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Renaissance (2006)
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Reviews Counted:66
Fresh:29
Rotten:37
Average Rating:5.5/10
Consensus: Renaissance attempts to blend sci-fi wonder with stark noir animation, but is often more fun to look at than to watch.
Rated: 15 [See Full Rating] for some violent images, sexuality, nudity and language
Runtime: 1 hr 45 mins
Genre: Action/Adventure
Theatrical Release:28-07-2006
Synopsis: In the near future in a Paris, France, made of Plexiglas, aerodynamic steel beams, and rainslicked surfaces, a sinister plot unfolds: it's one honest cop (voiced by Daniel Craig) against an evil... In the near future in a Paris, France, made of Plexiglas, aerodynamic steel beams, and rainslicked surfaces, a sinister plot unfolds: it's one honest cop (voiced by Daniel Craig) against an evil corporatocracy, corrupt scientists, and the mob, as he uses his wits and grit to rescue a brilliant, beautiful female geneticist who has been kidnapped. What he learns on his rescue mission challenges his most hard-boiled preconceptions about who's really running things. Christian Volckman's first feature film is rendered in astonishing black-and-white "motion capture" animation that continually yields inventive and subtle visual surprises--car chases take on cosmic proportions, cigarette smoke engulfs an entire room like a lovely wraith, and the already beautiful Parisian skyline becomes a dizzying, jeweled spectacle. A descendent of classic science-fiction tech-noir like BLADERUNNER, Volckman's film envisions the near future as a cold and heartless place where corporations are supreme and surface beauty is everything; whole scenes are constructed from reflections in nighttime windows, mirrors, and other shiny expanses, and false (but pretty) facades are created to confuse and imprison characters. This constant emphasis on empty, backwards images supports Volckman's seeming disgust with society's preoccupation with youthful beauty (and the multibillion-dollar cosmetic industries that keep us hooked), although his own film is relentlessly gorgeous. [More]
Starring: Daniel Craig, Patrick Floersheim, Catherine McCormack, Romola Garai
Starring: Daniel Craig, Patrick Floersheim, Catherine McCormack, Romola Garai, Ian Holm, Jonathan Pryce
Director: Christian Volckman
Director: Christian Volckman
Screenwriter: Mathieu Delaport, Alexandre de la Patelliere
Producer: Jean-Bernard Marinot, Aton Soumache, Roch Lener, Alexis Vonarb
Studio: Miramax Films
Reviews for Renaissance
Just like Pixar's latest, the good looks are let down by a weak plot.
The film jumps cheerfully into every hard-boiled movie cliché like a child splashing into puddles.
The animation is gorgeous but makes the characters feel cold, and the plot is perhaps too labyrinthine even for this twisty genre. An interesting and gloriously designed effort rather than a must-see.
Gratifyingly downbeat and far more coherent than the Japanese anime movies to which it also owes a debt, Renaissance intelligently explores the ethical complexities of genetic manipulation.
The feature is over-extended at its current length, but its look and style are intriguing; it is maintained with energy and panache -- and its self-belief is impressive.
This chiaroscuro thriller is more visually arresting than narratively convincing, and as the police procedural unfolds, what might have been a sly cautionary tale, a la this summer's A Scanner Darkly, becomes merely procedural.
Artistic as it undeniably is, the two-tone effect grows tedious fast. And since it's coupled with a mystery story that's humdrum from the start, boredom multiplies.
The style doesn't just overwhelm the substance, it makes it irrelevant.
They may get points for style, but not for story, there isn't enough meat to the film to warrant the elaborate effort that went into animating it.
The sophistication of Renaissance is all in its ultracool appearance, with little of interest beneath its glittering surface.
Even more soulless than Tron or The Black Cauldron, Renaissance seems less a vanguard advance than the rococo degeneration of an art movement for trippy nerds.
...suffers from an unpleasant and relentlessly distracting animation style that ultimately renders its few positive attributes moot.
Latest News for Renaissance
September 25, 2006:
Box Office Wrapup: "Jackass" #1, "Little Miss Sunshine" Crosses $50M
Young men returned to theaters in droves and powered the crude new stunts sequel Jackass: Number Two to the number one spot with the biggest opening weekend of any film in the... More...
September 22, 2006:
RT Talks to the "Renaissance" Man
RT's own Jen Yamato sat down with "Renaissance" director Christian Volckman, who discussed laying the groundwork for his innovative project, including the painstaking... More...
September 21, 2006:
Box Office Guru Preview: Jackass Crashes into Theaters
Four new films open wide, but they may not be enough to stop the North American box office from suffering its third consecutive down weekend. More...
September 21, 2006:
Critical Consensus: "Jackass" Kicks; "King" Is Dethroned; "Fearless" Is Action-Packed; "Flyboys" Is Grounded
This week at the movies, we've got antisocial behavior ("Jackass: Number Two," with Johnny Knoxville and the gang), hell-raising politicos ("All The King's... More...
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