Falling somewhere between Rocky Horror, Moulin Rouge! and Eyes Without A Face (with songs!), Repo! The Genetic Opera is the filmic equivalent of what architects call a 'folly'.
Repo! The Genetic Opera (2008)
Tomatometer
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Reviews Counted:52
Fresh:17
Rotten:35
Average Rating:4.5/10
Consensus: Bombastic and intentionally gross, Repo! The Genetic Opera has a unique style but lacks the wit and substance to be involving.
Runtime: 1 hr 38 mins
Genre: Horror/Suspense
Synopsis: Begun in 2002 as a Los Angeles stage production by writers Darren Smith and Terrence Zdunich, REPO! THE GENETIC OPERA was designed as a gory, comedic Grand Guignol to appeal more to club goers than... Begun in 2002 as a Los Angeles stage production by writers Darren Smith and Terrence Zdunich, REPO! THE GENETIC OPERA was designed as a gory, comedic Grand Guignol to appeal more to club goers than fans of musical theater. One fan, aspiring director Darren Lynn Bousman, who has since worked on the SAW franchise, vowed to one day direct a film version of the show. Six years (and five SAW films) later, he has made good on his promise with a bizarre, gory, and unique piece of work that is as sure to entertain as it is to polarize its audience. In the year 2056, following an epidemic of human organ failure, the GeneCo Corporation--owned by the mafia-like Largo family--grows and installs new organs on a massive scale. The business, though, necessitates the employment of repo men to reclaim the organs from clients who miss their payments. Repo man and single father Nathan Wallace (Anthony Head, BUFFY THE VAMPIRE SLAYER) keeps his job a secret from his terminally ill daughter, Shilo (Alexa Vega), doing it only to pay for her costly medication. Nathan also has a secret history with GeneCo patriarch Rotti Largo (Paul Sorvino)---and their connection is about to become public knowledge on the night of a concert from popular singer--and GeneCo client--Blind Mag (Sarah Brightman). Compellingly strange, REPO! resembles a comic book-influenced goth dinner theater production set within a dystopian video game. Musically, the score concentrates more on libretto-like sung dialogue than memorable tunes (save Vega's pop-punk "Sixteen" and Brightman's chilling "Chromaggia"), but the cast appears to be having a blast. Skinny Puppy's Nivek Ogre lends some underground cred as the most twisted member of the Largo clan, but Brightman gives the comically bloody proceedings true legitimacy. A surprising casting choice, she's an almost regal presence, and her goosebump-inducing soprano soars stratospherically above this fun cult film in-the-making. [More]
Starring: Anthony Head, Paul Sorvino, Alexa Vega, Terrance Zdunich
Starring: Anthony Head, Paul Sorvino, Alexa Vega, Terrance Zdunich, Paris Hilton, Sarah Brightman, Bill Moseley, Ogre
Director: Darren Lynn Bousman
Director: Darren Lynn Bousman
Screenwriter: Darren Smith, Terrance Zdunich
Producer: Mark Burg, Oren Koules, Dan Heffner, Carl Mazzocone
Studio: Lions Gate Films
Reviews for Repo! The Genetic Opera
Kinky, sexy, gory and campy, Repo! The Genetic Opera may be an unwieldy mess, but it's a fun unwieldy mess.
This is a Grand Guignol science fiction rock opera. The plot is minimal and for a rock opera, there is too little real melody.
There is too much ambition on display for the film to be completely dismissed, but good intentions carry Repo! only partway toward success.
Truly, the movie doesn't gain a lot from being set to music; after about half an hour it starts to feel like a gimmick.
If you're looking for insight into the death and resurrection of Christ, look no further: I can think of no better means by which to experience the cumulative effect of three days in hell in under 100 minutes.
Repo! lingers long after it ends, due in great part to a handful of memorable tunes and its persistent funky attitude, marked by an impressive desire to savor oddity and unconventional displays of heartache.
No, fans of "Mamma Mia!" won't be too thrilled with "Repo! The Genetic Opera."
[A] gory, off-putting musical, which tries to combine Gothic rock stylings with the grotesque sensibilities of so-called, 'torture-porn' horror-thrillers.
Bousman's editing and camera angles are consistently inventive, and the production design (Blade Runner is a big influence, as is Disneyland's "Haunted Mansion" attraction) squeezes a lot of bang out of every buck.
clearly strives to defy description, which of course makes it fun to describe
As it has evolved from a 10-minute cabaret piece, through a short film Bousman made in Toronto, to the big screen, Repo! The Genetic Opera has gained in both guts and gusto.
Repo! is a bloody grotesquerie, not a delicious delight as was Rocky Horror.
David Cronenberg might have made a great movie with the plot to Repo! The Genetic Opera.
It's not often you come across a film as unique as this, and while my taste for liver, lights, and sweetbreads isn't what it once was, this is still a fine post-Halloween aperitif, with guts to spare.
All-out thriller with few Bond touches but plenty of high-octane action.
I don’t know if words can describe just how awful and disgusting and insulting this movie was to watch.
People may want to label this emotionally cold curiosity piece as a cult in the making, but such claims might be jumping the gun. The picture doesn't hold nearly enough charm for that.
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