some may find the denouement a tad sentimental, but it is a long, dark and twisted journey that takes us there, scrutinising the shadier contours of human loss and guilt like a grainy face on a screen.
Comment
06/13/07
Red Road (2007)
89 %
Tomatometer
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Reviews Counted: 81
Fresh: 72
Rotten:9
Average Rating: 7.4/10
Consensus: Red Road director Andrea Arnold skillfully parses out just enough plot details at a time to keep the audience engrossed in this seductive thriller.
Theatrical Release:27-10-2006
Synopsis: Developed at the Sundance Screenwriters Lab and winner of a Special Jury Prize at the Cannes International Film Festival, Red Road is a bristling, atmospheric thriller that rumbles with... [More]
Starring: Kate Dickie, Tony Curran, Martin Compston, Natalie Press
Director: Andrea Arnold
Reviews for Red Road
Top CriticA slow-burning but enticing thriller, it captures its working class Glaswegian setting in absorbing detail.
11/02/06
Top CriticWhere it excels is in capturing the dead end hopelessness of Glasgow's boozers and tower blocks.
10/31/06
Top CriticIt’s incredibly tense.
10/28/06
Top CriticAn extraordinarily mature and thoughtful film.
10/28/06
What we have here is one of those very long, very slow dramas that might just have worked if the inevitable twist ending had been worth sticking around for. But it isn’t.
10/27/06
Katie Dickie gives an astonishing performance as Jackie, displaying a cold, brittle exterior that occasionally cracks to reveal both pain and passion in equal measure.
10/21/06
A strong story--involving and moving and probably a little too long.
08/19/06
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04/23/09
Sets a chilling downer mood that gets under your skin like few films ever do.
01/14/08
Ancorado pelas performances complexas de Dickie e Curran, o filme traz a diretora estreante Andrea Arnold como uma revelação a ser observada com atenção nos próximos anos.
01/08/08
Unfortunately, its superb performances and assured camerawork are overwhelmed by dubious psychology and a clichéd climax.
10/26/07
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10/12/07
A brilliantly conceived thriller that keeps us guessing right up to the very end, Red Road intrigues but frustrates by its slow development and often incomprehensible Scottish dialogue
10/05/07
A strange sort of map of the city [is] spread across these fragmented cubes of visual information. And there's also the metaphorical map of the characters' lives, where they're coming from and where they're going.
09/20/07
I like that you're never sure where this road is going to lead.
07/09/07
Like the Peeping Tom-paranoia of similar recent films Disturbia and Civic Duty, this finely crafted debut feature by Scottish writer/director Andrea Arnold packs a wallop.
06/29/07
Red Road is an atmospheric little thriller made up of equal parts paranoia, loneliness and anxiety.
06/29/07
The glacially paced film is tersely episodic, and scenes are thrown onto the screen like jagged bits of raw meat that have been torn from a bone.
06/28/07
It’s a jarring sensation, for a thriller not to be about the chase, or the mysterious force of evil lurking in the shadows, but about an intangible gulf dividing two people occupying the same room.
06/27/07
Latest News for Red Road
May 26, 2009:
Cannes 2009: RT's 10 Must-See Movies
The 62nd Cannes Film Festival has officially wrapped, with most commentators agreeing that this year's selection was a cut above. There were some disappointments, but plenty of... More...
May 24, 2009:
Cannes 2009: The Tomato Report - Haneke's The White Ribbon Scoops Palme d’Or
Michael Haneke took Cannes' top honour tonight as his film, The White Ribbon, won the prestigious Palme d'Or. It's Haneke's third major Cannes prize but his first Palme d'Or.... More...
May 15, 2009:
Cannes 2009: The Tomato Report – Andrea Arnold Hits with Fish Tank
Returning to the Cannes Film Festival after a massive success there with your last film is a challenge for any filmmaker -- critics are quick to pounce on falls from form here.... More...
September 30, 2008:
Movie Review Zoo: A woman-directed film that aspires to compete on that predominantly male turf, not with an opposing and challenging female perspective, but by stepping up to the plate to make a sexually voyeuristic, sluttier than thou movie about women. 
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