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The Robe (1953)
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Reviews Counted:12
Fresh:5
Rotten:7
Average Rating:5.6/10
Runtime: 2 hrs 15 mins
Genre: Dramas
Synopsis: Based on a best-selling novel by Lloyd C. Douglas, THE ROBE is one of the best Biblical epics of all time. Richard Burton stars as Marcellus Gallio, a Roman who, after leading the crucifixion of... Based on a best-selling novel by Lloyd C. Douglas, THE ROBE is one of the best Biblical epics of all time. Richard Burton stars as Marcellus Gallio, a Roman who, after leading the crucifixion of Christ, takes home Jesus’ robe and is subsequently torn by nightmares and guilt. A distraught Marcellus makes his way back to Palestine, where a humble attempt to discover more about the man who died by his hand puts him on a miraculous path toward redemption. Originally released in 1953, this crisp and vibrant film was one of the first to be filmed in beautiful, expansive CinemaScope. It was nominated for five Academy Awards, including Best Picture, Best Actor, Best (Color) Cinematography, Best (Color) Costume Design, and Best (Color) Set Direction-Art Direction. Jean Simmons, Victor Mature, and Jay Robinson offer stellar supporting roles. [More]
Starring: Richard Burton, Jean Simmons, Victor Mature, Michael Rennie
Starring: Richard Burton, Jean Simmons, Victor Mature, Michael Rennie, Jay Robinson, Dean Jagger, Torin Thatcher, Richard Boone, Jeff Morrow, Ernest Thesiger
Director: Henry Koster
Director: Henry Koster
Producer: Frank Ross
Story: Lloyd C. Douglas
Composer: Alfred Newman
Reviews for The Robe
Had it not been the first film shot in CinemaScope, very few people would probably still be talking about The Robe.
Stick with The Ten Commandments, or try watching Fellini Satyricon instead.
Artistically, this historical epic is mediocre due to Kostler's pedestrian helming, but it bears the distinction of being the first released film in CinemaScope and the one to bring Richard Burton is first lead Oscar nomination.
an interesting film that compels viewers to consider how they would act in such times
Among the interesting qualities The Robe has to offer, its sense of social transcendence ranks among the worthiest, alongside the film’s demystification of religion, and decentralization of its protagonists.
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