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Radio Days (1986)
Tomatometer
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Reviews Counted:19
Fresh:18
Rotten:1
Average Rating:7.8/10
Runtime: 1 hr 36 mins
Genre: Comedies
Synopsis: RADIO DAYS is Woody Allen's charming, nostalgic, very funny love letter to growing up in 1940s Brooklyn during the golden age of radio. The setting is the close-knit working-class neighborhood of... RADIO DAYS is Woody Allen's charming, nostalgic, very funny love letter to growing up in 1940s Brooklyn during the golden age of radio. The setting is the close-knit working-class neighborhood of Rockaway, New York, where a warm, crazy, sprawling Jewish family lives, sharing their happiness as well as their disappointments. The youngest member of the family, Joe (Seth Green, of television's BUFFY THE VAMPIRE SLAYER), dreams of the glamour and excitement of Manhattan conjured up by the radio programs he and his family listen raptly to each night. Presented in a tapestry of interlocking vignettes, RADIO DAYS weaves tales of everyday family life with glimpses of the glittering--and not so glittering--world of established and aspiring radio celebrities. Allen makes the radio the film's central figure, taking its place as communicator to the world, existing almost as another member of the family. Allen and director of photography Carlo DiPalma capture the look and feel of the time marvelously, and the music is a joy to listen to. The result is a comic, bittersweet, kaleidoscopic look at a long-gone New York that is one of writer-director Woody Allen's most fully realized--and most enjoyable--films. [More]
Starring: Mia Farrow, Dianne Wiest, Tony Roberts, Danny Aiello
Starring: Mia Farrow, Dianne Wiest, Tony Roberts, Danny Aiello, Jeff Daniels, Diane Keaton, Josh Mostel, Julie Kavner, Seth Green
Director: Woody Allen
Director: Woody Allen
Screenwriter: Woody Allen
Producer: Robert Greenhut
Reviews for Radio Days
A perfect mixture of laughs and heartbreak, it's one of the ones I can see over and over again.
Affectionately eavesdrops on the past and gives everyone a wonderful opportunity to re-imagine what it was like when this communications medium was king.
For my money, this is the best of Allen's films in which he does not himself appear
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