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Renaissance (2006)
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Reviews Counted:66
Fresh:29
Rotten:37
Average Rating:5.5/10
Consensus: Renaissance attempts to blend sci-fi wonder with stark noir animation, but is often more fun to look at than to watch.
Rated: 15 [See Full Rating] for some violent images, sexuality, nudity and language
Runtime: 1 hr 45 mins
Genre: Action/Adventure
Theatrical Release:28-07-2006
Synopsis: In the near future in a Paris, France, made of Plexiglas, aerodynamic steel beams, and rainslicked surfaces, a sinister plot unfolds: it's one honest cop (voiced by Daniel Craig) against an evil... In the near future in a Paris, France, made of Plexiglas, aerodynamic steel beams, and rainslicked surfaces, a sinister plot unfolds: it's one honest cop (voiced by Daniel Craig) against an evil corporatocracy, corrupt scientists, and the mob, as he uses his wits and grit to rescue a brilliant, beautiful female geneticist who has been kidnapped. What he learns on his rescue mission challenges his most hard-boiled preconceptions about who's really running things. Christian Volckman's first feature film is rendered in astonishing black-and-white "motion capture" animation that continually yields inventive and subtle visual surprises--car chases take on cosmic proportions, cigarette smoke engulfs an entire room like a lovely wraith, and the already beautiful Parisian skyline becomes a dizzying, jeweled spectacle. A descendent of classic science-fiction tech-noir like BLADERUNNER, Volckman's film envisions the near future as a cold and heartless place where corporations are supreme and surface beauty is everything; whole scenes are constructed from reflections in nighttime windows, mirrors, and other shiny expanses, and false (but pretty) facades are created to confuse and imprison characters. This constant emphasis on empty, backwards images supports Volckman's seeming disgust with society's preoccupation with youthful beauty (and the multibillion-dollar cosmetic industries that keep us hooked), although his own film is relentlessly gorgeous. [More]
Starring: Daniel Craig, Patrick Floersheim, Catherine McCormack, Romola Garai
Starring: Daniel Craig, Patrick Floersheim, Catherine McCormack, Romola Garai, Ian Holm, Jonathan Pryce
Director: Christian Volckman
Director: Christian Volckman
Screenwriter: Mathieu Delaport, Alexandre de la Patelliere
Producer: Jean-Bernard Marinot, Aton Soumache, Roch Lener, Alexis Vonarb
Studio: Miramax Films
Reviews for Renaissance
The film jumps cheerfully into every hard-boiled movie cliché like a child splashing into puddles.
The feature is over-extended at its current length, but its look and style are intriguing; it is maintained with energy and panache -- and its self-belief is impressive.
Just like Pixar's latest, the good looks are let down by a weak plot.
The animation is gorgeous but makes the characters feel cold, and the plot is perhaps too labyrinthine even for this twisty genre. An interesting and gloriously designed effort rather than a must-see.
Gratifyingly downbeat and far more coherent than the Japanese anime movies to which it also owes a debt, Renaissance intelligently explores the ethical complexities of genetic manipulation.
It is more Sin City (the graphic novel) than Sin City (the movie)! Or at least on a purely visual level . . .
Like most cyberpunk, this film has a stellar premise. However, also in the tradition of cyberpunk, its storytelling and presentation is as murky as its production design.
...suffers from an unpleasant and relentlessly distracting animation style that ultimately renders its few positive attributes moot.
There are no grey shadings in the film's visual palette to match the characters' more equivocal moralities, and the result is a dark, dark world occasionally exposed to the most harsh and unforgiving of lights.
The movie radiates a dark, eerie, mysterious, otherworldly quality, yet it isn't enough to sustain over an hour and an half of story.
Renaissance is a victory of style over substance and technology over art, but to score a real win, the filmmakers need to strike a better balance between the two.
The style doesn't just overwhelm the substance, it makes it irrelevant.
Lacks a beating heart at its core. It's all about its technical aspects and sense of cool, and that's just not good enough.
Latest News for Renaissance
September 25, 2006:
Box Office Wrapup: "Jackass" #1, "Little Miss Sunshine" Crosses $50M
Young men returned to theaters in droves and powered the crude new stunts sequel Jackass: Number Two to the number one spot with the biggest opening weekend of any film in the... More...
September 22, 2006:
RT Talks to the "Renaissance" Man
RT's own Jen Yamato sat down with "Renaissance" director Christian Volckman, who discussed laying the groundwork for his innovative project, including the painstaking... More...
September 21, 2006:
Box Office Guru Preview: Jackass Crashes into Theaters
Four new films open wide, but they may not be enough to stop the North American box office from suffering its third consecutive down weekend. More...
September 21, 2006:
Critical Consensus: "Jackass" Kicks; "King" Is Dethroned; "Fearless" Is Action-Packed; "Flyboys" Is Grounded
This week at the movies, we've got antisocial behavior ("Jackass: Number Two," with Johnny Knoxville and the gang), hell-raising politicos ("All The King's... More...
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