A film like this is refreshing and startling in the way it cuts loose from formula and shows us confused lives we recognize.
Riding in Cars with Boys (2001)
Tomatometer
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Reviews Counted:107
Fresh:51
Rotten:56
Average Rating:5.2/10
Consensus: Riding in Cars With Boys suffers from mixing grit and pathos with cuteness and comedy. Ironically, many critics found Zahn's character more compelling and three-dimensional than Barrymore's.
Runtime: 2 hrs 11 mins
Genre: Dramas
Synopsis: Beverly loves boys, but she knows her limits: nothing below the waist (hers), if she doesn't know the boy. Ray, however, a sweet-natured but shiftless young man is the exception to her rule and... Beverly loves boys, but she knows her limits: nothing below the waist (hers), if she doesn't know the boy. Ray, however, a sweet-natured but shiftless young man is the exception to her rule and shortly after meeting him she ends up pregnant--at age fifteen. At the wedding insisted upon by her disappointed father, Bev finds out her best friend is also pregnant, and the two console each other for the youth they've lost. RIDING IN CARS WITH BOYS is a true story based on the autobiography by Beverly Donofrio about her youthful days of revelry, rebellion, and teenage motherhood. Drew Barrymore is credible as an Italian-American girl who's far too smart to be stuck where she is in life, but it's Steve Zahn (THAT THING YOU DO, HAPPY, TEXAS) who steals the show in a long-overdue starring turn, with his heartfelt portrayal of a lost little boy who never finds his way to manhood. James Woods is Donofrio's alienated father. And Lorraine Bracco is her supportive, long-suffering mother who looks after the house, Bev's son Jason, and Ray, while Bev desperately tries for her GED and a scholarship to NYU. It's Bev's drive and unflagging ambition--and Penny Marshall's usual surehanded direction--that turn her hardship into the triumph of survival. Eventually, she realizes her own dreams, and her son's. [More]
Starring: Drew Barrymore, Steve Zahn, James Woods, Brittany Murphy
Starring: Drew Barrymore, Steve Zahn, James Woods, Brittany Murphy, Lorraine Bracco, Adam Garcia, Sara Gilbert
Director: Penny Marshall
Director: Penny Marshall
Screenwriter: Morgan Ward
Producer: James L. Brooks, Laurence Mark, Sara Colleton
Studio: Columbia Pictures
Reviews for Riding in Cars with Boys
As a flawed but lovably lionhearted woman, Barrymore triumphantly comes of age as an actress.
From Barrymore [Marshall's] drawn a performance that can grate but that also, in spite of the age limitations, sparkles.
Suffers from an uncertain and sometimes inappropriate tone, as well as a rather unwieldy length.
Through the very lengthy story, Barrymore and troublesome hubby Steve Zahn stumble a few times, too, but manage to be convincing by the conclusion.
Generosity of spirit -- typical of director Penny Marshall's work -- makes Riding in Cars less edgy (or progressive) than it might have been.
For all its characters' weaknesses, it believes in their essential decency and capacity for love -- and for a good deal of the time it makes us believers, too.
A trip that has an entirely predictable destination, and tugs far too insistently on the heartstrings in getting there.
Delivers a gentle and understanding slice of Americana while tackling some very tough subject matter.
Zahn puts in a sterling performance well worth the price of admission.
An uneasy mix of comedy and soap-opera bathos, only partly redeemed by some strong performances.
A funny, poignant adaptation of Beverly D'Onofrio's autobiography, and a chick flick that's refreshingly sap-free.
Chalks up victories for Drew Barrymore, Steve Zahn, director Penny Marshall, and almost its entire supporting cast.
After a successful comedic hour or so, the movie makes a sharp turn and becomes a long piece of shameless schmaltz that doesn't know when to stop.
Buried under the miscalculations, the shamelessness, the off-putting and inappropriate broadness are sporadically visible souvenirs of a good project gone bad.
A funny and sometimes aching movie that treads familiar dysfunctional family turf but still manages to eke out an emotionally toned balance.
Left a lot of the book's plot on the cutting-room floor in the transition from the page to the screen.
There is a complex heroine in here somewhere, but Barrymore and director Penny Marshall are so intent on making her likable that the movie flounders in cheap pathos.
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