The proverbial sun has set with enough grace to make us all feel a little apologetic for the doubt we all had on the character who was a champ well before he was ever a champion.
Rocky Balboa (2006)
Tomatometer
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Reviews Counted:169
Fresh:129
Rotten:40
Average Rating:6.6/10
Consensus: Implausible but entertaining and poignant, Rocky Balboa finds the champ in fighting form for the first time in years.
Rated: 12A [See Full Rating] for boxing violence and some language
Runtime: 1 hr 42 mins
Genre: Dramas
Theatrical Release:19-01-2007
Synopsis: ROCKY BALBOA, the sixth installment of the long-running film franchise, should amount to nothing more than a lame punch line to a TONIGHT SHOW monologue joke. However, just as his longtime corner... ROCKY BALBOA, the sixth installment of the long-running film franchise, should amount to nothing more than a lame punch line to a TONIGHT SHOW monologue joke. However, just as his longtime corner man Paulie describes the Italian Stallion himself, this movie is all heart. Thirty years after Sylvester Stallone first introduced the underdog backroom brawler from Philadelphia in the Oscar-winning ROCKY, Rocky Balboa returns for one last dance. Speculation as to whether Balboa, in his prime, would have been able to defeat lackluster champ Mason "The Line" Dixon spurs Dixon's management to set up an exhibition fight between the two. That Balboa is in his 50s in the film and wouldn't be sanctioned to fight anyone, let alone a man 30 years his junior and in the prime of life, must be left up to the viewer's ability to suspend disbelief. To its credit, however, the movie addresses at every turn the insanity of a man approaching 60 getting back into a boxing ring, and Balboa's impassioned explanation of his motivations is just believable enough to give all other improbabilities a free pass. Though it may sound like faint praise, this is the best ROCKY movie since the original. It's very much a love letter to Philadelphia, and Stallone, who wrote and directed the movie, shoots everything with an unflinching eye that humanizes the mean streets of the City of Brotherly Love and evokes the gritty dignity of the original film. And while Burt Young's cantankerous Paulie and Tony Burton's Duke both return, Talia Shire, sadly, does not reprise her role as the beloved Adrian. It's revealed early in the film that Adrian has died of cancer, and it's the pain of that tragedy that ultimately fuels Rocky. Boxing as a metaphor for life is certainly nothing new, but Stallone makes a legitimate contribution to the tradition with ROCKY BALBOA. Life hits harder than any man can, and one's ability to keep getting up until the final bell rings is the true measure of self. Corny? Perhaps. But when Bill Conti's legendary score kicks in and Rocky starts pounding the heavy bag, the metaphor feels truly profound. [More]
Starring: Sylvester Stallone, Antonio Tarver, Burt Young, Milo Ventimiglia
Starring: Sylvester Stallone, Antonio Tarver, Burt Young, Milo Ventimiglia, Tony Burton, Geraldine Hughes, James Francis Kelly, Bert Sugar, Max Kellerman, Larry Merchant, Jim Lampley
Director: Sylvester Stallone
Director: Sylvester Stallone
Producer: William Chartoff, David Winkler, Robert Chartoff
Composer: Bill Conti
Studio: Columbia Pictures
Reviews for Rocky Balboa
the music is still as rousing as it was the first time you heard it, and there's something magical that draws in the most cynical of audience members ... Go ahead and see it. You know you want to.
The word is that this film has been made so that Stallone can end the series on his terms. The studio saw a quick name recognition cash grab. I guess that's all it takes these days.
What sounds absurd in print -- a 60-year-old Balboa gets back in the ring with the reigning heavyweight champ -- is thoroughly, satisfyingly enjoyable on-screen.
As expected, Rocky Balboa is pretty cornball, cliched and predictable. Yet there's more life than you might think in the old war horse -- both the character and the concept.
Rocky Balboa is far from essential, and there are moments in it bad enough to make you wince. But I dare you not to feel at least a tiny little rush when that opening bell rings, and Rocky starts swinging one final time.
Even as Sylvester Stallone's long goodbye to the heroic underdog who made him famous descends from pathos into silliness, and from fairy tale into hallucination, you can't help liking the big galoot.
It doesn't suck. Please take a moment to pick your jaw up off the floor and we'll continue.
Stallone did what he needed to do, and he’s got my respect for taking all the criticism and flack just to end things the right way.
A return to the basics of the original, more character study than action movie.
What makes this vanity project so pleasurable is that Stallone has written a script filled with wit, and even self-deprecation. In the end, there's no quit in Rocky Balboa. More alarmingly, there appears to be none in Sylvester Stallone.
Shadow-boxing his original film in every respect without ever cannibalizing it, Stallone's Rocky Balboa is a joyous thing.
After a very shaky start, the film gradually overcomes our resistance, satisfies our credulity, wins us over and gives us an inspirational high. It had me in tears before it was done, and I'm a tough audience.
Don't expect to be knocked out by the originality of Rocky Balboa. But if you've enjoyed previous films in the series, it's worth another round.
A deep and astonishingly authentic streak of melancholy runs through this fifth sequel to the 1976 sleeper that made both struggling actor Sylvester Stallone and hard-luck slugger Rocky Balboa international stars.
Rocky still has some life left in him, and so does the franchise. As Rocky himself might have said, who wouldda thunk?
Rocky Balboa puts the anything-is-possible fairy tale to rest with a lot of heart, and a lot of hooey.
OK, so it's not a great movie. But like its hero, it has a great heart.
Latest News for Rocky Balboa
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