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Same Old Song (1997)
Runtime: 2 hrs
Synopsis: Four years before Baz Luhrman's MOULIN ROUGE, Alain Resnais made this musical love story using contemporary pop songs. The songs are used in a style similar to MOULIN ROUGE as they are the portal through which the innermost feelings of love are released. Characters lip-sync to popular tunes... Four years before Baz Luhrman's MOULIN ROUGE, Alain Resnais made this musical love story using contemporary pop songs. The songs are used in a style similar to MOULIN ROUGE as they are the portal through which the innermost feelings of love are released. Characters lip-sync to popular tunes of the day to express their emotional states. Each character is also assigned a song that acts as an anthem for them in this clever musical comedy. The story involves a Parisian woman (Sabine Azema) desperately in search of a more spacious apartment. Her sister offers the assistant of her new lover, a real estate agent. Azema not only finds living space through the agency, but romance as well. [More]
Genre: Foreign Films
Starring: Sabine Azema, Pierre Arditi, Jane Birkin, Jean-Pierre Bacri, Lambert Wilson
Reviews
A multi-layered love story and meditation on the natural human condition, where the characters lip sync to famous French songs, current pop, and older music as well, used as inner-monologues, dialogue and thought.
Over the course of its two hours, though, each of the main characters deepens and issues of deception, self-deception, trust, and control in their relationships take on surprising complexity.
What may have been intended as playful comes off as unbearably leaden and incongruous instead.
A tired tune, conducted by a maestro who appears to be tone-deaf.
This is a puny benefit for a device that's arbitrary and precious and results in slowing down scenes and conversations for no reason but cuteness.
By the end of the film you've become more than superficially acquainted with six recognizable and complicated individuals. How many movie musicals can make that claim?
The film has its funny moments, but as a satire of the bourgeoisie it's working awfully familiar territory.
There's not a lot of bite to this satirical musical, but Resnais has never made a bad film...


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