What starts as a sensitive, involving drama about grief and guilt annoyingly degenerates into a trite thriller.
Reservation Road (2007)
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Reviews Counted:106
Fresh:39
Rotten:67
Average Rating:5.2/10
Consensus: While the performances are fine, Reservation Road quickly adopts an excessively maudlin tone along with highly improbable plot turns.
Runtime: 1 hr 43 mins
Genre: Dramas
Synopsis: A wrenching drama based on the novel by John Burhnam Schwartz, RESERVATION ROAD is the story of two men whose lives are torn apart by a tragic accident. Ethan Learner (Joaquin Phoenix) and his wife... A wrenching drama based on the novel by John Burhnam Schwartz, RESERVATION ROAD is the story of two men whose lives are torn apart by a tragic accident. Ethan Learner (Joaquin Phoenix) and his wife Emma (Jennifer Connelly) are consumed with grief after their son Josh (Sean Curley) is struck by a hit and run driver. The man behind the wheel was Dwight Arno (Mark Ruffalo), a divorcee who was racing to get his own son back in time in accordance with a custody agreement. A lawyer himself, Dwight is all too familiar with the consequences of his actions. Unsure of what to do, he panics, then conceals his car in his garage. Lucky for him, the police can't find any leads, and the case quickly turns cold. Time passes, and Emma wants her family to heal and get on with their lives, but Ethan has become consumed with finding his son's killer. In a bizarre coincidence, he shows up at Dwight's office seeking legal advice about how to catch and prosecute the perpetrator. The guilt is eating away at Dwight, and he makes a plan to turn himself in, but not before he has a proper goodbye with his own son. When an image suddenly jars Ethan's memory of the accident, he begins to piece things together, causing him to quickly seek his retaliation, which results in a gripping and emotional stand-off. Joaquin Phoenix and Jennifer Connelly are excellent as the grieving parents, both offering a painfully realistic portrait of grief. Mark Ruffalo is equally impressive as the tormented and conflicted Dwight. While the film works nicely as both thriller and family drama, it at times has an emotional intensity that can be almost difficult to watch. Yet, all tear-jerking elements aside, director Terry George has crafted a smart and complex tale of loss, and the long, difficult road to healing. [More]
Starring: Joaquin Phoenix, Mark Ruffalo, Jennifer Connelly, Mira Sorvino
Starring: Joaquin Phoenix, Mark Ruffalo, Jennifer Connelly, Mira Sorvino, Elle Fanning
Director: Terry George
Director: Terry George
Screenwriter: John Burnham Schwartz, Terry George
Producer: Nick Wechsler, A. Kitman Ho
Composer: Mark Isham
Studio: Focus Features
Reviews for Reservation Road
Reservation Road leads audiences on an hour and forty minute ride to nowhere special.
With a cast as good as this one, you’re willing to look past the occasional glaring improbability.
It's a relentlessly downbeat, well-acted melodrama that's easy to admire, but intentionally impossible to enjoy.
But nuanced performances and an understated screenplay make it clear that these connections are here to underscore the way that that all of the relationships that define us are just a small part of the larger patterns that contain and sustain us all.
The real problem with this movie isn't its trashy side. It's the creepy note of causal judgment that hangs over it concerning the potential nightmare of parental visitation and enforcer ex-wives.
It's a gripping enough subject matter that isn't exactly given an engaging or focused enough screenplay to be as powerful as it so desperately strives for.
In the elegaic, beautifully acted Reservation Road, both [Phoenix and Ruffalo] are trying to find a path toward wholeness and each will need the other to find it.
The best efforts of the performers cannot authenticate a plot that no longer feels inevitable. It feels contrived. And the audience stays at a remove instead of entering someone else’s nightmare.
These actors are far too good for this material. The problem lies with the script, which relies on lazy manipulation to advance the plot.
George's thriller reveals itself to be nothing more than a by the numbers melodrama that's only saved by the excellent performances...
Um drama barato e maniqueísta que apela para truques narrativos rasos a fim de arrancar lágrimas do espectador e, assim, comprovar o próprio valor.
It makes for moments of suspense and drama, but the over-elaboration produces an exhaustion level that dissipates engagement with the moral question being mined for meaning.
Phoenix and Ruffalo probably signed on to Reservation thinking that parts this good were few and far between; they were right, and watching the two of them at work is the greatest pleasure Reservation Road has to offer.
. A long overdue showdown between the distraught father and his son's killer set the climax, leaving the movie an overlong and threadbare exercise in stagnate motivations of should, would and can't.
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