It's a one-trick pony, but boy, is that trick a thoroughbred.
Shadow of the Vampire (2000)
Tomatometer
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Reviews Counted:132
Fresh:107
Rotten:25
Average Rating:7/10
Consensus: Shadow of the Vampire is frightening, compelling, and funny, and features an excellent performance by Willem Dafoe.
Runtime: 1 hr 33 mins
Genre: Horror/Suspense
Synopsis: E. Elias Mehrige's Shadow of the Vampire explores the fictional premise that the star of director F.W. Murnau's 1922 German expressionist horror film, Nosferatu, was an actual vampire. When the... E. Elias Mehrige's Shadow of the Vampire explores the fictional premise that the star of director F.W. Murnau's 1922 German expressionist horror film, Nosferatu, was an actual vampire. When the dictatorial Murnau (John Malkovich) sets about filming his monster masterpiece, he makes a Faustian deal and enlists the grotesque, reclusive Max Schreck (Willem Dafoe) to play the rodentlike Count Orlok. Schreck proceeds to both horrify and fascinate the unwitting cast and crew---including producer Albin Grau (Udo Kier), actor Gustav von Wangenheim (Eddie Izzard), and actress Greta Schroeder (Catherine McCormack)--who, at first, believe Schreck is merely an eccentric actor. As the production continues, however, mysterious accidents and deaths begin to reveal why Schreck never gets any makeup. From its lavish opening sequence to Murnau's filming of the final scene, Mehrige's movie serves as a tribute not only to the original NOSFERATU but to the art of cinema itself. Because Murnau's project is a silent film, the overbearing director can coax and shout at his actors during the takes, making for some cleverly comical scenes. Although Malkovich, Izzard, and Kier are excellent in their roles, SHADOW OF THE VAMPIRE could simply not exist without Dafoe's hideous and hilarious performance, which ranks among the finest of the versatile actor's career. [More]
Starring: John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes
Starring: John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes, Catherine McCormack, Eddie Izzard, Aden Gillett
Director: E. Elias Merhige
Director: E. Elias Merhige
Screenwriter: Steven Katz
Producer: Nicolas Cage
Composer: Dan Jones
Studio: Lions Gate Films
Reviews for Shadow of the Vampire
An imaginatively twisted lesson in film history and a glorious gothic comedy-drama.
This in-reference fest for frightfilm fans has enough chuckles and shudders even for those who’ve never heard of Nosferatu.
Intriguing, eccentric, sporadically entertaining tosh (but tosh all the same).
Shadow of the Vampire might only play a few notes, but they're solid notes, expertly played.
A brilliant idea and two enjoyably over-the-top central performances, but an ultimately disappointing one-joke movie.
The movie encourages us to share Schreck’s unfettered delight as he watches his own filmed images with the knowledge that this is a man who cannot see himself in the mirror.
Any film that has not just Dafoe but also Malkovich, Kier (late of Paul Morrissey's Warhol-produced Blood for Dracula, no less), and cross-dressing Brit comic Izzard is bound to be interesting.
If you're into seeing different smaller movies with great acting, again, run to see this.
On several levels, Shadow of the Vampire is entertainment you can't resist sinking your fangs into.
Despite the anarchic decadence of the period, the troubled sexuality of Murnau himself, and the loaded parallels involving vampirism, taboo lust, and the cinema, Merhige's pretensions suck this effort dry.
Assets include fine technical values and standout acting, especially a nuanced, understated performance by John Malkovich as Murnau and a thrillingly over-the-top turn by Willem Dafoe as the vampire.
But for all the frivolity, Katz and Merhige use the world of moviemaking to explore the ways in which artists 'control' or shape life to make art.
Rarely are biopics funny and rarer still are they scary. Shadow of the Vampire manages to be both.
This stupid and demeaning fantasy about the shooting of F.W. Murnau's 1922 masterpiece Nosferatu is a piece of postmodernist kitsch whose only redeeming quality is an enjoyably over-the-top, eye-rolling performance by Willem Dafoe.
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