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Robots (2005)
Tomatometer
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Reviews Counted:173
Fresh:110
Rotten:63
Average Rating:6.5/10
Consensus: Robots delights on a visual level, but the story feels like it came off an assembly line.
Rated: U [See Full Rating] for some brief language and suggestive humor.
Runtime: 1 hr 39 mins
Genre: Childrens
Theatrical Release:18-03-2005
Synopsis: The pixel-happy production company Blue Sky follows its successful feature ICE AGE with more animated antics in ROBOTS. Rodney Copperbottom (voiced by Ewan McGregor) is a talented inventor who... The pixel-happy production company Blue Sky follows its successful feature ICE AGE with more animated antics in ROBOTS. Rodney Copperbottom (voiced by Ewan McGregor) is a talented inventor who hopes to make his fortune by moving to Robot City and working among the nuts and bolts of the robotics industry. Rodney fantasizes about building robots for his boyhood hero and master inventor Big Weld (Mel Brooks), but when he meets him, Rodney's dream threatens to turn rusty. Big Weld reveals that his company is now being run by the evil Phineas T. Ratchet (Greg Kinnear), a merciless moneymaker who wants to rid the world of the antiquated robots that clutter up the streets of Robot City. This leaves Rodney's aspirations needing a major oil change, and with little chance of finding work, he feels about as useful as a broken spare part. So he takes to the streets, where he finds some unlikely salvation in a group of robots lead by Fender (Robin Williams). Fender urges Rodney to help save them from the scrap heap, while Ratchet and his company create threatening new policies on robot reconstruction. The ensuing action leads to a breathtaking set of adventures in the futuristic city. A fun, dizzying delight, ROBOTS benefits from the many voices of Robin Williams, who is the perfect comic foil to Ewan McGregor's central character. The special effects are masterfully handled, and the rendering of Robot City is a true sight to behold. A film that should find a broad audience among adults and children alike, ROBOTS is fast-paced animated entertainment at its finest. [More]
Starring: Halle Berry, Ewan McGregor, Robin Williams, Jim Broadbent
Starring: Halle Berry, Ewan McGregor, Robin Williams, Jim Broadbent, Terry Bradshaw, Mel Brooks, Amanda Bynes, Drew Carey, Jennifer Coolidge, Greg Kinnear
Director: Chris Wedge
Director: Chris Wedge
Screenwriter: Lowell Ganz, Babaloo Mandel, Ron Mita, Jim McClain, David Lindsay-Abaire
Producer: Jerry Davis, William Joyce, John C. Donkin
Composer: John Powell
Studio: 20th Century Fox
Reviews for Robots
Does not suffer from Shark Tale syndrome; instead a good story with a good message and great performances.
The story holds it back from the "classic" status... All the same, Robots is cute and colorful. Kids will love it and parents will be entertained enough not to mind.
Far more interested in yelling 'look what we can do!' than in developing any of its characters or livening up its recycled story.
The film is very imaginative and you need to see it several times to appreciate the humor.
This giddy exposition is polished in its nostalgic atmospheric look but has been assembled with the simplistic precision of piecing together a Tonka toy truck
The subject of robots is reduced to a cute story rather than being motivated by a substantial theme.
A technically fine looking yet dull-as-drill-bits movie whose busy animation creates 90 minutes of chaos onscreen.
An innate awareness that generating underarm faux flatulence is difficult when you're made of metal, but not impossible, is just the spirit we need to see more often.
Though it takes a while to find its (ball) bearings, Robots is a consistently inventive visual experience.
Amazingly, even the presence of two of the funniest human beings on earth, Williams and Brooks, doesn’t help.
The tin-bucket robots characters are just as robotic in personality as they are in form, thus they never come across as being particularly interesting or sympathetic.
The story is predictable, mediocre and clichéd, but visually, the film is marvelous.
When a film's primary source of pleasure comes from sights half-hidden in the background, there's something terribly amiss.
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