Wearily spins straw out of its none-too-original premise.
School for Scoundrels (2006)
Tomatometer
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Reviews Counted:12
Fresh:3
Rotten:9
Average Rating:4/10
Consensus: School for Scoundrels squanders its talented cast with a formulaic, unfocused attempt at a romantic comedy that's neither romantic nor funny.
Rated: 12A [See Full Rating] for language, crude and sexual content, and some violence
Runtime: 1 hr 47 mins
Genre: Comedies
Theatrical Release:23-02-2007
Synopsis: Dr. P (Billy Bob Thornton) runs a SCHOOL FOR SCOUNDRELS at which luckless men are given a crash course in the ways of the alpha male. Dishing out trite but, to the men involved, revelatory advice... Dr. P (Billy Bob Thornton) runs a SCHOOL FOR SCOUNDRELS at which luckless men are given a crash course in the ways of the alpha male. Dishing out trite but, to the men involved, revelatory advice about how to "initiate confrontation" and "lie, lie, and lie some more," Dr. P turns his students into virile studs who hide their still-lingering insecurities behind sunglasses and absurd bluster. When one student, the kindhearted but painfully awkward Roger (NAPOLEON DYNAMITE's Jon Heder), has too easy of a time capturing the girl of his dreams, Dr. P's competitive streak goes off the charts and a battle between teacher and student ensues. After an exchange of several pranks, each with increased maliciousness and consequence, one of the two fellas lands the girl. While SCHOOL FOR SCOUNDRELS (based on a British comedy from the 1960s, and co-written and directed by Todd Phillips) doesn't reach the rambunctious fever pitch of OLD SCHOOL (also directed by Phillips) or contain the oddly endearing, near-sublime vulgarity of THE 40-YEAR-OLD VIRGIN, it does have its fair share of laughs. The primary redeeming quality of the film is its excellent cast, which features various alumni of THE UPRIGHT CITIZENS BRIGADE, SATURDAY NIGHT LIVE, and MR. SHOW (including Matt Walsh, Paul Scheer, Horatio Sanz, Sarah Silverman, and David Cross). Billy Bob Thorton has developed something of a mid-career cottage industry playing foul-mouthed S.O.Bs; Heder has the lovably awkward dork down to a twitch-filled science (his panic attacks nearly induce the same in the audience); and while former REAL WORLD LONDON cast member Jacinda Barrett is stuck in the somewhat restrictive girlfriend role as Amanda, she's genuinely charming and effervescent. Fans of the early-2000s "frat pack"-style comedies should find much to amuse them in SCHOOL FOR SCOUNDRELS. [More]
Starring: Billy Bob Thornton, Jon Heder, Michael Clarke Duncan, Jacinda Barrett
Starring: Billy Bob Thornton, Jon Heder, Michael Clarke Duncan, Jacinda Barrett, Sarah Silverman, Ben Stiller, Horatio Sanz, Matt Walsh, Paul Scheer, David Cross
Director: Todd Phillips
Director: Todd Phillips
Screenwriter: Todd Phillips, Scot Armstrong, Hal E. Chester, Patricia Moyes
Producer: Daniel Goldberg, Todd Phillips
Composer: Christophe Beck
Studio: Weinstein Company
Reviews for School for Scoundrels
It's not funny; there were three laughs I counted over the entire course of the movie.
A choice cast fails to turn this woeful slapstick into the scathing attack on weak minds the film half promises.
Crass, obvious and largely unfunny - in fact just about everything the original film isn't.
It’s the stuff of simple comedy, but as frat-flicks go it’s a return to form for director Todd Phillips.
A script that suffers the same problem as its characters — lack of confidence — is in dire need of a fire being lit under its arse. All involved could do with learning a thing or two from some scoundrels of the ‘dirty, rotten’ school.
Never quite finds the confidence it needs to transform from zero to hero.
What's almost refreshing about Phillips' approach to comedy... is that he and co-writer Scot Armstrong like the classically unfettered fun of a silly bit played to the hilt.
Billy Bob Thornton's estimable talents are squandered in this shoddy comedy directed by Todd Phillips (Old School).
This unfunny comedy, a loose remake of a 1960s British romp, can't decide whether Billy Bob Thonrton's "teacher" is a hero or villain and thus every scene negates the previous one in tone and morale until the movie literally self-destructs at the end
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