The film doesn't shove its message down your throat, and its prestige pic status belies its subtle intelligence.
The Reader (2008)
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Reviews Counted:179
Fresh:111
Rotten:68
Average Rating:6.4/10
Consensus: Despite Kate Winslet's superb portrayal, The Reader suggests an emotionally distant, Oscar-baiting historical drama.
Rated: 15 [See Full Rating] for some scenes of sexuality and nudity.
Runtime: 2 hrs 4 mins
Genre: Dramas
Theatrical Release:02-01-2009
Synopsis: Though THE READER may boast the typical pedigree of a Holocaust film--acclaimed actors, a literary source, and an Oscar-baiting end-of-the-year release date--this drama has a significant... Though THE READER may boast the typical pedigree of a Holocaust film--acclaimed actors, a literary source, and an Oscar-baiting end-of-the-year release date--this drama has a significant difference: it focuses on a perpetrator, rather than the victims. Kate Winslet takes on the hefty supporting role of Hanna Schmitz, a woman who has an affair with Michael Berg (German actor David Kross), a 15-year-old boy in 1950s Germany. They spend their brief romance alternately making love and focusing on literature, with Michael reading everything from Chekov to Homer to his lover. Soon, Hanna abruptly disappears, and Michael returns to his normal life. Almost a decade later, Michael is studying law, when he sees Hanna again; she is on trial for her crimes as an S.S. guard during the war. Michael is torn between a desire for justice and his knowledge of a secret that may save Hanna. THE READER makes full use of hindsight and historical perspective. Based on the bestselling novel by Bernhard Schlink, the story is framed by an older Michael (Ralph Fiennes) who deals with both his personal history and the collective past--and guilt--of the German people. This is a complex film that doesn't give the audience any easy answers; Hanna is undoubtedly guilty of horrific crimes, but she is a multilayered character who is always fascinating and always human, thanks to the terrific performance of Winslet, who plays Hanna over four decades. Director Stephen Daldry earned an Oscar nomination for his work on another literary adaptation, THE HOURS, and he deserves more praise for this polished film. [More]
Starring: Kate Winslet, Ralph Fiennes, David Kross, Anthony Minghella
Starring: Kate Winslet, Ralph Fiennes, David Kross, Anthony Minghella, Lena Olin, Bruno Ganz, Jeanette Hain, Susanne Lothar, Matthias Habich
Director: Stephen Daldry
Director: Stephen Daldry
Screenwriter: David Hare
Producer: Anthony Minghella, Sydney Pollack, Donna Gigliotti, Redmond Morris
Composer: Nico Muhly
Studio: Weinstein Company
Reviews for The Reader
It is Winslet's haunting performance that gives the film what success it has.
A titillating romance that suddenly morphs into a suspense-free courtroom drama, then trickles off in a wan coda of hand-wringing.
Winslet and Kross commit wholeheartedly to their roles, which require substantial nudity and piercing communication of self without the crutch of words. It's sharp work from the actors, who play into Daldry's slow-burn design of sorrow magnificently.
The Reader is low-budget, high-profile and beamed straight at the Academy of Motion Picture Arts and Sciences, Category of High Moral Tone.
A young boy in post-war Germany has a torrid affair with an older woman, only to find out years later that she's a Nazi war criminal, in director Stephen Daldry's overwrought adaptation of the Bernhard Schlink novel.
[Winslet's] fierce, unerring portrayal goes beyond acting, becoming a provocation that will keep you up nights.
The Reader asks profound questions about guilt and redemption, but its answers are misguided and misleading.
By the time The Reader lays on Jewish guilt, the calculation of sex, morbidity and piety becomes risible if not offensive.
'Go to the theater if you want catharsis,' says one character. I was sitting in a theater and I wanted it. It wasn't there.
Provocatively intentioned, The Reader is a movie worth seeing -- the kind of film you'll think about for days afterward. But when all is said and done, you're likely to wonder why the impact wasn't greater still.
While The Reader could stand to be more lively and lived-in, it's nonetheless a supremely well-acted, gorgeously shot story that quietly dodges many of the common pitfalls of the Holocaust movie.
What was a literary exercise has become a virtuoso demonstration in shouted themes and chronological scrambling.
Everything is admirable, worthy, and muffled in a blanket of Britishness in this well-bred production, which reunites director Stephen Daldry with screenwriter David Hare six years after The Hours.
Though the sex is more vivid than the crimes or the soul-searching, portraying Germans who are neither ignorant nor psychopathic may help some learn from the past.
Gripping period drama centers on an upper-class Berlin teen's furtive affair with a sexy but coarse tram worker. The liaison serves as a launch pad for a unique examination of German post-Holocaust guilt.
Rather than an examination of what it means to discover a legacy of pain, The Reader serves merely, for a while, as a weirdly sexy depiction of statutory rape.
Writer David Hare and director Stephen Daldry don't seem particularly interested in the material; rather, the picture seems cranked out by a computer that has been programmed to make Oscar nominees.
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February 13, 2009:
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