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Ready to Wear (1994)
Runtime: 2 hrs 13 mins
Synopsis: Robert Altman delivers another sprawling satire with READY TO WEAR, this time focusing his lens on the tightly knit, pretentious fashion industry. After a popular fashion leader dies during the most important industry gathering of the year in Paris, the question that it might have been... Robert Altman delivers another sprawling satire with READY TO WEAR, this time focusing his lens on the tightly knit, pretentious fashion industry. After a popular fashion leader dies during the most important industry gathering of the year in Paris, the question that it might have been murder creates chaos amongst the gathered participants and viewers. Affected parties include his widow, who uses this opportunity to rekindle an old relationship; the dead man's mistress, a designer who is forced to sell out to a Texas boot tycoon; three magazine editors, who all have their eyes on the same photographer; two American reporters whose affair keeps them in bed throughout the gathering; and two aging Roman lovers who are reuniting after many years. The film's many revolving characters and stories collide at the climax, an all-nude fashion show that stuns and excites the crowd. Altman's comedy boasts one of his most star-studded casts, and actors who are playing fictional characters intermingle with popular designers and models who play themselves. This fresh mixing of fiction and reality recalls the director's thrilling THE PLAYER, and the multi-layered story, the masterful NASHVILLE. Standout performances include the late Marcello Mastroianni, Sophia Loren, Tim Robbins, Julia Roberts, Tracey Ullman, and a hysterical Kim Basinger. [More]
Genre: Comedies
Starring: Tim Robbins, Julia Roberts, Sophia Loren, Kim Basinger, Lyle Lovett
Producer: Robert Altman
Composer: Michel Legrand
Screenwriter: Robert Altman, Barbara Shulgasser
Reviews
Though it credits Mr. Altman and Barbara Shulgasser as writers, this film seems practically scriptless, to the point where much of it plays like a first rehearsal.
Robert Altman may be the most inconsistent American film director alive.
Altman's much-maligned comedy about the fashion industry deserves another look.
So overblown, so full of itself and yet so exquisitely empty, that we're left wondering whether, in his haste to expose the Emperor's New Clothes, the artist has stopped near a mirror to check his own dangerously ephemeral finery.
It seems like a very long wait to get to the various punch lines.
I got the feeling that Altman didn’t really have any idea what he wanted to say with this film (which he later conceded in a TV interview).
Despite some delicious moments, this sluggish, overlong, halfhearted satire feels like a movie that wanted to go somewhere but never got there.
Ready to Wear is to filmmaking what paper dresses were to fashion -- thin, trendy, and disposable.
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