Infus[es] a similar unearthly cadenceo the swashbuckling genre that Jodorowski did to the western with El Topo.
The Saragossa Manuscript (1965)
Runtime: 3 hrs
Theatrical Release: 14-12-2007
Synopsis: This captivating Polish film was based on the most famous work of Count Jan Patocki (1761-1815), written in French (and published in France in 1813) as a series of stories to amuse his ailing wife. It concerns the quirky adventures of a young captain of the Walloon guards under the King of Spain... This captivating Polish film was based on the most famous work of Count Jan Patocki (1761-1815), written in French (and published in France in 1813) as a series of stories to amuse his ailing wife. It concerns the quirky adventures of a young captain of the Walloon guards under the King of Spain during his travels through that country. The captain must pass several trials to prove himself in order to become a descendent of the powerful Mauretanian family. Featuring ghosts, a good deal of sensuality, and an ever-shifting narrative structure, the film found an unlikely champion in Jerry Garcia of the Grateful Dead, who mentioned the film to be among his favorites in the early 70's. It found a new group of admirers when it was revived for a handful of festival screenings in 1997. [More]
Genre: Foreign Films
Starring: Zbigniew Cybulski, Iga Cembrznska, Joanna Jedryka
DVD Info
Release:
Feb 3, 2004
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 1.78
Audio:
- Dolby Digital Mono - Polish
Reviews
a maddening celebration of the power of narrative to amuse, bewilder, disorient and entrap.
The director’s eye for baroque black-and-white imagery puts him behind only Bava and Welles, while the film’s sharp social satire gives heft to its ambition.
A wonderful, surreal assault on narrative; it's funny, intelligent, and a ridiculously sly good time.
The three-hour movie is frequently described as a Chinese box of imaginative stories within stories based on an early 19th-century novel by Jan Potocki.
Surely one of the most convolutedly plotted films ever to reach the silver screen.
These trials suggest a goofy, sprawling, all-purpose allegory so overstuffed with symbolism that it plays as a kind of epic spoof of the form.


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