It does contain exactly two memorable scenes...but the rest of RocknRolla is one identical scene after another where one guy tries to out badass the other guy.
RocknRolla (2008)
Tomatometer
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Reviews Counted:135
Fresh:80
Rotten:55
Average Rating:5.9/10
Consensus: Mixed reviews for Guy Ritchie's return to his London-based cockney wideboy gangster movie roots, but most agree, it's a step in the right direction following two major turkeys.
Theatrical Release:05-09-2008
Synopsis: Guy Ritchie returns to form with this cockney crime caper starring Gerard Butler and Tom Wilkinson. Lenny Cole (Wilkinson) is a bungling London crime boss who calls the shots in London's... Guy Ritchie returns to form with this cockney crime caper starring Gerard Butler and Tom Wilkinson. Lenny Cole (Wilkinson) is a bungling London crime boss who calls the shots in London's underworld. We learn all about Lenny from Archie (Mark Strong)--his second in command--who serves as the film's sly narrator. When a wealthy Russian property dealer by the name of Uri (Karel Roden) looks to Lenny for help on a major new deal, Lenny is eager to assist (for a very large fee, of course). Uri agrees to pay, and as a show of faith, he insists that Lenny borrow his "lucky painting." Uri then asks his accountant, Stella (Thandie Newton), to transfer the money to Lenny, but things quickly go awry when two crooks known as Mumbles (Idris Elba) and One Two (Butler) intercept the money before it reaches him. To make matters worse, the lucky painting has mysteriously been stolen, and the number one suspect is a crack-addicted pop star, Johnny Quid, who is presumed dead. Violent hijinks ensue as Lenny desperately tries to locate the painting, Uri calls in some sadistic thugs to recover his money, and Johnny Quid suddenly resurfaces. Men are battered with golf clubs, fed to crawfish, and attacked with machetes, and a surprise twist ending neatly ties up the whole bloody mess. Fans of Ritchie will likely be very pleased to see him return to his SNATCH-style of filmmaking. ROCKNROLLA has the same frenetic, humorous edge as the film that made him famous, though critics might complain that this particular style is starting to look a little dusty. Regardless, ROCKNROLLA features many fine performances, and once you get past the rather slow beginning, it kicks off into an entertaining and amusing romp. [More]
Starring: Gerard Butler, Tom Wilkinson, Thandie Newton, Jeremy Piven
Starring: Gerard Butler, Tom Wilkinson, Thandie Newton, Jeremy Piven, Chris "Ludacris" Bridges, Mark Strong, Idris Elba, Tom Hardy, Toby Kebbell
Director: Guy Ritchie
Director: Guy Ritchie
Screenwriter: Guy Ritchie
Producer: Joel Silver, Guy Ritchie, Susan Downey, Steve Clark-Hall
Composer: Steve Isles
Studio: Warner Bros.
Reviews for RocknRolla
Welcome back, Mr. Ritchie. I missed your work when you were, you know, Swept Away into an uncomfortable filmmaking zone.
"RocknRolla" is fun, ridden with dark humor mixed with violence [but] its near two-hour run time should have been more like 90 minutes.
RocknRolla is pure Guy Ritchie. All style and not even a pretense of substance.
You don't just watch a Guy Ritchie movie. They are to be experienced. Some circles consider his films more of an assault on the senses than exploration of plot.
It's a nice diversion and if you're not one of those people whoholds grudges about other people's unfulfilled potential ("Why is Guy Ritchie wasting his time - and ours - by making the same movie again and again?"), you might find yourself entertained.
Ritchie, who shoots and cuts everything in RocknRolla like an ad for a particularly greasy brand of fragrance for men, delivers the beatings and killings in his trademark atmosphere of morally weightless flash.
Style is what RocknRolla is all about. And it has it in spades, from the cockney Pulp Fiction dialogue to the music-video editing of the rambling narrative.
If RocknRolla is to be trusted, the director is relying less on his old bag of tricks and more on his expanding abilities as a storyteller -- not just a story stylist.
RocknRolla never feels like it's building to anything, and when we get to the end, we discover it wasn't, in fact, building to anything.
RocknRolla is a recovery from the knockout blows of his past two films but Ritchie is certainly retreading familiar thematic territory.
It's wincingly dated, playing like a Cockney remake of Pulp Fiction, with no new ideas and so cartoonish in style that it's difficult to emotionally connect with anything that's going on.
As in other Ritchie films, RocknRolla attempts to depict a world of ever-expanding chaos. But the chaos is only in the way the story is told. The actual vision Ritchie offers is pedestrian and tame.
This exuberant exercise in pretzel-plotted crime capers is a ridiculously entertaining piece of nonsense, devoid of all the attempts at psychological complexity and philosophical navel-gazing that bogged down Revolver.
Flashy but assured, the film is a controlled exercise in style that toes the line but never feels over-the-top. In a word, RocknRolla rocks.
A handsome ensemble of blokes and one high-heeled accountant who propel this slam-bang romp about the collision of criminal styles in the age of globalization and real estate speculation.
For all its hipster posturing, fast cutting, and camera tricks, this tale of chicanery is peculiarly arid and brittle, without a single character worth caring about.
Ritchie the director may have returned to form, but Ritchie the writer is still an amorphous mess.
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