Easily one of the best and most exciting movies of the year.
Punch-Drunk Love (2002)
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Reviews Counted:180
Fresh:142
Rotten:38
Average Rating:7.4/10
Consensus: Punch-Drunk Love is weird and delightfully funny, even though Sandler essentially plays the same character he has always played in all his movies.
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an... Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an out-of-the-way warehouse. He is dedicated to his job as a wholesale toilet plunger salesman, he keeps a nice apartment, and he is obsessed with special offers on grocery store products. Barry's latest fixation is on frequent flier miles included with the purchase of Healthy Choice foods. Barry wears a bright blue suit, though he doesn't know why. With seven outspoken sisters, Barry is constantly being nagged, questioned, and berated. He is challenged to explain the reasons for his actions, and it eventually becomes clear that Barry cannot control his often-violent impulses, a trait which is increasingly problematic. When a beautiful woman, Lena Leonard (Emily Watson), walks into his life with an instinctive attraction to him, a nonjudgmental attitude, and unconditional love, Barry undergoes a powerful transformation. Anderson's film is a tour-de-force for which he garnered the Best Director award at Cannes 2002. Set primarily in Los Angeles and Utah, he shoots either bleak deserted spaces (apartment building hallways) or lush, exotic paradises (Hawaii). Aiming for a Technicolor look, the blue of Barry's suit in contrast with Lena's solid pinks, reds, and whites, pops off of the screen. Colorful interludes designed by visual artist Jeremy Blake offer hallucinogenic lapses from the action of the film, while the rapid percussive score by Jon Brion keeps the suspense and the emotional exasperation of the film on a constantly high level. [More]
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman, Mary Lynn Rajskub
Director: Paul Thomas Anderson
Director: Paul Thomas Anderson
Screenwriter: Paul Thomas Anderson
Producer: Joanne Sellar, Daniel Lupi
Composer: Jon Brion
Studio: Sony Pictures Entertainment
Reviews for Punch-Drunk Love
Punch-Drunk Love knows how to reap epic delight from the most precious of details.
[Anderson] uses a hit-or-miss aesthetic that hits often enough to keep the film entertaining even if none of it makes a lick of sense.
It's wacky. It's unpredictable. It's sure to give pause to Sandler fans and, smaller in number but every bit as dedicated, to Watson admirers too.
Director Paul Thomas Anderson hasn't reinvented Sandler; he's just allowed those of us who tired very quickly of his innocent naif shtick to see how effectively it can be put in the service of something to care about.
So unconventional that it is perhaps the most inaccessible movie Sandler's ever done. Ironically, however, it may also be the most accessible thing that Anderson's ever done.
Everything about Punch-Drunk Love works in a Being John Malkovich sort of way save one. Sandler. When your star doesn't work, it's hard to get us to buy into the rest of a movie as unusual as this.
Self-indulgent filmmaking at its ugliest, despite a complex performance by Adam Sandler.
Many people have noticed the anger underneath Sandler's goofball smile -- but Anderson understands that below that anger is a gooey caramel center, which gushes forth nicely in the most sentimental moments of Anderson's confection.
Surreal, funny, and stylish, Punch-Drunk Love is one of the best movies of 2002
In Punch-Drunk Love, Adam Sandler doesn't so much discard his old persona as illuminate it, breathing life into the cardboard characters that populated his earlier films.
The sheer unpredictability of Love intoxicates you while you watch it, leaving you lightheaded, woozy.
Punch-Drunk Love comprises a fairly slight story. The force of the film derives from its interesting, unusual characters.
This is a film with great heart by a filmmaker with terrific style and an actor with undeniable chops.
An unnerving and exhilarating romantic comedy that is neither romantic nor comic ... Punch Drunk Love is more revelatory than it is enjoyable.
... the former “SNL” star really is ideal as Anderson’s put-upon hero. Regardless, a much longer “stretch” might have been realized with a more mainstream actor in such a whacked-out role.
Has elements of sheer brilliance, others of definite intrigue, and some that are disappointingly undernourished.
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