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Movies / On DVD / S1m0ne
S1m0ne

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S1m0ne (2002)

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Reviews Counted:154

Fresh:78

Rotten:76

Average Rating:5.8/10

Consensus: The satire in S1m0ne lacks bite, and the plot isn't believable enough to feel relevant.

Runtime: 1 hr 57 mins

Genre: Comedies

Synopsis: "I can't work with a fake." -- Viktor Taransky In Hollywood, the land of illusion, never have those words rung so true… until S1M0NE. She is the ultimate director's fantasy. Unlike her flesh... "I can't work with a fake."
-- Viktor Taransky

In Hollywood, the land of illusion, never have those words rung so true… until S1M0NE. She is the ultimate director's fantasy. Unlike her flesh and blood colleagues, she won't get old, won't gain an ounce. She won't get drunk, will never need rehab. She doesn't have an agent, manager, entourage or religious guru. She won't demand a bigger trailer or a private jet. She does all of her own stunts. She doesn't need a body double. She has no problem with nudity - clothes are simply an option. She's programmed to love any script she's offered. She's not interested in money. The only power she craves comes from an electrical outlet.

Meet S1M0NE.

Viktor Taransky (Al Pacino) is a down and out Academy Award -nominated director who just lost his last shot at a comeback when his temperamental flesh and blood actress (Winona Ryder in a cameo role as Nicola Anders) walked off his movie Sunrise, Sunset. And when she left, so did Taransky's self-respect. Fired by his ex-wife and studio head Elaine Christian (Catherine Keener), Taransky just lost any hope of recapturing his former life with Elaine and their daughter Lainey (Evan Rachel Wood). But then computer genius Hank Aleno (Elias Koteas) shows up…

Although Hank is not long for this world, he is certain his creation will be in the right hands - Taransky's. Although Taransky initially rebuffs Hank's insane proposal, Hank has the last say. He bequeaths the software to Taransky that will change his life forever: Simulation One. Just a few key strokes and an overnight sensation is born: S1M0NE. Suddenly, Taransky has a taste of the success he always craved and the world's most beloved star under his thumb.

Or does he?

An intrepid tabloid reporter, Max Sayer (Pruitt Taylor Vince), is doing his best to challenge that. And his pursuit becomes a little sweeter when Taransky's immaculate matrix starts to take on a life of her own.

In a twist of comedic consequences the Omniscient Taransky never anticipated, the creation…or creature… is about to show the creator the meaning of "Eternity Forever." Suddenly, real never looked so good.

New Line Cinema presents S1M0NE, written, directed and produced by Academy Award nominated screenwriter Andrew Niccol (writer/director of Gattaca, and writer/producer of The Truman Show), a comedy about one man's truth found in the great lie perpetuated by celebrity culture. It stars Academy Award winner and multiple nominee Al Pacino (Scent of A Woman), Academy Award nominee Catherine Keener (Being John Malkovich), Evan Rachel Wood (ABC's "Once And Again"), Jay Mohr (Pay It Forward), Emmy Award winner Pruitt Taylor Vince (Nurse Betty), Elias Koteas (Exotica), Jason Schwartzman (Rushmore) and Stanley Anderson (Armageddon). And introducing S1M0NE as herself.

Bradley Cramp (Gattaca) is executive producer. The creative team includes Director of Photography Edward Lachman (Erin Brockovich), Production Designer Jan Roelfs (Gattaca), Costume Designer Elisabetta Beraldo (Frequency) and Editor Paul Rubell (The Insider).

New Line Cinema releases S1M0NE (rated PG-13 by the M.P.A.A. for "some sensuality") nationwide on August 23rd, 2002.

-- © New Line Cinema [More]

Starring: Al Pacino, Catherine Keener, Pruitt Taylor Vince, Jay Mohr

Starring: Al Pacino, Catherine Keener, Pruitt Taylor Vince, Jay Mohr, Rachel Roberts, Jason Schwartzman, Tony Crane, Elias Koteas, Rebecca Romijn-Stamos

Director: Andrew Niccol

Director: Andrew Niccol
Screenwriter: Andrew Niccol
Producer: Andrew Niccol
Composer: Carter Burwell
Studio: New Line Cinema

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Reviews for S1m0ne

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21 - 40 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
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If you’re expecting a scathing commentary on our media obsessed times, then Simone isn’t it. If you’re expecting a funny comedy, then Simone isn’t it either.

