With the help of acting giants, [director Tamara] Jenkins turns The Savages into a twisted, bittersweet pleasure.
The Savages (2007)
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Reviews Counted:162
Fresh:144
Rotten:18
Average Rating:7.5/10
Consensus: Thanks to a tender, funny script from director Tamara Jenkins, and fine performances from Philip Seymour Hoffman and Laura Linney, this film delivers a nuanced, beautifully three-dimensional look at the struggles and comforts of family bonds.
Theatrical Release:25-01-2008
Synopsis: Director Tamara Jenkins made audiences sit for nearly a decade for her follow-up to the hilarious dark comedy SLUMS OF BEVERLY HILLS, but it's been worth the wait. Like her previous film, THE... Director Tamara Jenkins made audiences sit for nearly a decade for her follow-up to the hilarious dark comedy SLUMS OF BEVERLY HILLS, but it's been worth the wait. Like her previous film, THE SAVAGES is a sometimes-funny, sometimes-sad look at family dynamics, but this time around the sense of humor is more wry than riotous. Laura Linney and Philip Seymour Hoffman play Wendy and Jon Savage, a pair of siblings on the cusp of middle age. She's earning money in New York City as a temp as she writes an autobiographical play about their childhood, while he lives in Buffalo, teaching college and finishing a book on Bertolt Brecht. Their estranged father (Philip Bosco) lives across the country, but the Savages reluctantly rush to see him when they learn that he may not be able to take care of himself any longer. Jon and Wendy bicker over problems old and new as they try to figure out what's best for a man they barely know. Like Noah Baumbach in THE SQUID AND THE WHALE and MARGOT AT THE WEDDING, writer-director Jenkins knows how to mine family dysfunction for both comedy and drama. Jon and Wendy tear into each other as only people connected by blood can, but their fighting feels entirely genuine, largely thanks to the performances of Linney and Hoffman. Though they'll get most of the buzz for their roles, character actor Bosco is heartbreaking as their aging father. Though his decline is difficult to watch, the actor's performance is absolutely mesmerizing. [More]
Starring: Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman
Starring: Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman, Gbenga Akinnagbe
Director: Tamara Jenkins
Director: Tamara Jenkins
Screenwriter: Tamara Jenkins
Producer: Ted Hope, Anne Carey, Erica Westheimer
Composer: Stephen Trask
Studio: Fox Searchlight Pictures
Reviews for The Savages
Tamara Jenkins returns with a story that squarely addresses the concerns of middle age, treating them with the gravity they deserve but also the forbearance and humor they often demand.
It's the clarity with which Jenkins sees it that makes the film extraordinary.
Sharp, funny, and acerbic...Movies that are as truthful and observant as this one are rare.
One of those small, perfectly crafted, bittersweet family dramas it touches on so many truths it’s almost painful to watch at times.
Eloquently makes the case that Philip Seymour Hoffman and Laura Linney are the most dextrous actors of their generation.
It's obvious that Jenkins is inspired by the work of Canadian writer/director Denys Arcand ("The Barbarian Invasions"), but she doesn't dig deep enough to capture the complexities and nuance that the material demands.
Hoffman and Linney sadly never click, in spite of their strong performances...
The name of the movie is one of those insufferable cutesy puns...but don't let that deter you from a film that achieves the rare balance of being both hilarious and tragic.
[Bosco's] performance as a senior going through the motions of aging is hypnotic, heartbreaking, and dead-on. It's the kind of performance awards were created for.
Exactly like I thought it would be for about 96 of its 113-minute running time.
Lacks the ideal clarity that best supports what is incredibly caustic material. It's a misfire for Jenkins, but an interesting failure.
The movie also comes with the wistful sadness of a maturing filmmaker who understands that in matters of death, sorrow and black comedy often walk hand in hand.
A fine middlebrow addition to the end-of-year sweepstakes, as good as expected, as bad as feared, and gone without a ripple.
The Savages does a good job keeping things in perspective by pointing out the "what can you do?" absurdity of it all. We all face mortality, and we can all laugh at it too.
Although The Savages is a better film for not being a cloying, schmaltzy tear-jerker, that doesn't mean that it's a movie you will necessarily enjoy.
The film successfully navigates the tricky waters of family dysfunction. A savagely funny/tragic/hopeful portrait of the way we are circa 2007.
...dual character study of two alienated siblings with an ironic interdependency. If the film ultimately feels small, Linney and Hoffman, two of our great actors, always keep it interesting.
The frequent outbursts of comedy help alleviate a tone that's appropriately muted and sad, and Jenkins should be credited for refusing to tack smiley-faces onto a tough, possibly lose-lose situation.
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