The most forceful contribution is by Ken Loach.
September 11 (2003)
Runtime: 2 hrs 15 mins
Synopsis: A reaction piece to the United States' terrorist attack on September 11, 2001, this controversial film calls upon eleven directors from various countries to contribute 11-minute 9-second films about the event. Variously political, violent, disturbing, abstract, opinionated,... A reaction piece to the United States' terrorist attack on September 11, 2001, this controversial film calls upon eleven directors from various countries to contribute 11-minute 9-second films about the event. Variously political, violent, disturbing, abstract, opinionated, angered, or forgiving, each film is drastically different from the next. Starting the set is Iranian director Samira Makhmalbaf's touching short which focuses on school children being taught about the incident. With very short attention spans and too little understanding about where the United States is located geographically or what skyscrapers look like, the clearest message the children receive is that they will need to build bomb shelters for fear the U.S. will attack them in retaliation. Another short, directed by Mexican filmmaker Alejandro Gonzalez Inarritu (AMORES PERROS), is composed nearly entirely of sounds--prayers and chants and street noise recorded by news outlets that morning--while the screen remains black. Very brief glimpses of victims falling from the towers' soaring windows are the only break to the blackness while the layering of sound mounts to a chaotic fever pitch. In a film by American director Sean Penn, a very old man living in a New York apartment finds his bedroom filled with sunlight as the towers come down. A lighter take on the tragedy, from African director Idrissa Ouedraogo, shows how a group of boys in a small town learn of the $25 million reward for Osama Bin Laden's capture and set their hearts on finding him in order to buy medicine for one boy's ailing mother. Perhaps the most emotional and compassionate contributions come from Bosnia's Danis Tanovic and England's Ken Loach, who both offer vows of solidarity from the widows of Srebrenica and the victims of Chile's brutal dictatorship, respectively. Rounding out the omnibus is a bizarrely appropriate anti-war film by Japanese director Shohei Imamura (THE EEL), in which a traumatized WWII veteran reacts to the atrocities he's seen by rejecting humanity and behaving like a snake. [More]
DVD Info
Release:
Feb 10, 2006
DVD Features:
- Region (unknown)
- Keep Case
- Anamorphic Widescreen
Audio:
- Dolby Digital 5.1 Surround - Arabic, Bosnian, English, French, Hebrew, Japanese
- Subtitles - English, French
Additional Release Material:
- Trailers
Reviews
Ken Loach’s entry aside, this is a self-indulgent bid to wring arthouse kudos from tragedy.
Right now the egoism of the artist's vision is inescapably crass.
There is, however, a genuine reason for not giving the collection wide distribution. Most of it isn't any good.
The resulting collaboration offers some diverse geographical, cultural, and artistic perspectives on those tragic events.
Seeing September 11 now, five years after its completion, is a reminder not only of the visceral terror from that day, but also of the sense of shared global humanity that flourished briefly in its wake.
the best segments are from the most obscure directors... the big guns mostly strike out
An ungainly, intermittently harrowing omnibus filled with moments of piercing sorrow and rage.
Some were reported to have expressed very un-American sentiments, but that wasn't the case at all.
'A pesar de lo fallido de algunos trabajos, es un sólido trabajo que muestra las diferentes reacciones de grupos étnicos e intelectuales a una grave tragedia'
You'll get a provocative picture of how a variety of filmmakers reacted to the events of Sept. 11.
The results are not monumental, but they are a variety of sober responses to the tragedy that help place the event in a global context.
The short films range in quality and style from wonderful absurdist metaphor ... to breathtakingly dumb metaphor ... to hilarious satire to theatre of the obscure.
The best witness of 9/11 is 9/11, and Inarritu, as if honorably terrorized by the facts, turns to an Arabic quotation: 'Does God's light guide us or blind us?'
You have to take the duds with the skyrockets, but overall, this odd compendium is an emotionally moving experience.
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