It's not that the star is bringing anything new to the table, it's more he's refining all his previous skills into one uber-Sandler role.
Punch-Drunk Love (2002)
Tomatometer
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Reviews Counted:180
Fresh:142
Rotten:38
Average Rating:7.4/10
Consensus: Punch-Drunk Love is weird and delightfully funny, even though Sandler essentially plays the same character he has always played in all his movies.
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an... Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an out-of-the-way warehouse. He is dedicated to his job as a wholesale toilet plunger salesman, he keeps a nice apartment, and he is obsessed with special offers on grocery store products. Barry's latest fixation is on frequent flier miles included with the purchase of Healthy Choice foods. Barry wears a bright blue suit, though he doesn't know why. With seven outspoken sisters, Barry is constantly being nagged, questioned, and berated. He is challenged to explain the reasons for his actions, and it eventually becomes clear that Barry cannot control his often-violent impulses, a trait which is increasingly problematic. When a beautiful woman, Lena Leonard (Emily Watson), walks into his life with an instinctive attraction to him, a nonjudgmental attitude, and unconditional love, Barry undergoes a powerful transformation. Anderson's film is a tour-de-force for which he garnered the Best Director award at Cannes 2002. Set primarily in Los Angeles and Utah, he shoots either bleak deserted spaces (apartment building hallways) or lush, exotic paradises (Hawaii). Aiming for a Technicolor look, the blue of Barry's suit in contrast with Lena's solid pinks, reds, and whites, pops off of the screen. Colorful interludes designed by visual artist Jeremy Blake offer hallucinogenic lapses from the action of the film, while the rapid percussive score by Jon Brion keeps the suspense and the emotional exasperation of the film on a constantly high level. [More]
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman, Mary Lynn Rajskub
Director: Paul Thomas Anderson
Director: Paul Thomas Anderson
Screenwriter: Paul Thomas Anderson
Producer: Joanne Sellar, Daniel Lupi
Composer: Jon Brion
Studio: Sony Pictures Entertainment
Reviews for Punch-Drunk Love
A movie joyfully alive with possibility, from a filmmaker willing to take big gambles and force them to pay off, and with a star who has the courage to redefine his image.
...a visual song of vulnerability, with a rhythm vaulting from discord to harmony and back again in vibrating organic-colored tones, as if the whole film were breathing on its own.
...an angry, raw, shockingly beautiful romantic comedy that tests the limits of our every expectation.
PT Anderson successfuly uses his unlikely star to make the romantic comedy archtype into a horror film.
The film is too quirky and self-conscious for its own good, and never as clever as it seems to think it is.
I admire the film on many levels, particularly one: the performance of its leading man (of all people), Adam Sandler.
Both Sandler and Anderson are, it turns out, acutely attuned to the infinite, painful costs of consumer culture.
[A] strange and wonderful synthesis of two radically different styles.
The journey toward redemption feels more like a cinematic experiment than a full-blown movie.
Despite its title, Punch-Drunk Love is never heavy-handed. The jabs it employs are short, carefully placed and dead-center.
Anderson's film beautifully captures the joy and tentativeness of new love.
Punch-Drunk Love mostly feints and jabs; by Anderson's standards it's strictly lightweight. But Sandler delivers the kind of knockout performance that even his staunchest defenders probably didn't realize he had in him.
In the end, Punch-Drunk Love is one of those films that I wanted to like much more than I actually did. Sometimes, that's enough.
Compared to the full-course meals that are Boogie Nights and Magnolia, Punch-Drunk Love is just an hors d'oeuvre. For Sandler, though, it's a Thanksgiving dinner.
Punch-Drunk Love is little more than a string of intermittently amusing peccadilloes passed off as a story.
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