Despite the high stakes involved ... Rendition plods along with little vitriol and even less energy.
Rendition (2007)
Tomatometer
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Reviews Counted:146
Fresh:69
Rotten:77
Average Rating:5.5/10
Consensus: The impressive cast cannot rescue Rendition, which explores complex issues in woefully simplified terms.
Theatrical Release:19-10-2007
Synopsis: Reese Witherspoon and Jake Gyllenhaal star in this nail-biting political thriller from director Gavin Hood (TSOTSI). Showing the price and behind-the-scenes drama of post 9/11 anti-terrorist... Reese Witherspoon and Jake Gyllenhaal star in this nail-biting political thriller from director Gavin Hood (TSOTSI). Showing the price and behind-the-scenes drama of post 9/11 anti-terrorist security policies, the film focuses on the controversial U.S. practice of transporting suspected terrorists to locations outside the U.S. for intense interrogation and, as the film suggests, torture. Here, it is Egyptian-born Anwar El-Ibrahimi (Omar Metwally), an engineer and family man, who becomes a CIA target. On his way home to Chicago from business in South Africa, Anwar disappears at the Washington, D.C., airport. The records show he boarded the plane, but he never returns to his pregnant wife, Isabella (Witherspoon), and small son. As Anwar is taken to an undisclosed location for questioning, several other plotlines are introduced. After his partner is killed by a suicide bomber, Douglas Freeman (Gyllenhaal), a young and relatively inexperienced CIA analyst, must step in to observe the brutal torture and interrogation of Anwar at the hands of the brutish Abasi Fawal (Igal Naor), whose own daughter has run away with the brother of a potential terrorist. RENDITION tackles serious issues with an all-star cast that also includes a typically flawless Meryl Streep as a steely government official responsible for approving Anwar's kidnapping, and Peter Sarsgaard as old friend of Isabella who uses his political position to help her. RENDITION never delves too deeply into any one character, focusing instead on the important ways in which multiple storylines intersect and the personal stakes that each character has in the case. Clever editing and solid writing contribute to the film's success by encouraging the audience to view events from multiple points of view and by never becoming preachy or one-sided. [More]
Starring: Jake Gyllenhaal, Reese Witherspoon, Alan Arkin, Meryl Streep
Starring: Jake Gyllenhaal, Reese Witherspoon, Alan Arkin, Meryl Streep, Peter Sarsgaard, Omar Metwally, J.K. Simmons
Director: Gavin Hood
Director: Gavin Hood
Screenwriter: Kelley Sane
Producer: Steve Golin, Marcus Viscidi
Composer: Paul Hepker, Mark Kilian
Studio: New Line Cinema
Reviews for Rendition
By crafting an intricate and engaging story out of this country's most despicable 'weapon' in the war on terror, it's possible that its message may be more well-received than the dozens of damning documentaries that have preceded it.
Director Hood did the satisfying South African Oscar winner Tsotsi, and he wrangles Rendition's multiple storylines with skill. He cannot elevate the writing, however.
It all adds up to a dilution of the real issues at hand ... With friends like this movie, who needs Dick Cheney?
Everything is black and white here, a tremendous disservice considering the complexity of the issue.
Well-crafted political pot-boiler almost succeeds at being neither manipulative nor sensationalistic. Almost.
Rendition makes the case that torture, whatever name it goes under, is indefensible, yet one can agree with that view entirely and still feel that the movie is just a borderline exploitation of what anyone who reads the papers already knows.
Hot off the headlines, this is one timely thriller that delivers its message with a huge punch and no heavy speechifying.
Terrific character actors such as J.K. Simmons furrow their brows. Streep responds by speaking in Red-State bumper-sticker slogans, ordering up some torture and then gnawing the heads off newborn babies.
Rendition manages to take an urgent, important topic and turn it into standard Hollywood melodrama. What a waste.
We are ambushed by a simplistic storyline that's more interested in sermonizing and demonizing than existing in the real world where things aren't as clear-cut as the movie would like us to believe.
An issue that springs from collective fear and the baser instincts it engenders deserves a better, more intelligent, and more perceptive treatment than the trite platitudes Rendition offers.
Rendition has multiple crisscrossing plots, a cliff-hanger climax, and a strong current of hope -- that an individual’s conscience can triumph over careerism and bureaucratic moral blindness.
Hollywood kick-starts another Oscar season with a modish globetrotting guilt trip that histrionically explores how government policy and our involvement in the Middle East affects people in America on a personal level.
In the end, there's enough excitement, dimension and an involved level of acting by an ensemble of first-rate players to make the time rendered worth spending.
Works both as a tense thriller (complete with a skilfully handled time twist), and as an urgent warning about the track the world is currently on.
After overblown stories of mass walkouts by critics during its Toronto debut, Rendition proves to have enough substance, momentum and surprise to validate its entertainment value as a politically charged thriller.
As is usually the case in movieland, a powerful US agency is the villain. The use of torture is frowned upon, and a complex plot provides reasonable tension.
As soon as the hood comes out, start talking. Rendition leaves the question of guilt or innocence to each viewer.
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