggling two romances that are advancing way too quickly for comfort, Allegra lands in hot water that boils over into an explosive, cathartic climax for all. Waltzing beyond the coming-out stories of a decade ago, Maggenti playfully ushers in a new era of lesbian cinema free from an ideological agenda. Here sexuality is fluid and unapologetic, while gender identity and politics are hotly debated–and even poked fun at–rather than narrowly defined. Smart, snappy dialogue and effortlessly charming performances by Elizabeth Reaser, Justin Kirk, and Gretchen Mol make this triangular tale soar. Like an accomplice, a glistening New York City operates as an enchanting cosmopolitan village, where chance meetings alter destinies and anything is possible. --© Sundance Film Festival [More]
Starring: Elizabeth Reaser, Gretchen Mol, Justin Kirk, Jennifer Dundas
Starring: Elizabeth Reaser, Gretchen Mol, Justin Kirk, Jennifer Dundas, Julianne Nicholson
Director: Maria Maggenti
Director: Maria Maggenti
Studio: Strand Releasing
Reviews for Puccini for Beginners
This film is a charmer: a genuine screwball comedy, set in springtime New York.
Maggenti has fun messing around with gender and sexuality stereotypes as well as relationship roles, and strives to hammer home the point that both men and women can devolve into comically clingy wrecks.
The movie offers a charming view of a small-town Manhattan where strangers constantly give Allegra romantic advice. Though that device is a little too indebted to Woody Allen, at least Maggenti does Allen a lot better than Ed Burns.
[Actress] Reaser is no slouch in the emotionally befuddled whirlwind department. In the end, it's all la dolce vita no matter how you look at it.
[Director] Maggenti is getting better at building characters with distinctive quirks and nuance, but when they open their mouths, they still talk like they're in a movie.
If Woody Allen were a young, attractive gay woman, he might make something like this, or so Maggenti hopes. But it would probably be funnier, and it would definitely cut deeper.
Perhaps more problematic than the film's derivative nature -- with plot points and dialogue borrowing somewhat from Sex and the City and rather heavily from Woody Allen -- is the fact that the film is just not funny.
Fresh Manhattan locations prove as photogenic as the leads, and the supporting actors -- especially Tina Benko as a glacial, impeccably dressed amazon -- don't miss a beat of Maggenti's snappy dialogue.
[Director] Maggenti offers a cute variation on the classic Hollywood 'comedy of remarriage.'
A sharp-witted romantic comedy that takes the old Woody Allen screwball style and mood and amusingly applies them to a story about tangled gay and straight relationships in modern Manhattan.
More of an extended sitcom than a film, featuring character actors who know the best way to milk a laugh from a line of dialogue or a facial expression.
Thankfully, Puccini for Beginners isn't quite as exploitative as you might expect for a movie about a bisexual love triangle. But that's about all the credit this flat-footed, would-be screwball comedy gets.
There is pleasure and even insight to be had in Puccini but it all feels second-hand, and therefore, of questionable provenance.
Reaser really doesn't stand a chance. She's plucky as heck, and you like her despite the script, but she can't save the movie.
Light and fluffy but inconsequential, Maggenti's second feature in a decade is a pale imitation of Woody Allen's romantic comedies, except that the lead is a lesbian, no bi-sexual, no just confused (whatever, choose one).
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