The elements of tragedy aren't life and death issues in this movie, and Anderson's film wisely contains itself to the microcosm of this one man's beleaguered existence.
Punch-Drunk Love (2002)
Tomatometer
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Reviews Counted:180
Fresh:142
Rotten:38
Average Rating:7.4/10
Consensus: Punch-Drunk Love is weird and delightfully funny, even though Sandler essentially plays the same character he has always played in all his movies.
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an... Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an out-of-the-way warehouse. He is dedicated to his job as a wholesale toilet plunger salesman, he keeps a nice apartment, and he is obsessed with special offers on grocery store products. Barry's latest fixation is on frequent flier miles included with the purchase of Healthy Choice foods. Barry wears a bright blue suit, though he doesn't know why. With seven outspoken sisters, Barry is constantly being nagged, questioned, and berated. He is challenged to explain the reasons for his actions, and it eventually becomes clear that Barry cannot control his often-violent impulses, a trait which is increasingly problematic. When a beautiful woman, Lena Leonard (Emily Watson), walks into his life with an instinctive attraction to him, a nonjudgmental attitude, and unconditional love, Barry undergoes a powerful transformation. Anderson's film is a tour-de-force for which he garnered the Best Director award at Cannes 2002. Set primarily in Los Angeles and Utah, he shoots either bleak deserted spaces (apartment building hallways) or lush, exotic paradises (Hawaii). Aiming for a Technicolor look, the blue of Barry's suit in contrast with Lena's solid pinks, reds, and whites, pops off of the screen. Colorful interludes designed by visual artist Jeremy Blake offer hallucinogenic lapses from the action of the film, while the rapid percussive score by Jon Brion keeps the suspense and the emotional exasperation of the film on a constantly high level. [More]
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman, Mary Lynn Rajskub
Director: Paul Thomas Anderson
Director: Paul Thomas Anderson
Screenwriter: Paul Thomas Anderson
Producer: Joanne Sellar, Daniel Lupi
Composer: Jon Brion
Studio: Sony Pictures Entertainment
Reviews for Punch-Drunk Love
[I]t’s no secret that... certain films [are] critic’s darlings... leav[ing] moviegoers vowing never to trust a critic again. This season [it's] Punch-Drunk Love.
Unlike any romantic comedy this year, with a vision so wondrously off-kilter that you’ll be swept off your feet by it, even if you don’t fall in love at first sight.
No cumple con todas las expectativas, pero sigue siendo uno de los directores más originales y talentosos que el cine norteamericano tiene para ofrecer.
In his effort to 'redefine' the romantic comedy, Anderson has made a film that is neither romantic nor funny.
Punch Drunk Love feels like a movie Billy Wilder would make if he were he hitting his stride today and able to include liberal, but appropriate, profanity.
Sandler pode até não se revelar um ator versátil, já que repete o mesmo tipo de seus trabalhos anteriores, mas dificilmente algum outro intérprete poderia preencher este filme como ele.
'No es la mejor película de P.T. Anderson, pero si es una mucho mejor opción que la mayoría de las que abundan en la cartelera'
It’s a sweet, surreal and quirky love story that will make your heart dance.
Sandler essentially plays the same socially retarded moron that made him rich, but Anderson strips him of his usual comic props ... He's buried the man-child within and brought all that emotionally stunted melancholy to the surface.
Why Adam Sandler Should Only Be Allowed to Star in Other People's Movies ... gives us something genuinely and pleasantly surprising
Plays like a writer's scrap pile of good ideas, personal growing up experiences, and love for Adam Sandler movies all mixed together in one project that Paul Thomas Anderson seems to have made for the pure fun of it.
Self-indulgent, pointless, and hard to watch for more than a few minutes at a time.
Consistently interesting, always intelligent and provocative in the most unexpected of ways.
It's a very idiosyncratic take on the genre, but it works because of Anderson's ability to challenge viewer expectations.
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