In Tamara Jenkins' brutally frank and occasionally funny look at lives shaped by disappointment and fear, their love for each other binds them through the worst of times.
The Savages (2007)
Tomatometer
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Reviews Counted:162
Fresh:144
Rotten:18
Average Rating:7.5/10
Consensus: Thanks to a tender, funny script from director Tamara Jenkins, and fine performances from Philip Seymour Hoffman and Laura Linney, this film delivers a nuanced, beautifully three-dimensional look at the struggles and comforts of family bonds.
Theatrical Release:25-01-2008
Synopsis: Director Tamara Jenkins made audiences sit for nearly a decade for her follow-up to the hilarious dark comedy SLUMS OF BEVERLY HILLS, but it's been worth the wait. Like her previous film, THE... Director Tamara Jenkins made audiences sit for nearly a decade for her follow-up to the hilarious dark comedy SLUMS OF BEVERLY HILLS, but it's been worth the wait. Like her previous film, THE SAVAGES is a sometimes-funny, sometimes-sad look at family dynamics, but this time around the sense of humor is more wry than riotous. Laura Linney and Philip Seymour Hoffman play Wendy and Jon Savage, a pair of siblings on the cusp of middle age. She's earning money in New York City as a temp as she writes an autobiographical play about their childhood, while he lives in Buffalo, teaching college and finishing a book on Bertolt Brecht. Their estranged father (Philip Bosco) lives across the country, but the Savages reluctantly rush to see him when they learn that he may not be able to take care of himself any longer. Jon and Wendy bicker over problems old and new as they try to figure out what's best for a man they barely know. Like Noah Baumbach in THE SQUID AND THE WHALE and MARGOT AT THE WEDDING, writer-director Jenkins knows how to mine family dysfunction for both comedy and drama. Jon and Wendy tear into each other as only people connected by blood can, but their fighting feels entirely genuine, largely thanks to the performances of Linney and Hoffman. Though they'll get most of the buzz for their roles, character actor Bosco is heartbreaking as their aging father. Though his decline is difficult to watch, the actor's performance is absolutely mesmerizing. [More]
Starring: Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman
Starring: Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman, Gbenga Akinnagbe
Director: Tamara Jenkins
Director: Tamara Jenkins
Screenwriter: Tamara Jenkins
Producer: Ted Hope, Anne Carey, Erica Westheimer
Composer: Stephen Trask
Studio: Fox Searchlight Pictures
Reviews for The Savages
The latter half suffers from degenerative indie-itis, that epidemic syndrome whose main symptom is unwarranted interest in the ennui afflicting well-read urban misfits.
Hoffman and Linney make a great comedy team, even though the movie they're in is a sometimes grim affair...
The fact that "Savages" looks at an ordinary and often inevitable part of life shouldn't obscure the fact that this is a beautifully written and wonderfully played film, capturing the nuances of family dynamics as assuredly as any film I've seen in quite
...bitter and heartbreaking, an unsentimental examination of human needfulness that allows for traces of grace amid the ashes.
A black comedy that frequently goes down like the most bitter coffee imaginable.
It could almost be accused of 'middle-class whining' -- something Linney's character frets about -- if not for its sharply observant conversations and strikingly personal performances.
More often than not, it's a film that rings true and has much to offer.
...Hoffman and Linney ably step into their complex, sporadically unlikable characters.
The Savages, writer/director Tamara Jenkins's second film, is easily the best comedy of the year.
Hoffman and Linney's great skill shows in their picking up on the nuances of sibling hierarchy and habits borne of years and familiarity.
Jenkins is a provocateur to be sure, but she also has a heart, which is why her films don't come across as mean even when dealing comically with issues of death, debilitation, and emotional trauma.
Painfully poignant, earnest, sad, witty and beautiful. Pretty depressing up until the final, uplifting scene.
Hoffman, Linney and Bosco together generate such magnificent performances projecting a richly textured sense of the agony and ecstasy of a family in complicated meltdown, that it feels about as close to shared DNA as you can get.
It is the very particular humanity of the characters involved that makes it a successful and unique work of art.
Powerful, painful and yet unerringly funny as it points out our emotional and physical vulnerabilities, this is a film that finds the humor in tragedy while keeping both omnipresent.
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