Just as he did back in 1976, Rocky--and by extension Stallone himself--is climbing into the ring as a man with something to prove. And for the first time in thirty years, you just might find yourself cheering him on.
Rocky Balboa (2006)
Tomatometer
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Reviews Counted:169
Fresh:129
Rotten:40
Average Rating:6.6/10
Consensus: Implausible but entertaining and poignant, Rocky Balboa finds the champ in fighting form for the first time in years.
Rated: 12A [See Full Rating] for boxing violence and some language
Runtime: 1 hr 42 mins
Genre: Dramas
Theatrical Release:19-01-2007
Synopsis: ROCKY BALBOA, the sixth installment of the long-running film franchise, should amount to nothing more than a lame punch line to a TONIGHT SHOW monologue joke. However, just as his longtime corner... ROCKY BALBOA, the sixth installment of the long-running film franchise, should amount to nothing more than a lame punch line to a TONIGHT SHOW monologue joke. However, just as his longtime corner man Paulie describes the Italian Stallion himself, this movie is all heart. Thirty years after Sylvester Stallone first introduced the underdog backroom brawler from Philadelphia in the Oscar-winning ROCKY, Rocky Balboa returns for one last dance. Speculation as to whether Balboa, in his prime, would have been able to defeat lackluster champ Mason "The Line" Dixon spurs Dixon's management to set up an exhibition fight between the two. That Balboa is in his 50s in the film and wouldn't be sanctioned to fight anyone, let alone a man 30 years his junior and in the prime of life, must be left up to the viewer's ability to suspend disbelief. To its credit, however, the movie addresses at every turn the insanity of a man approaching 60 getting back into a boxing ring, and Balboa's impassioned explanation of his motivations is just believable enough to give all other improbabilities a free pass. Though it may sound like faint praise, this is the best ROCKY movie since the original. It's very much a love letter to Philadelphia, and Stallone, who wrote and directed the movie, shoots everything with an unflinching eye that humanizes the mean streets of the City of Brotherly Love and evokes the gritty dignity of the original film. And while Burt Young's cantankerous Paulie and Tony Burton's Duke both return, Talia Shire, sadly, does not reprise her role as the beloved Adrian. It's revealed early in the film that Adrian has died of cancer, and it's the pain of that tragedy that ultimately fuels Rocky. Boxing as a metaphor for life is certainly nothing new, but Stallone makes a legitimate contribution to the tradition with ROCKY BALBOA. Life hits harder than any man can, and one's ability to keep getting up until the final bell rings is the true measure of self. Corny? Perhaps. But when Bill Conti's legendary score kicks in and Rocky starts pounding the heavy bag, the metaphor feels truly profound. [More]
Starring: Sylvester Stallone, Antonio Tarver, Burt Young, Milo Ventimiglia
Starring: Sylvester Stallone, Antonio Tarver, Burt Young, Milo Ventimiglia, Tony Burton, Geraldine Hughes, James Francis Kelly, Bert Sugar, Max Kellerman, Larry Merchant, Jim Lampley
Director: Sylvester Stallone
Director: Sylvester Stallone
Producer: William Chartoff, David Winkler, Robert Chartoff
Composer: Bill Conti
Studio: Columbia Pictures
Reviews for Rocky Balboa
Stallone doesn't pander to audiences with unearned sentiment. He believes in his story, in the inspirational element that has sent thousands of folks running up the steps of the Philadelphia Museum of Art over 30 years.
The Italian Stallion gallantly fights one last time in Rocky Balboa, an endearing final chapter that has more in common with the 1976 original than any of the sequels.
The big surprise is that it also has just enough referential wit and nostalgic charm to keep the smiles coming through the schmaltz.
The new old Rocky doesn't need a last-minute, come-from behind, rock 'em, sock 'em victory to give us a good time. You know what? I smell a sequel.
Rocky Balboa, the sixth (and hopefully last) installment in the underdog saga of the Italian Stallion, straddles the line between nostalgia and self-parody and frequently teeters toward the latter.
Above all this is a film for gluttons for punishment, for those who never ever can get enough of Sylvester Stallone. Everyone else, please leave the building.
Mock Stallone all you want. I want to also, but I can't. He understands that the character is much bigger than himself, an American emblem that will long outlive him.
Stallone, sporting the triple-decker title of writer, director and star at age 60, ratchets down the volume and retains some of the legend's scruffy origins while making sure that it all comes together at the end with a Big Noisy Fight.
Surprisingly, Rocky Balboa is no embarrassment. Like its forerunners it goes the distance almost in spite of itself.
handled with all the appropriate pomp and circumstances befitting a big screen icon
Rocky Balboa, effortlessly reflexive and patently, even proudly, absurd, is a tough movie to dislike -- and believe me, I've tried.
Sly Stallone writes, directs, produces, and stars -- a real quadruple threat, assuming you're talking about unintelligible, monotonous, pandering, and (presumably) incontinent.
Does right by the big lug and proves he's got some fight left in him.
Though even in this incarnation Rocky remains a likable lug, he was unwise to come out of well-deserved retirement.
In a year of amazing comebacks, Sly delivers a moving performance as the aged boxer.
The movie -- like its hero -- suffers from a bad case of calcium on the joints.
[E]lectrifying in its gritty subtlety and powerful in its authenticity...
'I still have the 'eye of the tiger,' says Sly. 'Unfortunately, the tiger now has glaucoma.'
Latest News for Rocky Balboa
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February 19, 2008:
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