The Ring Two dilutes the dread that the first installment generated and introduces even greater concentrations of plot absurdity.
The Ring Two (2005)
Tomatometer
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Reviews Counted:176
Fresh:36
Rotten:140
Average Rating:4.4/10
Consensus: Ring Two serves up horror cliches, and not even Hideo Nakata, the director of the movies from which this one is based, can save the movie from a dull screenplay full of absurdities.
Runtime: 1 hr 51 mins
Genre: Horror/Suspense
Synopsis: In this horror sequel from Japanese master Hideo Nakata, the curse of the videotape returns. Rachel Keller (Naomi Watts) and her son Aiden (David Dorfman) move from Seattle after their first... In this horror sequel from Japanese master Hideo Nakata, the curse of the videotape returns. Rachel Keller (Naomi Watts) and her son Aiden (David Dorfman) move from Seattle after their first terrible run-in with the tortured evil spirit Samara, relocating to Oregon. Attempting to make a fresh start, Rachel takes a job as a crime reporter at the local newspaper, instantly establishing a pluckily competitive friendship with colleague Max Rourke (Simon Baker). But when it turns out Samara (Kelly Stables) has followed their trail, taking out innocent teens along the way with her old videotape tricks, Rachel dives right back into the mystery. But Samara gets to her son Aiden first. And as a budding photographer in his own right, with a nifty digital camera that he takes everywhere, Aiden quickly finds his own way to harness the relentless ghost. This time, along with the familiar video imagery and spooky clues from the first film, there is a lot of flooding going on. Water pours from television sets, doorways, and especially bathtubs. In addition, there are special effects involving some undead deer who, like Samara, seem to want respite for their wrongful deaths. Sissy Spacek makes a cameo as a religious mental patient in a creepy institution. But it is Watts who steals the show as the fearless uber-mom who digs through the cobwebbed basement of a haunted house, plunges to the bottom of a slimy well, and dances with death in an attempt to stop the perpetual cycle. [More]
Starring: Naomi Watts, David Dorfman, Simon Baker, Sissy Spacek
Starring: Naomi Watts, David Dorfman, Simon Baker, Sissy Spacek, Elizabeth Perkins, Gary Cole
Director: Hideo Nakata
Director: Hideo Nakata
Screenwriter: Ehren Kruger
Producer: Walter F. Parkes, Laurie MacDonald
Composer: Henning Lohner, Hans Zimmer
Studio: DreamWorks Distribution LLC
Reviews for The Ring Two
Might have something interesting to say about cultural ambivalence by and toward the maternal impulse if only it had a spark of originality or verve.
While nearly every shock comes at predictable moments, there is genuine ingenuity behind many, and the movie is surprisingly fresh for one made by a guy on his third go-round with the same material.
Overall, it's a film project that follows logically from sequel-itis and box-office greed. And it never rises much above them.
Moves fast and isn't without its freakish images—but it becomes obvious the film was rushed into production without much thought or faithfulness into the first picture's lore.
The Ring Two is one of those rare Hollywood sequels -- a second chapter that holds it own against the ultra successful first.
Super-flashy American directors are supposed to gum up the works in a remake, not the original filmmaker. This is a narratively hollow, fright-free exercise of franchise.
A sequel that not only matches but exceeds the horrific power of its predecessor.
Just as the director’s creepy gliding camera endlessly haloes his distraught characters, The Ring franchise now appears content to simply go around in circles.
...so much of the plot is just left dangling, you’d think this thing was shot without a script.
Bolstered with Watts' half-crazy, one-woman-show intensity, Rachel is one tough momma.
...meanders so slowly through its paces that even the scares seem lethargic.
A half-intriguing, half-tedious follow-up to DreamWorks' 2002 creepy sleepersleeper.
Hardly running rings around the American original, this one is just a bottomless well of cliches.
A bottomless well of murky wetness out of which no woman emerges unpunished.
The film looses credibility at times, but there’s no denying that some of the ghost scenes are truly frightening.
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