sad and compelling, yet laced with an underlying message of dignity and hope. Perhaps Kumai is no Kurosawa - but I don't know if Kurosawa could have done it much better.
The Sea is Watching (2003)
Tomatometer
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Reviews Counted:26
Fresh:15
Rotten:11
Average Rating:6.1/10
Runtime: 1 hr 59 mins
Genre: Foreign Films
Synopsis: Based on a screenplay by the late filmmaking legend Akira Kurosawa, Kei Kumai's THE SEA IS WATCHING follows the lives of women residing and working at a brothel in Edo-era Japan. Amidst the daily... Based on a screenplay by the late filmmaking legend Akira Kurosawa, Kei Kumai's THE SEA IS WATCHING follows the lives of women residing and working at a brothel in Edo-era Japan. Amidst the daily rountines of tea and gossip, the ladies of the Ashi No Ya house, inevitably get emotionally involved with their clients. Young, naïve O-Shin (Nagiko Tohno) falls for an inexperienced samurai, even though he is from a higher social class. Meanwhile, her big-sister figure, Kikuno (Misa Shimizu), has both a thuggish boyfriend and a kind, older man vying for her affections. Eventually, Ryosuke (Masatoshi Nagase), a troubled wanderer, visits the brothel, and he forms an unlikely connection with O-Shin--one that may have a lasting effect on her life. Filmed entirely on a set that recreates pre-20th-century Japanese village life, THE SEA IS WATCHING focuses on the brothel and its denizens with a tight lens. Although the actors turn in fine performances, the real stars of the show are the costumes and sets, which recall an era of Japanese history that few contemporary films touch on. Surprisingly romantic, this tribute to Kurosawa is an enjoyable outing, strengthed by Kumai's vivid vision of the past. [More]
Director: Kei Kumai
Director: Kei Kumai
Screenwriter: Akira Kurosawa
Studio: Sony Pictures Entertainment
Reviews for The Sea is Watching
It’s not only worth seeing as “Kurosawa’s last story,” but also simply as a good, solid drama.
Despite a hopelessly corny score, the movie is redeemed by a goofily touching final scene.
At times this material is simple nearly to the point of simple-mindedness. But the movie isn't dumb, though it is dismaying to discover that even Kurosawa had an unfilmed script romanticizing the need of prostitutes for love.
[T]here were times when The Sea is Watching bored me. But Kumai and Kurosawa won me back with the final scenes, which are stark and beautiful, and a fitting finale for one of the world's great filmmakers.
Not particularly inspired but worth seeing in that this was Akira Kurosawa's last screenplay.
Kurosawa's script, with its lyrical mix of metaphors and signature moments of song, will at the very least remind you of his greatness.
While this material isn't necessarily up to the standards of Kurosawa's best work, it does warrant at least a look.
You could literally hang any random frame on the wall and call it art.
It has a softer edge than the master probably would have delivered, but it is deeply affecting and recalls the Kumai film best known in the U.S., the 1974 Sandakan 8.
Filled with love and melancholy, it's a fitting, fond epilogue to [Kurosawa].
Technically, it's an impossible film to fault--performances, cinematography and art direction are all first-rate, coalescing in a finale that is impressively deft. If only Kurosawa had lived long enough for a rewrite.
An absorbing slice of a lost world that's actually very reminiscent of Kurosawa's underappreciated 1957 film, The Lower Depths.
Those who delight in small-scale virtues may find their interest held by the meticulous detail that Kumai lavishes on various Japanese rituals -- everything from pouring tea to holding swords. Everyone else, however, need not check in.
Though formally beautiful, Sea Is Watching is remarkably trite in comparison to the great Japanese films on the subject.
I don't think I'm going too far out on a limb by saying the Sea that Kurosawa must have envisioned had to be a whole lot more compelling and focused than the one now delivered by veteran director Kei Kumai.
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