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The Sea is Watching (2003)
Runtime: 1 hr 59 mins
Synopsis: Based on a screenplay by the late filmmaking legend Akira Kurosawa, Kei Kumai's THE SEA IS WATCHING follows the lives of women residing and working at a brothel in Edo-era Japan. Amidst the daily rountines of tea and gossip, the ladies of the Ashi No Ya house, inevitably get emotionally... Based on a screenplay by the late filmmaking legend Akira Kurosawa, Kei Kumai's THE SEA IS WATCHING follows the lives of women residing and working at a brothel in Edo-era Japan. Amidst the daily rountines of tea and gossip, the ladies of the Ashi No Ya house, inevitably get emotionally involved with their clients. Young, naïve O-Shin (Nagiko Tohno) falls for an inexperienced samurai, even though he is from a higher social class. Meanwhile, her big-sister figure, Kikuno (Misa Shimizu), has both a thuggish boyfriend and a kind, older man vying for her affections. Eventually, Ryosuke (Masatoshi Nagase), a troubled wanderer, visits the brothel, and he forms an unlikely connection with O-Shin--one that may have a lasting effect on her life. Filmed entirely on a set that recreates pre-20th-century Japanese village life, THE SEA IS WATCHING focuses on the brothel and its denizens with a tight lens. Although the actors turn in fine performances, the real stars of the show are the costumes and sets, which recall an era of Japanese history that few contemporary films touch on. Surprisingly romantic, this tribute to Kurosawa is an enjoyable outing, strengthed by Kumai's vivid vision of the past. [More]
Genre: Foreign Films
DVD Info
Release:
Jun 11, 2004
DVD Features:
- Region 1
- Keep Case
- Widescreen
Audio:
- Dolby Digital Stereo - Japanese
Reviews
sad and compelling, yet laced with an underlying message of dignity and hope. Perhaps Kumai is no Kurosawa - but I don't know if Kurosawa could have done it much better.
It’s not only worth seeing as “Kurosawa’s last story,” but also simply as a good, solid drama.
It has been directed by Kei Kumai as a film that seems more melodramatic and sentimental than Kurosawa's norm.
Filled with love and melancholy, it's a fitting, fond epilogue to [Kurosawa].
While this material isn't necessarily up to the standards of Kurosawa's best work, it does warrant at least a look.
You could literally hang any random frame on the wall and call it art.
I don't think I'm going too far out on a limb by saying the Sea that Kurosawa must have envisioned had to be a whole lot more compelling and focused than the one now delivered by veteran director Kei Kumai.
Those who delight in small-scale virtues may find their interest held by the meticulous detail that Kumai lavishes on various Japanese rituals -- everything from pouring tea to holding swords. Everyone else, however, need not check in.
[T]here were times when The Sea is Watching bored me. But Kumai and Kurosawa won me back with the final scenes, which are stark and beautiful, and a fitting finale for one of the world's great filmmakers.
An absorbing slice of a lost world that's actually very reminiscent of Kurosawa's underappreciated 1957 film, The Lower Depths.
The Sea Is Watching most likely wouldn't have made it to New York if not for the Kurosawa connection. That link is also the main reason to see it.
There's plenty to appreciate here but the story is tedious and some of the overacting runs into cultural translation problems.
It has a softer edge than the master probably would have delivered, but it is deeply affecting and recalls the Kumai film best known in the U.S., the 1974 Sandakan 8.
Though formally beautiful, Sea Is Watching is remarkably trite in comparison to the great Japanese films on the subject.


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