Bursting with light, sound and color. Literally!
Punch-Drunk Love (2002)
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Reviews Counted:180
Fresh:142
Rotten:38
Average Rating:7.4/10
Consensus: Punch-Drunk Love is weird and delightfully funny, even though Sandler essentially plays the same character he has always played in all his movies.
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an... Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an out-of-the-way warehouse. He is dedicated to his job as a wholesale toilet plunger salesman, he keeps a nice apartment, and he is obsessed with special offers on grocery store products. Barry's latest fixation is on frequent flier miles included with the purchase of Healthy Choice foods. Barry wears a bright blue suit, though he doesn't know why. With seven outspoken sisters, Barry is constantly being nagged, questioned, and berated. He is challenged to explain the reasons for his actions, and it eventually becomes clear that Barry cannot control his often-violent impulses, a trait which is increasingly problematic. When a beautiful woman, Lena Leonard (Emily Watson), walks into his life with an instinctive attraction to him, a nonjudgmental attitude, and unconditional love, Barry undergoes a powerful transformation. Anderson's film is a tour-de-force for which he garnered the Best Director award at Cannes 2002. Set primarily in Los Angeles and Utah, he shoots either bleak deserted spaces (apartment building hallways) or lush, exotic paradises (Hawaii). Aiming for a Technicolor look, the blue of Barry's suit in contrast with Lena's solid pinks, reds, and whites, pops off of the screen. Colorful interludes designed by visual artist Jeremy Blake offer hallucinogenic lapses from the action of the film, while the rapid percussive score by Jon Brion keeps the suspense and the emotional exasperation of the film on a constantly high level. [More]
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman, Mary Lynn Rajskub
Director: Paul Thomas Anderson
Director: Paul Thomas Anderson
Screenwriter: Paul Thomas Anderson
Producer: Joanne Sellar, Daniel Lupi
Composer: Jon Brion
Studio: Sony Pictures Entertainment
Reviews for Punch-Drunk Love
A sustained fest of self-congratulation between actor and director that leaves scant place for the viewer.
Working with a real writer in Anderson, Sandler turns his familiar man-child demeanor to advantage.
A carefully structured scream of consciousness that is tortured and unsettling--but unquestionably alive.
It's odd, interesting, and proves that love does conquer all...literally.
With this, not only does the former frat clown become an actor to watch, Anderson confirms his reputation as one of America's and the world's preeminent moviemakers.
For all the incidental pleasures and anxious romanticism, Punch-Drunk Love still feels skimpy, if not hollow.
At its best, the film proves that irrepressibly smart Anderson and insistently dumb Sandler were a good match from the start.
The scenario is so intriguing and the unfolding of the story so magical, that Punch-Drunk Love is a giddy delight.
Anderson's work does have it's charm, and he can and does get brilliant performances out of those one would never expect.
Rather slight, with a sweet-and-sour mood that doesn't quite gel...a comparatively lightweight piece that dissipates as soon as the final credits roll.
By turns irritating, strange, and finally entrancing, Punch-Drunk Love is something we haven't seen before: a manic-depressive romantic comedy that aspires to the soul of a musical.
No film this year has offered quite the cerebral tickle, weird invention and slaphappy gusto as Paul Thomas Anderson's Punch-Drunk Love.
It's a supposed romantic comedy with few laughs and no romance, a musical comedy without the song and dance.
You may be captivated, as I was, by its moods, and by its subtly transformed star, and still wonder why Paul Thomas Anderson ever had the inclination to make the most sincere and artful movie in which Adam Sandler will probably ever appear.
In the end, Punch-Drunk Love leaves us dangling a little too much to be considered a total knockout.
The kind of brain fart a young and creatively impotent hothead thinks up when what he really wants to do isn’t coming to him.
We're going to go out on a limb and say that Punch-Drunk Love will probably be the best movie ever to star Adam Sandler.
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