The film Mitt Romney does not want you to see. And it's easy to see why.
September Dawn (2007)
Tomatometer
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Reviews Counted:54
Fresh:7
Rotten:47
Average Rating:3.4/10
Consensus: With its jarring editing, dull love story, and silly dialogue, September Dawn turns a horrific historical event into a banal movie.
Runtime: 1 hr 51 mins
Genre: Dramas
Synopsis: This independently produced drama is based on historical fact: In 1857, Mormon settlers, in an area near Cedar City, massacred 120 people bound for California. Jon Voight plays Jacob Samuelson, a... This independently produced drama is based on historical fact: In 1857, Mormon settlers, in an area near Cedar City, massacred 120 people bound for California. Jon Voight plays Jacob Samuelson, a paranoid religious zealot whose initial hostility to the settlers is inspired partly by women wearing pants, and the fact that some of them come from Missouri (a state that drove the Mormons out). From this snowballs a fury of religion-based intolerance that leads to the historic Mountain Meadows Massacre of, prophetically enough, September 11th. Director Christopher Cain (YOUNG GUNS) shows skill in creating period detail and a sense of inescapable dread, even amidst the wide open spaces of the beautiful mountainous locations. Deep shadows caused by the stark sunshine contrast with lots of tense, sweaty close-ups of fear-stricken and hateful faces. Terence Stamp shows up as the Church of Latter Day Saints leader Brigham Young, who gets involved in the decision to massacre the settlers (a controversial detail, debated to this day). Offsetting the unease is a Romeo-and-Juliet-style romance between one of Samuelson's handsome young sons (Trent Ford) and Emily (Tamara Hope), a beautiful red-headed maiden from the wagon train. A nice score of acoustic guitars and strings blends suspense and rustic breeziness. [More]
Starring: Jon Voight, Terence Stamp, Trent Ford, Tamara Hope
Starring: Jon Voight, Terence Stamp, Trent Ford, Tamara Hope, Lolita Davidovich, Dean Cain, John Gries, Taylor Handley, Shaun Johnston, Krisinda Cain
Director: Christopher Cain
Director: Christopher Cain
Screenwriter: Carole Whang Schutter, Christopher Cain
Producer: Christopher Cain, Kevin Matossian, Scott Duthie
Composer: William Ross
Studio: Slowhand Cinema
Reviews for September Dawn
Less verifiable than implied, 'September Dawn' nevertheless does raise relevant questions of intolerance, fanaticism and individual responsibility.
When the movie isn't doling out ham-fisted history...it gives us magnificent vistas of a pristine prairie...and there's a deep sweetness to the subplot of Jonathan and Emily falling in love.
The filmmaking here is so incompetent and laughably awful that it recalls the work of schlockmeister Ed Wood.
Often gripping and fascinating, it's bound to create waves of controversy.
Religious and thematic issues aside, September Dawn is well-crafted as a revisionist Western with a message.
Cain has turned the Mormons into baby-eatin' Nazis to suit his argument, parading around these black-clad, chin-bearded, testicle-slicing gunslingers without any thoughtful consideration.
Such ham-fisted earnestness does no one any good, least of all those who believe there's a big difference between historical fact and emotional screed.
The film feels less like historical drama than a venomous religious tract printed on celluloid.
If September Dawn is a kind of Western, it's a Western utterly devoid of heroism or the usual archetypes. But the core message transcends time: Hatred laced with religious fanaticism is a toxic blend.
Forget Grindhouse. September Dawn is the year's first honest-to-goodness exploitation flick.
While we should always be suspect of history served up with popcorn, this is a story worth telling
When watching the screen depiction of a historic event in which 120 people were murdered, giggling is not the appropriate response.
[Director Cain] stops short of calling Osama bin Laden a Mormon sympathizer, but maybe that'll be on the DVD.
The cruel simplicity of the atrocity is made needlessly chaotic by artless camerawork that swishes rapidly back and forth across the action, to the accompaniment of a syrupy soundtrack.
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