A wild, surging burlesque of free-flowing sexuality you're more likely to see on the Internet than in a movie theater.
Shortbus (2006)
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Reviews Counted:118
Fresh:77
Rotten:41
Average Rating:6.4/10
Consensus: The sex may be explicit, but Mitchell integrates it into the characters' lives and serves the whole story up with a generous dose of sweetness and wit.
Theatrical Release:01-12-2006
Synopsis: Writer/director John Cameron Mitchell follows up the cult classic HEDWIG AND THE ANGRY INCH with another salacious slice of sex-laden cinema. Mitchell interweaves three separate tales of highly... Writer/director John Cameron Mitchell follows up the cult classic HEDWIG AND THE ANGRY INCH with another salacious slice of sex-laden cinema. Mitchell interweaves three separate tales of highly sexed and sexually frustrated New Yorkers, all of whom find some kind of salvation at an underground club named Shortbus. Anything goes at Shortbus--wild orgies between people from different ages, backgrounds, and sexual preferences are treated as commonplace, and most of the sex scenes shot through Mitchell's voyeuristic lens are completely unsimulated. Mitchell allows little time for his audience to pause for breath, opening SHORTBUS with a frantic collage of copulation and carnality that features most of his central characters. These include Sofia (Sook-Yin Lee), a sex therapist who has never reached full orgasm; gay couple James (Paul Dawson)--who begins the movie by fellating himself--and Jamie (PJ DeBoy); and Severin (Lindsay Beamish), a dominatrix who finds herself unable to find true love. Mitchell lets his cast of characters unravel their tales of woe, interspersing the touching and mostly sad stories with eye-popping scenes from Shortbus and swooping birds-eye shots of a computer simulated version of New York City. The director also draws heavily on an indie-rock soundtrack, making repeated and effective use of the beautiful "Winters Love" by Brooklyn-based group Animal Collective. But it's the sex scenes that will really get tongues wagging, and its testament to Mitchell's fearless and uncompromising vision that he depicts sexual acts that run the full coital gamut, from amusing to titillating to shocking. Amid all the boundary-pushing there is a tender heart buried in SHORTBUS's central narrative--which revolves around the search for identity and acceptance--but less sensitive viewers who seek amusement in the singing of the National Anthem into a prominent orifice will also find plenty to enjoy here. [More]
Starring: Raphael Barker, Lindsay Beamish, Justin Bond, Paul Dawson
Starring: Raphael Barker, Lindsay Beamish, Justin Bond, Paul Dawson, Yolanda Ross, Jay Brannan, Shanti Carson, Sook-Yin Lee, PJ Deboy, Peter Stickles, Bitch, The Hungry March Band
Director: John Cameron Mitchell
Director: John Cameron Mitchell
Producer: Howard Gertler, Tim Perell
Studio: ThinkFilm
Reviews for Shortbus
It's actually a rather sweet and sharply funny ode to sexual liberation, and I suppose it wouldn't make sense that a film celebrating the freedom for consenting adults to say "yes" would say "no" to showing it.
The premise of this story is pretty fascinating but it seems that it gets diluted, not enhanced by the sheer amount of sex. I would be fakin' it if I recommended this movie.
Suffers from a vague, ad lib-y script and a cast that, while hardly shy, isn't exactly charismatic.
I must admit I found Shortbus to be an unsuccessful hybrid -- effective neither as porn (it's often strangely unerotic) nor as art or storytelling.
Despite the buzz about its hard-core hanky-panky, writer-director John Cameron Mitchell paints a bland, bleak portrait of navel-gazing New Yorkers driven by carnal pleasures -- or lack of them.
It would have helped had the characters in Shortbus been a little more interesting than the sexual positions in which they frequently find themselves entangled.
It's more than a porno movie with a plot. The reality of the heart manages to always temper the allure of the flesh. Ultimately, Mr. Mitchell shows us that sex doesn't mean a whole lot without a deeper connection.
[Mitchell] reclaims sex -- filming it, watching it, talking about it, doing it -- as something both deeply funny and transcendently human: a revolving door that leads to the senses and to the heart.
The premise -- a roundelay of New Yorkers looking for connection, or to escape it -- feels tired.
Yes, Shortbus is all about hooking up, but in emotional as much as sexual ways. That's what makes the movie engaging, and sometimes even moving.
Rankly sentimental...though the prudish should definitely steer clear, what ultimately derails Shortbus is that it's actually far less daring than it pretends to be.
...the largest and most impressive organ on display in Shortbus is the movie's heart.
Shortbus is very funny, and quite moving at times. There are some neat low-budget stylistic touches as well.
All manners of sexual behavior ultimately detract from a poignant message about the slim and subtle connections between physical and emotional love.
Shortbus is sexually explicit, yes, but it is more about the people portrayed and how they cope with their ever-changing lives as they find themselves.
On its own, the movie feels, while engaging, provocative and hugely watchable (and you'll have to trust me on this, not simply because of its genuinely daring sex scenes) also slightly tentative and vague.
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