Neil LaBute is among the more interesting cinematic talents to emerge these past half-dozen years.
The Shape of Things (2003)
Runtime: 1 hr 37 mins
Synopsis: Rachel Weisz, Paul Rudd, Gretchen Mol, and Frederick Weller star in Neil LaBute's adaptation of his own stage play, which also featured all four actors. The film focuses on the unlikely romance between precocious art grad student Evelyn (Weisz) and shy English undergrad Adam (Rudd). As... Rachel Weisz, Paul Rudd, Gretchen Mol, and Frederick Weller star in Neil LaBute's adaptation of his own stage play, which also featured all four actors. The film focuses on the unlikely romance between precocious art grad student Evelyn (Weisz) and shy English undergrad Adam (Rudd). As their relationship progresses, the unhip, bookish Adam is brought out of his shell by the spontaneous, opinionated Evelyn. Soon Adam is losing weight, wearing contact lenses instead of glasses, and dressing more fashionably than before. However, Adam's changes begin to affect his longtime friendship with the optimistic, attractive Jenny (Mol) and the cocky, smug Philip (Weller), who are now engaged. Soon the four become involved in a variety of uncomfortable entanglements, ultimately leading to a disturbing revelation. A welcome return to form for LaBute after the period-piece detour of POSSESSION, THE SHAPE OF THINGS finds the provocative director-screenwriter back in the darkly comedic vein of his first two films, IN THE COMPANY OF MEN and YOUR FRIENDS AND NEIGHBORS. Whereas those two movies focused on the ruthless and manipulative side of the male psyche, this film features a woman carrying out the same sorts of questionable acts of cruelty. As LaBute's film goes from sweet to sadistic, it brings up larger issues involving art and relationships, but these points never detract from the fine ensemble performances or the intriguing central story. Shot in California, the sunny backdrop of THE SHAPE OF THINGS works wonderfully as the counterpoint to the film's shady proceedings and allows the stage-play roots of the tale to unfold in a different light. [More]
Genre: Dramas
Starring: Rachel Weisz, Paul Rudd, Gretchen Mol, Frederick Weller
Screenwriter: Neil LaBute
Producer: Gail Mutrux, Philip Steuer, Rachel Weisz, Neil LaBute
DVD Info
Release:
Nov 9, 2004
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 2.35
Audio:
- Dolby Digital 5.1 - English
- DTS Surround 5.1 - English
- Dolby Surround - French
Additional Release Material:
- Audio Commentary - 1. Neil LaBute
- Featurette - 1. THE SHAPE OF THINGS FROM STAGE TO SCREEN
- 2. WELCOME TO MERCY COLLEGE
Interactive Features:
- Scene Access
- Interactive Menus
Text/Photo Galleries:
- Recommendations
Reviews
The actors all benefit from intimate knowledge of difficult parts, and barbs at modern art and sexual mores do cut through.
There are barbs here to tickle anyone's paranoia, but the callousness isn't illustrative, just exploitative.
Rachel Weisz's brilliantly layered performance as Evelyn -- barbed, vehement and oddly sorrowful -- keeps all options open.
Some critics have called the film stolid and stagy. I think the way it sits still and looks hard is just the point, and the key to its effect.
Well-acted and deliberately stagey, this is a controversial, typically misogynistic tale from writer-director Neil LaBute that is certain to divide both critics and audiences alike.
When the players themselves are conceived this superficially, LaBute winds up invalidating his own point.
LaBute gives us a sequence of scathing emotional violence that outdoes anything I've seen this year.
LaBute's observations about our self-destructive obsession with appearances may not be original, but his ability to create articulate, provocative characters is.
Go see The Shape of Things, a peculiarly acted, nasty caper, and decide for yourself whether we are being set up by LaBute with a manipulative device or if he is speaking to our frailties and telling truths.
LaBute returns to familiar territory (albeit with a gender twist) that would have been best left unvisited.
...holds the dubious distinction of being the laziest stage-to-screen transfer I've ever seen.
Provocateur LaBute not only dramatically throws the 'c' word at us in this film, but he also goes to great lengths to show us one.
The commercially minded Nurse Betty aside, it’s Neil LaBute’s weakest work. But even on a bad day, he’s better than most.
The Shape of Things continues that cat-and-mouse game of wits, a kind of rebellion against viewer complacency.
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