Heartache is guaranteed. And so it is in The Secret Life of Words, a strangely beautiful film about an ugly memory that Hanna (Sarah Polley) carries for the rest of her life
The Secret Life of Words (2006)
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Reviews Counted:36
Fresh:25
Rotten:11
Average Rating:6.2/10
Consensus: The Secret Life of Words is a slow, mannered drama, but with a revelatory and powerful ending that rewards the patient viewer.
Runtime: 1 hr 56 mins
Genre: Dramas
Synopsis: THE SECRET LIFE OF WORDS, written and directed by Isabel Coixet, follows Hanna (Sarah Polley), a factory worker who lives alone in a barren apartment, wears a hearing-aid, and keeps to herself with... THE SECRET LIFE OF WORDS, written and directed by Isabel Coixet, follows Hanna (Sarah Polley), a factory worker who lives alone in a barren apartment, wears a hearing-aid, and keeps to herself with a rigorous daily routine of identical meals, a fresh bar of soap every day, and needlepoint work at night. While on an extended holiday in Northern Ireland, she volunteers as a nurse, tending to a burn victim Josef (Tim Robbins) stationed on an oil rig. While Hanna coaxes him back to health, Josef, who has suffered temporary blindness, reaches out to her urgently, wanting to connect. As his brutish and passionate demeanor contrasts sharply with Hanna's solemn and quiet manner, Hanna initially refuses to reveal anything about herself, even her real name. But she soon she starts to recognize parallels between her own isolation and that of the others on the oil rig. She eventually grows to care for Josef and shares with him a painfully severe secret from her past that opens wounds, and doors, for the two strangers from different worlds to come together and help heal one another. With the shaky-camera technique, absence of a film score, and the backdrop of a lone oil rig, writer and director Coixet (who also wrote and directed Polley in the 2003 critically-acclaimed MY LIFE WITHOUT ME), emphasizes the vulnerability and seclusion of the characters. Robbins and Polley turn in compelling performances; and a strong supporting cast that includes Javier Camara (TALK TO HER) and Eddie Marsan (THE ILLUSIONIST). [More]
Starring: Sarah Polley, Tim Robbins, Javier Camara, Eddie Marsan
Starring: Sarah Polley, Tim Robbins, Javier Camara, Eddie Marsan, Julie Christie, Sverre Anker Ousdal, Leonor Watling
Director: Isabel Coixet
Director: Isabel Coixet
Studio: Strand Releasing
Reviews for The Secret Life of Words
Can't resist the meaningful political backstory that will transform her characters into symbols--that is, into ventriloquist dummies rattling off humdrum rhetoric.
The film succeeds mainly as a story of the connective, regenerative tissue between words and silence on the level strength of its listeners.
Coixet's screenplay may be a little slow in spots and someof the supporting characters are not very well drawn, but the spotlight is on the two leads, and both Robbins and Polley come through. There's some twee voiceover that mars the film's beginning and
The claustrophobic and artificial atmosphere of the setting is unfortunately matched by the equally artificial drama.
Out in the north sea--no harbor for pain both physical and psychological--except what contact with the right human being may provide in the way of a cure.
What pleasure there is to be wrung from the exceptionally banal The Secret Life of Words lies in the harsh, unforgiving beauty (lyrically shot by Jean-Claude Larrieu) and wonderfully strange social life of the isolated rig.
Making it work onscreen requires a Herculean effort from the actors, a task to which Polley and Robbins -- as well as their supporting cast -- are more than adequately suited.
This thing is very, very deep. So deep in fact that getting the bends is a distinct possibility.
There may be no young actress today better at embodying a blend of wounded innocence and stoic pride than Sarah Polley. In The Secret Life of Words, she has a part worthy of her gifts.
Though I continue to have strong reservations about the stylistic abstractions in Ms. Coixet’s narrative, the performances given by Ms. Polley, Mr. Robbins and Ms. Christie take me a long way in accepting and recommending the whole package.
Director Isabel Croixet creates an intriguing, enclosed world aboard the ship
Meditative, slow-paced examination of how post-traumatic stress syndrome affects two troubled people who connect on a windswept oil rig in the Irish Sea.
Like Ceylan -- like many a fine director -- Coixet has made her film less as a drama than as the traversal of a state of mind, a mood.
In due course skeletons will march out of closets, but the movie yields up its secrets with slow reluctance.
A series of conversations that are sometimes clever and sometimes feel like screenwriting exercises about the details of life, but are always well acted.
Far from feeling that we've been hoodwinked into watching a film with a strong social message, we can only marvel at how eloquently and incontrovertibly it states its case.
Sarah Polley is such a wonderful actress, it's a shame she's not a bigger star.
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