Repo! might have been an SNL or MADtv skit, but as a movie, it should be repossessed by its financiers.
Repo! The Genetic Opera (2008)
Tomatometer
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Reviews Counted:52
Fresh:17
Rotten:35
Average Rating:4.5/10
Consensus: Bombastic and intentionally gross, Repo! The Genetic Opera has a unique style but lacks the wit and substance to be involving.
Runtime: 1 hr 38 mins
Genre: Horror/Suspense
Synopsis: Begun in 2002 as a Los Angeles stage production by writers Darren Smith and Terrence Zdunich, REPO! THE GENETIC OPERA was designed as a gory, comedic Grand Guignol to appeal more to club goers than... Begun in 2002 as a Los Angeles stage production by writers Darren Smith and Terrence Zdunich, REPO! THE GENETIC OPERA was designed as a gory, comedic Grand Guignol to appeal more to club goers than fans of musical theater. One fan, aspiring director Darren Lynn Bousman, who has since worked on the SAW franchise, vowed to one day direct a film version of the show. Six years (and five SAW films) later, he has made good on his promise with a bizarre, gory, and unique piece of work that is as sure to entertain as it is to polarize its audience. In the year 2056, following an epidemic of human organ failure, the GeneCo Corporation--owned by the mafia-like Largo family--grows and installs new organs on a massive scale. The business, though, necessitates the employment of repo men to reclaim the organs from clients who miss their payments. Repo man and single father Nathan Wallace (Anthony Head, BUFFY THE VAMPIRE SLAYER) keeps his job a secret from his terminally ill daughter, Shilo (Alexa Vega), doing it only to pay for her costly medication. Nathan also has a secret history with GeneCo patriarch Rotti Largo (Paul Sorvino)---and their connection is about to become public knowledge on the night of a concert from popular singer--and GeneCo client--Blind Mag (Sarah Brightman). Compellingly strange, REPO! resembles a comic book-influenced goth dinner theater production set within a dystopian video game. Musically, the score concentrates more on libretto-like sung dialogue than memorable tunes (save Vega's pop-punk "Sixteen" and Brightman's chilling "Chromaggia"), but the cast appears to be having a blast. Skinny Puppy's Nivek Ogre lends some underground cred as the most twisted member of the Largo clan, but Brightman gives the comically bloody proceedings true legitimacy. A surprising casting choice, she's an almost regal presence, and her goosebump-inducing soprano soars stratospherically above this fun cult film in-the-making. [More]
Starring: Anthony Head, Paul Sorvino, Alexa Vega, Terrance Zdunich
Starring: Anthony Head, Paul Sorvino, Alexa Vega, Terrance Zdunich, Paris Hilton, Sarah Brightman, Bill Moseley, Ogre
Director: Darren Lynn Bousman
Director: Darren Lynn Bousman
Screenwriter: Darren Smith, Terrance Zdunich
Producer: Mark Burg, Oren Koules, Dan Heffner, Carl Mazzocone
Studio: Lions Gate Films
Reviews for Repo! The Genetic Opera
Deserves points for showing some guts in a year of bland musicals ... It's just too bad the music's so one-note.
Check out the trailer before you commit to this one; if it's for you, you'll know instantly. And if it's not, you'll know that, too.
Talented actors are involved, and I will spare them by not citing their names.
While it may be unfair to compare Repo! to Whedon’s Dr. Horrible’s Sing-Along Blog, a vastly superior three-webisode-long comic- book musical, it’s necessary.
If steampunk bloodbaths aren't for you, it's a long wait for the fat lady to sing.
There’s no song in Repo!’s heart -- plus, it’s disembodied and squashed on the floor.
So embarrassing that, for the first time, I wanted to avert my eyes from the screen, although that might have also been because Repo! appears to have been shot with a cell phone.
Rips off heavy metal and horror aesthetics to absolutely dismal effect.
Delivers atonal music at an unvarying loud pitch and is directed by a fellow who must have been taking a nap throughout all of its volume.
If you're a fan of musicals, I GUARANTEE that this will become a cult classic in your collection, for everyone else this is a unique film that - whether it's good or bad - will give you a new theatrical experience. And that's something special in this day
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