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Pushing Hands (1992)
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Reviews Counted:2
Fresh:2
Rotten:0
Average Rating:N/A
Runtime: 1 hr 47 mins
Genre: Comedies
Synopsis: Mr. Chu (Sihung Lung) is a venerable tai chi master who moves from Beijing to New York, hoping to spend his last years in peace and comfort with his only son (Bo Z. Wang). There's just one... Mr. Chu (Sihung Lung) is a venerable tai chi master who moves from Beijing to New York, hoping to spend his last years in peace and comfort with his only son (Bo Z. Wang). There's just one problem--he just can't seem to get along with his son's caucasian wife (Deb Snyder), a nervous writer who misinterprets Chu's every move. Even Chu's expertise in the tai chi exercise of "pushing hands" can't help him achieve harmony and balance in his son's conflicted household. PUSHING HANDS is Ang Lee's directorial debut and the first film in his Father Knows Best trilogy that explores the changing role of the Chinese father in the late 20th century. As with all the films in the trilogy, Lee's attention to domestic detail is superb; in just the first few minutes of the film, he establishes the contrasts between Chu and his daughter-in-law using only visual means. A funny, often heartrending look at cross-cultural and intergenerational miscommunication, PUSHING HANDS has all the comedy and pathos found in Lee's more famous films, THE WEDDING BANQUETand EAT DRINK MAN WOMAN. Lee based the film on the loneliness and isolation he felt after he first moved to the United States. [More]
Starring: Sihung Lung, Lai Wang, Bo Z. Wang, Deb Snyder
Starring: Sihung Lung, Lai Wang, Bo Z. Wang, Deb Snyder, Haan Lee
Director: Ang Lee
Director: Ang Lee
Screenwriter: Ang Lee, James Schamus
Composer: Xiao-Song Qu
Producer: Ted Hope, James Schamus, Emily Lu, Ang Lee
Reviews for Pushing Hands
Ang Lee's feature debut explores cross-cultural and generational conflicts, issues that would become the backbone of his work. This is the first in what can be described as Father Knows Best trilogy, tales about a parent confronting a changing world.
Depicts the difficulties a tai chi master has in adapting to the consumer culture of America.
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