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Renaissance (2006)
Runtime: 1 hr 45 mins
Genre: Action/Adventure
Starring: Daniel Craig, Patrick Floersheim, Catherine McCormack, Romola Garai, Ian Holm
Screenwriter: Mathieu Delaport, Alexandre de la Patelliere
Producer: Jean-Bernard Marinot, Aton Soumache, Roch Lener, Alexis Vonarb
DVD Info
Release:
Dec 7, 2008
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 2.35
Audio:
- Dolby Digital 5.1 Surround - English, French
Additional Release Material:
- Featurette - The Making of - RENAISSANCE
Reviews
The film jumps cheerfully into every hard-boiled movie cliché like a child splashing into puddles.
The feature is over-extended at its current length, but its look and style are intriguing; it is maintained with energy and panache -- and its self-belief is impressive.
Just like Pixar's latest, the good looks are let down by a weak plot.
The animation is gorgeous but makes the characters feel cold, and the plot is perhaps too labyrinthine even for this twisty genre. An interesting and gloriously designed effort rather than a must-see.
Gratifyingly downbeat and far more coherent than the Japanese anime movies to which it also owes a debt, Renaissance intelligently explores the ethical complexities of genetic manipulation.
Like most cyberpunk, this film has a stellar premise. However, also in the tradition of cyberpunk, its storytelling and presentation is as murky as its production design.
...suffers from an unpleasant and relentlessly distracting animation style that ultimately renders its few positive attributes moot.
There are no grey shadings in the film's visual palette to match the characters' more equivocal moralities, and the result is a dark, dark world occasionally exposed to the most harsh and unforgiving of lights.
The movie radiates a dark, eerie, mysterious, otherworldly quality, yet it isn't enough to sustain over an hour and an half of story.
Renaissance is a victory of style over substance and technology over art, but to score a real win, the filmmakers need to strike a better balance between the two.
The style doesn't just overwhelm the substance, it makes it irrelevant.
Lacks a beating heart at its core. It's all about its technical aspects and sense of cool, and that's just not good enough.
While the story is not compelling, the style of the film is amazing.
A pic of true craftsmanship that dazzles until it wears out its welcome and becomes a drag.
For its retro-futurist look alone, this outdated thriller set in 2054 Paris is worth seeing.
If someone rips a page out of Sin City, Blade Runner, V for Vendetta and every other futuristic degradation of politics and corporations and no one is around to hear it, what is there to listen to?
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