Smartly written and beautifully played.
The Savages (2007)
Tomatometer
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Reviews Counted:162
Fresh:144
Rotten:18
Average Rating:7.5/10
Consensus: Thanks to a tender, funny script from director Tamara Jenkins, and fine performances from Philip Seymour Hoffman and Laura Linney, this film delivers a nuanced, beautifully three-dimensional look at the struggles and comforts of family bonds.
Theatrical Release:25-01-2008
Synopsis: Director Tamara Jenkins made audiences sit for nearly a decade for her follow-up to the hilarious dark comedy SLUMS OF BEVERLY HILLS, but it's been worth the wait. Like her previous film, THE... Director Tamara Jenkins made audiences sit for nearly a decade for her follow-up to the hilarious dark comedy SLUMS OF BEVERLY HILLS, but it's been worth the wait. Like her previous film, THE SAVAGES is a sometimes-funny, sometimes-sad look at family dynamics, but this time around the sense of humor is more wry than riotous. Laura Linney and Philip Seymour Hoffman play Wendy and Jon Savage, a pair of siblings on the cusp of middle age. She's earning money in New York City as a temp as she writes an autobiographical play about their childhood, while he lives in Buffalo, teaching college and finishing a book on Bertolt Brecht. Their estranged father (Philip Bosco) lives across the country, but the Savages reluctantly rush to see him when they learn that he may not be able to take care of himself any longer. Jon and Wendy bicker over problems old and new as they try to figure out what's best for a man they barely know. Like Noah Baumbach in THE SQUID AND THE WHALE and MARGOT AT THE WEDDING, writer-director Jenkins knows how to mine family dysfunction for both comedy and drama. Jon and Wendy tear into each other as only people connected by blood can, but their fighting feels entirely genuine, largely thanks to the performances of Linney and Hoffman. Though they'll get most of the buzz for their roles, character actor Bosco is heartbreaking as their aging father. Though his decline is difficult to watch, the actor's performance is absolutely mesmerizing. [More]
Starring: Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman
Starring: Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman, Gbenga Akinnagbe
Director: Tamara Jenkins
Director: Tamara Jenkins
Screenwriter: Tamara Jenkins
Producer: Ted Hope, Anne Carey, Erica Westheimer
Composer: Stephen Trask
Studio: Fox Searchlight Pictures
Reviews for The Savages
Both Linney and Hoffman are so specific in creating these characters that we see them as people, not elements in a plot.
Writer-director Tamara Jenkins ... allows the movie its real-life bitterness without pushing it over into despair.
Predictably unconventional, indulgently metafictional, and hesitant about going for its alluded intentions.
The sad reality of aging and the picture of adults who still need a push in the right direction are rarely so keenly observed and honestly delivered.
Assured and sharp, The Savages is only Jenkins' second feature-length film. You'd never know it.
Grimly funny and brazenly unsentimental, it has an ordinary, humdrum grit often missing even from indie movies.
Extremely powerful,unsentimental and bleakly comic story of a brother and sister entering middle age, but not fully adult, coping with their father's dementia and entry into a nursing home.
One of those genre-defying hybrids that are sometimes called dramedies, The Savages tiptoes along a particularly fraught emotional tightrope, balancing observant humor and deep sadness with uncommon grace.
Although the story may sound as dismal as Buffalo's weather, it's surprisingly funny. Not gag funny, but observation funny -- the absurdities of real life, seen and presented.
Excellent performances mark "The Savages," with Linney and Hoffman each navigating characters who could have become unlikable had they not been shaded with nuance.
The Savages is a precious, pitch-perfect little film that finds humanity and mirth in the darkest of places.
So darned depressing in its observancy that it's no stretch to assume that writer/director Jenkins might have experienced something entirely similar first hand.
The script is kind of a bore and when it's not a bore it's dead set on simply being miserable for the sake of being miserable.
I wouldn't call the film inspirational — it is too well observed to succumb to easy sentiment — but its realism is patiently engaging and subtly insinuating
Both a delicious exercise in great acting and a richly refined comedy-drama--tangy and touching in equal measure.
Walking precariously between real world gravitas and the far too isolated and idiosyncratic, The Savages is a wonderful premise undermined by some unnecessary pretense.
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