Emily Mortimer is impressive as a jittery, unlikable attorney whose impulsive actions trigger Mike's descent. But it's Ejiofor's film all the way.
Redbelt (2008)
Tomatometer
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Reviews Counted:12
Fresh:8
Rotten:4
Average Rating:6.1/10
Consensus: Mamet's mixed marital arts morality play weaves between action and intellect but doesn't always hit its target.
Theatrical Release:26-09-2008
Synopsis: Actor Chiwetel Ejiofor follows his turn in AMERICAN GANGSTER by taking the lead role in this thoughtful fight movie from writer/director David Mamet. Ejiofor plays Mike Terry, a man who runs his... Actor Chiwetel Ejiofor follows his turn in AMERICAN GANGSTER by taking the lead role in this thoughtful fight movie from writer/director David Mamet. Ejiofor plays Mike Terry, a man who runs his own Jiu-jitsu studio in Los Angeles. Terry's business is failing, causing tension between him and his wife, Sondra (Alice Braga). But their lives change drastically when Terry is compelled to come to the aid of an actor, Chet Frank (Tim Allen), during a bar fight. Frank befriends Terry and invites him to come and work as a consultant on a movie he is shooting. Just as Terry's fortunes seem to be changing, he finds himself caught up in a deceitful plan that has been carefully hatched by Frank's devious agent (who is played by Mamet regular Joe Mantegna). With his debts piling up, Terry decides to go against all his instincts and enter the competitive fighting world, where he stands to win a huge cash prize. But the good-natured fighter is in for a shock when he gets a close-up glimpse of the corruption that runs rife throughout the sport. REDBELT is full of the usual plot twists and fine performances that mark any Mamet movie. It's fascinating to watch the director draw on his longstanding passion for Jiu-jitsu to fill out the storyline, and Ejiofor does a convincing job as a man who draws on the discipline of the sport to stay calm during some testing times. As with many Mamet films, a series of cons are liberally sprinkled throughout the script, calling on viewers to remain alert as each strand of the storyline slowly unravels. The bulk of the movie is conversational, shying away from the action sequences that mark most fight movies, and making REDBELT an unusual and invaluable addition to the genre. [More]
Starring: Chjwetel Ejiofor, Joe Mantegna, Emily Mortimer, Ricky Jay
Starring: Chjwetel Ejiofor, Joe Mantegna, Emily Mortimer, Ricky Jay, Alice Braga, Tim Allen, Ray Mancini, Rebecca Pidgeon, Rodrigo Santoro, John Machado, David Paymer
Director: David Mamet
Director: David Mamet
Screenwriter: David Mamet
Producer: Chrisann Verges
Composer: Stephen Endelman
Studio: Sony Pictures Classics
Reviews for Redbelt
Ejiofor remains a supremely assured, charismatic presence, though he has his work cut out here. He is pitted against a film with a black belt in pomposity and a gold medal in preening self-regard.
The discipline is remarkable. But this constipated drama, set in a blue-collar corner of Los Angeles, imparts none of the sweat-shop magic.
By no means a classic from David Mamet, Redbelt is authentic enough but fails to dazzle. The casting of Tim Allen is imaginative but too much of the film is underwhelming.
The plotting is contrived, the supporting characters two-dimensional, and the ending slides from predictable to absurd to maudlin.
Not vintage Mamet - the dialogue isn’t up to quotable snuff - but it still packs a decent punch thanks to Ejiofor’s solid performance.
So gifted is Mamet as a writer and director that he can fascinate us even when he's pulling rabbits out of an empty hat.
It's still basically a boxing picture, not essentially different from dozens of other movies about life in and around what the old time sportswriters used to call 'the squared circle'. Mamet's circle is, alas, just a little too square.
[A] contemporary noir with a samurai movie interior, as sincere, plaintive and strangely optimistic a movie as he's made.
Redbelt, is a satisfying, unexpectedly involving B-movie that owes as much to old Hollywood as to Greek tragedy.
In the story of a purist-minded jiu-jitsu instructor trying to keep his distance from the vulgar commercialism of arena-style martial arts competition, David Mamet may have found the ideal metaphor for his own relationship with mainstream Hollywood.
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