Rocky Balboa scores a split decision: A familiar start, some flat-footed middle rounds and a solid, flailing finish.
Rocky Balboa (2006)
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Reviews Counted:169
Fresh:129
Rotten:40
Average Rating:6.6/10
Consensus: Implausible but entertaining and poignant, Rocky Balboa finds the champ in fighting form for the first time in years.
Rated: 12A [See Full Rating] for boxing violence and some language
Runtime: 1 hr 42 mins
Genre: Dramas
Theatrical Release:19-01-2007
Synopsis: ROCKY BALBOA, the sixth installment of the long-running film franchise, should amount to nothing more than a lame punch line to a TONIGHT SHOW monologue joke. However, just as his longtime corner... ROCKY BALBOA, the sixth installment of the long-running film franchise, should amount to nothing more than a lame punch line to a TONIGHT SHOW monologue joke. However, just as his longtime corner man Paulie describes the Italian Stallion himself, this movie is all heart. Thirty years after Sylvester Stallone first introduced the underdog backroom brawler from Philadelphia in the Oscar-winning ROCKY, Rocky Balboa returns for one last dance. Speculation as to whether Balboa, in his prime, would have been able to defeat lackluster champ Mason "The Line" Dixon spurs Dixon's management to set up an exhibition fight between the two. That Balboa is in his 50s in the film and wouldn't be sanctioned to fight anyone, let alone a man 30 years his junior and in the prime of life, must be left up to the viewer's ability to suspend disbelief. To its credit, however, the movie addresses at every turn the insanity of a man approaching 60 getting back into a boxing ring, and Balboa's impassioned explanation of his motivations is just believable enough to give all other improbabilities a free pass. Though it may sound like faint praise, this is the best ROCKY movie since the original. It's very much a love letter to Philadelphia, and Stallone, who wrote and directed the movie, shoots everything with an unflinching eye that humanizes the mean streets of the City of Brotherly Love and evokes the gritty dignity of the original film. And while Burt Young's cantankerous Paulie and Tony Burton's Duke both return, Talia Shire, sadly, does not reprise her role as the beloved Adrian. It's revealed early in the film that Adrian has died of cancer, and it's the pain of that tragedy that ultimately fuels Rocky. Boxing as a metaphor for life is certainly nothing new, but Stallone makes a legitimate contribution to the tradition with ROCKY BALBOA. Life hits harder than any man can, and one's ability to keep getting up until the final bell rings is the true measure of self. Corny? Perhaps. But when Bill Conti's legendary score kicks in and Rocky starts pounding the heavy bag, the metaphor feels truly profound. [More]
Starring: Sylvester Stallone, Antonio Tarver, Burt Young, Milo Ventimiglia
Starring: Sylvester Stallone, Antonio Tarver, Burt Young, Milo Ventimiglia, Tony Burton, Geraldine Hughes, James Francis Kelly, Bert Sugar, Max Kellerman, Larry Merchant, Jim Lampley
Director: Sylvester Stallone
Director: Sylvester Stallone
Producer: William Chartoff, David Winkler, Robert Chartoff
Composer: Bill Conti
Studio: Columbia Pictures
Reviews for Rocky Balboa
Rocky Balboa is the best Rocky movie since the original and a fitting final (we hope) tribute to one of the great American movie characters.
Rocky, one of Hollywood's iconic characters, finally gets to retire with dignity.
The first four-fifths of the film is a meandering lead-up to the inevitable getting-in-shape montage, run up the steps and a big fight. Up until that point, all Rocky does is talk. And talk. And talk.
Rocky Balboa is no knockout, but before it, Stallone and his career were down for the count. Now his legacy is saved by the bell.
Nothing that happens here is particularly touching, exciting or funny.
Balboa is Stallone's way of stepping back from the grandiosity, the franchising and the vanity of Rocky 2-3-4-5 and remembering the simple, humble magic of the original.
The purpose is to show us that Stallone and his creation have both still got it. All they ask is that we give them a chance. Thankfully, the new film rewards our indulgence.
Rocky Balboa is not only the best sequel since Terminator 2 and the best movie of writer-director-star Sylvester Stallone's career, it's one of the best American films of 2006, and the year's most pleasant surprise.
Stallone has said this is it for Rocky -- even if the film is major box office hit, there will be no seventh outing. If that's the case, it's hard to think of a better sendoff.
[Stallone] restores the heart to one of Hollywood's most popular underdog sagas -- a heart that's gone missing in an increasingly superficial and cynical series of sequels.
Sylvester Stallone, 60, still looks great with his shirt off. It's his directing, writing and acting skills that at times seem out of shape.
It's just good to see the guy, and it's good to revisit the character. And that's everything good to be said for the experience.
Ultimately, is Rocky Balboa necessary? Of course not. But neither are plenty of other movies that find their way to theaters, and this one at least provides some undemanding entertainment.
Shamelessly nostalgic, strenuously formulaic and utterly bereft of unforeseen developments, Rocky Balboa nevertheless has its modest charms.
I gotta admit that I had a pretty good time watching this 94th film in a series that started 30 years ago.
There were titters, yes. But to this viewer, sentimentality won by a knockout.
It's actually the best Rocky movie since the original -- a fitting and triumphant final chapter for one of the most iconic characters in the history of motion pictures.
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