This goofy tale of self-emancipation, a love story made by a mature man wise to the possibilities of the improbable, is also a thriller with an unexpectedly dark edge.
Roman de Gare (2008)
Tomatometer
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Reviews Counted:71
Fresh:62
Rotten:9
Average Rating:7.1/10
Consensus: Claude Lelouch has crafted an engaging thriller about murder and romance with plenty of stylistic panache.
Runtime: 1 hr 43 mins
Genre: Foreign Films
Synopsis: True to its title, ROMAN DE GARE (CROSSED TRACKS) finds famed French director Claude Lelouch (UN HOMME ET UNE FEMME) jumping between time and loyalties in this suspenseful mystery about fate and... True to its title, ROMAN DE GARE (CROSSED TRACKS) finds famed French director Claude Lelouch (UN HOMME ET UNE FEMME) jumping between time and loyalties in this suspenseful mystery about fate and fatal secrets. As the film opens, popular crime novelist Judith Ralitzer (Fanny Ardant) finds herself at the receiving end of a police interrogation for two murders. We then learn about the escape of an actual serial killer known as "The Magician," who may already be lurking on the roads leading out of Paris. The road is where we find Huguette (Audrey Dana), a high-strung hairdresser who is soon abandoned by her enraged fiancé at a highway service station. Huguette is rescued by the unassuming Pierre (Dominique Pinon), who may or may not actually be the ghost writer responsible for Judith Ralitzer's success. Pierre pretends to be Huguette's fiancé so that her provincial parents and alienated daughter will think that Huguette has put her life in order. But even as Pierre wins the affection of Huguette and her family, his reliance on magic tricks may hint at a much darker secret. And when Pierre is reunited with the celebrity-absorbed Ralitzer, his intention to come out from her shadow and be his own author may force the star to construct a novel demise for her servant. Taking advantage of a superb cast and gorgeous French locations, Lelouch's veteran touch deftly manages ROMAN DE GARE's multiple layers of mystery and romance. The result is a pleasingly chic thriller grounded in a very human belief in the surprising possibilities that come from love. [More]
Starring: Dominique Pinon, Fanny Ardant, Audrey Dana, Zinedine Soualem
Starring: Dominique Pinon, Fanny Ardant, Audrey Dana, Zinedine Soualem, Michèle Bernier, Myriam Boyer, Boris Ventura Diaz, Marc Rioufol, Thomas Le Douarec
Director: Claude Lelouch
Director: Claude Lelouch
Screenwriter: Claude Lelouch, Pierre Uytterhoeven
Producer: Claude Lelouch
Composer: Gilbert Becaud, Alex Jaffray
Studio: Samuel Goldwyn Films
Reviews for Roman de Gare
It's the smartest and best suspense movie you're likely to see for a while.
Thanks to the able cast and crisp cinematography, it's mostly unpretentious and reasonably entertaining.
A glossy, enjoyable thriller that isn't quite as tricky or Hitchcockian as it wants to be, Roman de Gare gets by on high style and nice central performances by rubber-faced Dominique Pinon and Audrey Dana.
Claude Lelouch's ode to the 'train station novel' is a perfectly balanced genre blend of romance and suspense thriller that shifts gears like an Aston Martin on Route One.
A sly catalog of deceits and a gentle commentary on slippery creativity and desire.
There's no depth or resonance to what happens in the picture; it's all surface effect. But that doesn't mean it isn't reasonably enjoyable.
In quite a balancing act, [Lelouch] has written a script that's a thriller, somber romantic comedy, and, for the first half, a tense road movie.
Lelouch's film is the cinematic equivalent, enjoyable fluff that your mind will discard after the closing credits -- but worth seeing nevertheless.
The story's Hitchcockian plot loses steam quickly, though Pinon's salty presence keeps things from getting totally bloodless.
[Director Lelouch] doesn't really move much beyond his usual glib panache here, but the plot is intriguing and so are the actors.
The twists and convolutions of the film’s beginning and end enable a middle that is dizzying domestic comedy.
Roman De Gare's neatest trick is [Dominique] Pinon's performance, which draws out a hitherto unseen leading-man allure.
Despite the superb acting and wonderfully sly dialogue, Roman de Gare can't tie all its bows neatly enough to be truly satisfying.
Despite all my reservations, I think it is worth seeing, though I do not approve of all the trickery involved.
A playful, delightful, and surprising exploration of love's mysterious ways.
Though Lelouch has toned down his penchant for putting pretty pictures ahead of plot, there’s still a nagging sense of disposability.
I can’t say that I love all of Roman De Gare, but it is worth reporting that the first half of the film is nearly perfect -- a master’s piece.
Latest News for Roman de Gare
February 17, 2008:
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