Full marks for intent; barely a pass for execution.
Rory O'Shea Was Here (2005)
Tomatometer
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Reviews Counted:69
Fresh:34
Rotten:35
Average Rating:5.8/10
Consensus: The dramatic aspects of Rory O'Shea Was Here veer into mawkish, formulaic sentiment, which undercuts the characters' individuality.
Runtime: 1 hr 45 mins
Genre: Dramas
Synopsis: The winner of the Audience Award at the 2004 Edinburgh International Film Festival, Rory O'Shea Was Here is an extraordinary story of determination that fuses highly emotional drama with bracingly... The winner of the Audience Award at the 2004 Edinburgh International Film Festival, Rory O'Shea Was Here is an extraordinary story of determination that fuses highly emotional drama with bracingly boisterous humor. Inspired by the experiences of real people, the film follows two young men with physical disabilities as they band together and seize an opportunity to savor life on their own terms. All his life, Michael Connolly (Steven Robertson) has lived in the residential care of Dublin's Carrigmore Home for the Disabled. Michael has cerebral palsy, uses a motorized wheelchair, and has a significant speech impairment. Most people find it difficult to make out what he is saying, and simply stop trying. But Rory O'Shea (James McAvoy), a new arrival at Carrigmore, is not like most people -- or any of the other Carrigmore residents. Rory is able to understand Michael. Rory has Duchenne muscular dystrophy, a degenerative muscle-wasting condition. All Rory has are the use of two of his fingers, partial movements of his head -- and unlimited use of his mouth. These two young men form a friendship that empowers them to look beyond Carrigmore and its inflexible supervisor Eileen (Brenda Fricker). After the rebellious and outspoken Rory masterminds a field trip to pub and nightclub, Michael is emboldened and motivated to finesse an appeal to Ability Ireland for a personal-assistance grant. His appeal is successful, enabling the two friends to move into a flat of their own and recruit the disarming Siobhan (Romola Garai) to assist them with their daily needs. Rory and Michael both develop growing feelings for Siobhan, and their rivalry for her attention only further accelerates their shared journey towards true independence and liberation. -- © Focus Features [More]
Starring: Steven Robertson, James McAvoy, Romola Garai, Brenda Fricker
Starring: Steven Robertson, James McAvoy, Romola Garai, Brenda Fricker, James Flynn, Gerard McSorley, Tom Hickey
Director: Damien O'Donnell
Director: Damien O'Donnell
Screenwriter: Jeffrey Caine
Producer: James Flynn
Composer: David Julyan
Studio: Focus Features
Reviews for Rory O'Shea Was Here
O'Donnell should be lauded for offering a sensitive portrayal of disabled people without ever being patronizing.
An uplifting buddy movie, the film aims to encourage audiences to see the person rather than the disability
Thanks to strong performances and some bracing one-liners, O'Donnell makes a convincing case for equality for disabled people in society, though casting able-bodied actors as his wheelchair-driving protagonists unavoidably weakens his argument.
A modest, relatively low-budget affair graced with strong stars and sharp dialogue.
Well worth seeing, thanks to impressive performances by McAvoy and Robertson and solid direction by O'Donnell.
Tries and fails to juggle humor, sentimentality and political correctness with its punk war cry.
Tries and fails to juggle humor, sentimentality and political correctness with its punk war cry.
There's little to emotionally involve the viewer, though the ending is meant to pull at the heartstrings.
Director Damien O'Donnell and screenwriter Jeffrey Caine faithfully adhere to the bylaws of melodrama and quickly plunge us from triumph to tragedy.
As a feel-good movie about disabled youths, Rory O'Shea Was Here gets the job done, but it isn't interesting or daring enough to make it worth a trip to a theater.
While the film tries to tell a good story and illuminate various issues for the handicapped at the same time, the third act slides into the maudlin, and that would be the extra-strength Irish maudlin at that, with its hint o' blithering blarney.
Spiky-haired, handsome MacAvoy shows us how to be audacious and prominent without moving more than his face and two fingers.
With great dramatic flair, this fine film depicts how a larger-than-life young man who is both abrasive and fesity has a transforming effect on a sheltered friend.
This problematic individual is quickly reduced to symbolic chump change. Pale martyrdom ensues, as he's dulled down and sanctified according to trite Hollywood formula. Yawn.
Differently abled characters are too seldom portrayed on screen [but] the overall impression of the film is rather mawkishly obvious.
[MacAvoy] is boisterous, projecting a larger than life personality that doesn’t so much rail against his disability as thumbs its nose at it
Real people with real problems deserve to be more than proverbial Christopher Reeves bolted, as THE ONION once suggested, to proverbial Washington Monuments.
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