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Schultze Gets the Blues (2005)
Tomatometer
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Reviews Counted:63
Fresh:45
Rotten:18
Average Rating:6.8/10
Consensus: Schultze Gets the Blues is a sweet and charming dark comedy.
Runtime: 1 hr 54 mins
Genre: Foreign Films
Synopsis: After portly German salt miner Schultze (Horst Krause) and his cronies are forced into retirement, the emptiness of their nowhere, smalltown-Germany existence becomes sadly apparent. The only... After portly German salt miner Schultze (Horst Krause) and his cronies are forced into retirement, the emptiness of their nowhere, smalltown-Germany existence becomes sadly apparent. The only bachelor in his circle, Schultze falls into a dull routine of playing accordion in a polka band, fishing, napping, and tending to his garden gnomes. Then a chance encounter with Cajun zydeco music turns his life around, a little. Soon he is cooking jambalaya for his pals and playing zydeco to the somewhat shocked denizens of his sleepy burg. When his friends arrange for him to be sent to the U.S. for a German folk festival, Schultze seizes the opportunity to visit the Louisiana bayou, and so his one chance at a wild adventure in life begins. Overcoming the language barrier through his hat-doffing, old-world charm, Schultze finds himself strangely at home in this new environment. SCHULTZE is a slow-moving but lovely little tale about facing mortality, and how the power of both music and human kindness can transcend borders and boundaries, no matter what one's age. Director Michael Schorr plays this--his feature film debut--in a wonderfully deadpan, minor key. The film manages to be deeply moving without ever resorting to standard "fish out of water" cliches or manipulative soundtrack cues. Krause is resoundingly authentic in the title role, and the various (actual location) landscapes are rendered with haunting, lyrical realism. [More]
Starring: Horst Krause, Karl-Fred Muller, Rosemarie Deibel, Wilhelmine Horschig
Starring: Horst Krause, Karl-Fred Muller, Rosemarie Deibel, Wilhelmine Horschig, Anne V. Angelle
Director: Michael Schorr
Director: Michael Schorr
Screenwriter: Michael Schorr
Producer: Jens Korner, Thomas Riedel, Oliver Niemeier
Composer: Thomas Wittenbacher
Studio: Paramount Classics
Reviews for Schultze Gets the Blues
Michael Schorr's endearing little movie gets under your skin much like the music it celebrates, delivering a lilting paean to self-expression and second chances, even while it's tinged with distinctly minor-key grace notes.
Important and thoughtful themes, which in other hands would likely have been weighty and overbearing, remain drolly deadpan in this accomplished debut film.
He does, but you probably won't, especially from watching this movie.
The story is slow-moving and simple, but Schultze gets the blues is worth it as a peculiar small-scale adventure.
This movie is not played out in Hollywood time. It has it's own rhythm - but it's worth it to slow down to the film's pace and just amble along.
Schultze Gets the Blues can get a little thin, but it never loses its sense of quiet, playful dignity.
Filmed in a leisurely, understated style, this dark comedy is downright entrancing.
Writer-director Michael Schorr has made a sweet movie that takes its time at first but soon takes you over.
A delightful hodgepodge of bland and spicy fixin's and genuine pleasures and surprises that will definitely satisfy the cinematic palates of discriminating audiences.
In his debut film, German writer-director Michael Schorr has crafted a deadpan and droll, yet lyrical, whale-out-of-water tale about defying peer pressure and self-limitations.
Few films pay this close and considerate attention to the physical and emotional heartache of growing old.
What hints at a wacky one-note polka -- staid, retired German miner and accordion hobbyist upends his life upon hearing zydeco -- ends up an intricate, becalmed take on a soul adrift.
Schorr's delightfully deadpan comedy debut blew away the German box office, and once you let yourself sink into its gentle rhythms ... you'll see why.
An uncommonly good-natured and simple film, bearing no malice, holding no agenda, desiring no undue attention.
A charming oddity...a gently rib-tickling, genuinely warm-hearted jewel.
A delightful oddball German comedy about a retired mine worker's musical quest.
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