What's so wonderful about director Peter Sollett's assured debut feature is the authentic way he captures what it's like to be young.
Raising Victor Vargas (2003)
Tomatometer
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Reviews Counted:104
Fresh:100
Rotten:4
Average Rating:7.9/10
Consensus: A coming-of-age tale marked by its authenticity.
Runtime: 88 mins
Genre: Dramas
Synopsis:
Manhattan's gritty, majestic Lower East Side is the sweltering romantic playground for Victor Vargas (VICTOR RASUK), a self-styled teenaged Casanova who, despite his adolescent hubris, has a lot to...
Manhattan's gritty, majestic Lower East Side is the sweltering romantic playground for Victor Vargas (VICTOR RASUK), a self-styled teenaged Casanova who, despite his adolescent hubris, has a lot to learn about love.
Eager to protect his street-cred after his friends discover he's been sleeping with upstairs neighbour "Fat Donna" (DONNA MALDONADO), Victor sets out to nab a new girl. Much to her annoyance, popular "Juicy Judy" Ramirez (JUDY MARTE) finds herself the object of Victor's relentless attention. After a humiliating series of public rejections, Victor strikes a bargain with Judy's younger brother Carlos (WILFREE VASQUEZ). In exchange for a date with Victor's younger sister, Vicky, Carlos will help Victor win Judy's affections. His plan proves successful and Judy agrees to tolerate him as "her new man," securing Victor's place high atop the neighbourhood's social pecking order.
Unfortunately, his hilariously cantankerous old-school grandmother (ALTAGRACIA GUZMAN), with whom he and his siblings live, is convinced that Victor's teen-age sexual antics make him a bad kid. Caught between regaining his grandmother's trust and helping his kid brother and sister negotiate the oft-baffling ways of the world, Victor discover that there's a difference between acting like a man and becoming one. As he and Judy slowly start to trust and be trusted, Victor learns that a lot of love has been put into RAISING VICTOR VARGAS.
Peter Sollett's feature debut is a stunning piece of filmmaking that carefully explores the stumbling blocks of growing up, capturing adolescence at its most tender, funny and genuine. His script was developed through the Sundance Screenwriters Lab, a prestigious program which offers emerging artists the opportunity to work intensively on their feature film scripts with the support of established screenwriters. Sollett also extensively workshopped the film with the support of La Cinéfondation in Paris. -- © Samuel Goldwyn Films
Starring: Victor Rasuk, Judy Marte, Melonie Diaz, Altagracia Guzman
Starring: Victor Rasuk, Judy Marte, Melonie Diaz, Altagracia Guzman, Silvestre Rasuk, Krystal Rodriguez, Kevin Rivera
Director: Peter Sollett
Director: Peter Sollett
Screenwriter: Peter Sollett
Producer: Alain De La Mata, Robin O'Hara, Peter Sollett, Scott Macaulay
Studio: Samuel Goldwyn Films
Reviews for Raising Victor Vargas
Contains some of the most loose-limbed, realistic dialogue ever uttered in a film about teenagers.
Both intimate and universal, the film ripples with little human moments we've all lived, whether or not we were raised on Manhattan's poor Lower East Side.
His film may be something of a beautiful lie, but what's true about Sollett's characters is that their dreams, their grace and their struggles are as real as it gets.
It's the authenticity of the characters, and the skill of the largely nonprofessional cast at letting them come alive, that make the movie such a dazzler.
At once sympathetic and unsentimental, this is a model of low-budget storytelling on a human scale.
The writer-director, Peter Sollett, cast the film with kids from his own neighborhood, who give themselves over to the camera with a spirit of improvised play that morphs into vivid, layered acting.
A modest and tightly focused picture, and its very directness makes it piercingly intimate.
A comedy in the best sense -- it draws its life from the pitch-perfect authenticity of its characters.
Getting terrific performances from his nonprofessional cast, writer-director Peter Sollett has created an affecting, honest and humorous portrait of adolescence.
What lifts Sollett's film above the run-of-the-mill boy-meets-girl tale is its genuine sweetness and Sollett's ability to effect a striking authenticity.
Features strong performances, but inadequate writing and directorial preparation leave it dramatically stagnant.
With a casual brilliance reminiscent of the young Truffaut, writer-director Peter Sollett expanded his award-winning short 'Five Feet High and Rising' into one of the most welcome debut features in ages.
These teens are not off-putting nor rude and crude, as so many movies like to make teens out to be. They are human ... the movie gives much respect to the intelligence they have inside.
Victor and Judy are so appealing and realistic in their lead roles that you'll swear you're watching a documentary.
Mr. Sollett's accomplishment is the film's matter-of-fact solidity; he makes you wonder what his creations are doing when they're off screen.
There is so much going on in this movie: first-love, painful adolescent moments, family drama [and comedy], -- and every aspect of it works.
The movie's themes are communicated visually and with quiet immediacy.
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