Full Review Source: Sci-Fi Movie Page | comment Comment
02/24/03
James O'Ehley
James O'Ehley
Sci-Fi Movie Page

There was a time when I could say, 'I never met an Al Pacino movie I didn't like.' Oh, well—all things must pass.

Full Review Source: Film Quips Online | comment Comment
02/08/03
John R. McEwen
John R. McEwen
Film Quips Online

A brilliant satire of the film industry.

Full Review Source: Oscar Guy | comment Comment
01/08/03
Wesley Lovell
Wesley Lovell
Oscar Guy
N/R

Click to read the article

Full Review Source: Hot Button | comment Comment
01/07/03
David Poland
David Poland
Hot Button

Click to read the article

Full Review Source: Film Threat | comment Comment
12/08/02
Film Threat
Top Critic Icon Top Critic

Not only has the filmmaker elected to address some extremely well worn themes, he evidently has little new to say about them.

Full Review Source: Film Threat | comment Comment
12/08/02
Rick Kisonak
Rick Kisonak
Film Threat
N/R

Click to read the article

Full Review Source: Minneapolis Star Tribune | comment Comment
11/06/02
Jeff Strickler
Jeff Strickler
Minneapolis Star Tribune

Niccol has come up with one of the sharpest parodies around of Tinseltown and the media establishment that feeds on it.

Full Review Source: San Diego Metropolitan | comment Comment
10/21/02
Jean Lowerison
Jean Lowerison
San Diego Metropolitan

Click to read the article

Full Review Source: Detroit News | comment Comment
10/19/02
Susan Stark
Susan Stark
Detroit News

The action unwinds with energy and wit, so far as it goes, and Mr. Pacino's zest for his absurd role is amusing.

Full Review Source: Cincinnati Enquirer | comment Comment
10/15/02
Margaret A. McGurk
Margaret A. McGurk
Cincinnati Enquirer

Maybe there is a lesson in a movie that offers us a dumpster full of cardboard cutouts of Winona Ryder.

Full Review Source: Film Snobs | comment Comment
10/04/02
Stephen Himes
Stephen Himes
Film Snobs

Simone as an icon (nyuk nyuk) is a combination of Pygmalion and Narcissus ? how apt. Elegantly done.

Full Review Source: Cinerina | comment Comment
10/02/02
Karina Montgomery
Karina Montgomery
Cinerina
N/R

Click to read the article

Full Review Source: New York Magazine | comment Comment
09/26/02
Peter Rainer
Peter Rainer
New York Magazine

Vale la pena como comedia ligera, aunque hubiera preferido un tono más serio sobre el tema...

Full Review Source: Cinenganos | comment Comment
09/25/02
Alex Ramirez
Alex Ramirez
Cinenganos

Click to read the article

Full Review Source: Dark Horizons | comment Comment
09/22/02
Garth Franklin
Garth Franklin
Dark Horizons

Click to read the article

Full Review Source: rec.arts.movies.reviews | comment Comment
09/20/02
Mark R. Leeper
Mark R. Leeper
rec.arts.movies.reviews

In the movie, fictional director Viktor Taransky has a CGI actress that he bills as flesh and blood; in real life, director Andrew Nichol has a flesh-and-blood actress that he bills as CGI.

Full Review Source: Decent Films Guide | comment Comment
09/20/02
Steven D. Greydanus
Steven D. Greydanus
Decent Films Guide

Click to read the article

Full Review Source: EricDSnider.com | comment Comment
09/18/02
Eric D. Snider
Eric D. Snider
EricDSnider.com

Click to read the article

Full Review Source: Cinema Signals | comment Comment
09/17/02
Jules Brenner
Jules Brenner
Cinema Signals

a media satire that ultimately lacks bite

Full Review Source: Q Network Film Desk | comment Comment
09/09/02
James Kendrick
James Kendrick
Q Network Film Desk
 
 
21 - 40 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
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April 29, 2005: Lions Gate Warms Up to the "Lord of War"
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