[Shortbus] takes place in a fantasy New York [...] between two temporal landmarks: September 11, 2001, and the blackout of 2003 [...] through brownouts and breakdowns, Mitchell posits a place of healing and humor and light and lots and lots of sex.
Shortbus (2006)
Tomatometer
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Reviews Counted:118
Fresh:77
Rotten:41
Average Rating:6.4/10
Consensus: The sex may be explicit, but Mitchell integrates it into the characters' lives and serves the whole story up with a generous dose of sweetness and wit.
Theatrical Release:01-12-2006
Synopsis: Writer/director John Cameron Mitchell follows up the cult classic HEDWIG AND THE ANGRY INCH with another salacious slice of sex-laden cinema. Mitchell interweaves three separate tales of highly... Writer/director John Cameron Mitchell follows up the cult classic HEDWIG AND THE ANGRY INCH with another salacious slice of sex-laden cinema. Mitchell interweaves three separate tales of highly sexed and sexually frustrated New Yorkers, all of whom find some kind of salvation at an underground club named Shortbus. Anything goes at Shortbus--wild orgies between people from different ages, backgrounds, and sexual preferences are treated as commonplace, and most of the sex scenes shot through Mitchell's voyeuristic lens are completely unsimulated. Mitchell allows little time for his audience to pause for breath, opening SHORTBUS with a frantic collage of copulation and carnality that features most of his central characters. These include Sofia (Sook-Yin Lee), a sex therapist who has never reached full orgasm; gay couple James (Paul Dawson)--who begins the movie by fellating himself--and Jamie (PJ DeBoy); and Severin (Lindsay Beamish), a dominatrix who finds herself unable to find true love. Mitchell lets his cast of characters unravel their tales of woe, interspersing the touching and mostly sad stories with eye-popping scenes from Shortbus and swooping birds-eye shots of a computer simulated version of New York City. The director also draws heavily on an indie-rock soundtrack, making repeated and effective use of the beautiful "Winters Love" by Brooklyn-based group Animal Collective. But it's the sex scenes that will really get tongues wagging, and its testament to Mitchell's fearless and uncompromising vision that he depicts sexual acts that run the full coital gamut, from amusing to titillating to shocking. Amid all the boundary-pushing there is a tender heart buried in SHORTBUS's central narrative--which revolves around the search for identity and acceptance--but less sensitive viewers who seek amusement in the singing of the National Anthem into a prominent orifice will also find plenty to enjoy here. [More]
Starring: Raphael Barker, Lindsay Beamish, Justin Bond, Paul Dawson
Starring: Raphael Barker, Lindsay Beamish, Justin Bond, Paul Dawson, Yolanda Ross, Jay Brannan, Shanti Carson, Sook-Yin Lee, PJ Deboy, Peter Stickles, Bitch, The Hungry March Band
Director: John Cameron Mitchell
Director: John Cameron Mitchell
Producer: Howard Gertler, Tim Perell
Studio: ThinkFilm
Reviews for Shortbus
Shortbus is chipper, it's fresh, it emits a distinct musk of controversy. I'll take the longbus.
While it may not be the tour de force of Mitchell's directing debut (Hedwig and the Angry Inch), this risky project is still a lot of fun.
Shortbus is perhaps the most wittily and gleefully performed feature film to contain actual sex scenes.
Mitchell's energy and occasional ingenuity make Shortbus an engaging viewing experience, provided you can stomach it.
[Mitchell's] greatest innovation may be stripping on-screen sex of its heavy symbolic freight and letting it be as silly, serious, intense or detached as the people having it.
The movie is so open about sex, and approaches it with such affectionate bewilderment, that it feels like an anomaly in our so-called sex-obsessed culture: I've felt sleazier looking at ads for Captain Morgan's rum.
John Cameron Mitchell's ode to the joy and sweet release of sex also manages to be a sincere, modest political venture that finds humor where you might least expect it.
Following Mitchell's delightful 2001 rock musical Hedwig and the Angry Inch, the director's Shortbus is another marvelous mix of very adult, very overt themes and images coupled with a sense of childlike innocence and awe.
As with Brokeback Mountain, though, it's not the sexual content that seems revolutionary; it's the mainstream friendliness.
Shortbus has the potential to become one of the films that redefine audience expectations, a watershed that divides other movies with similar themes into before and after. It's that good.
Mitchell uses a dubious but vividly aestheticized tableau of New York City to sweep in and out of the lives of characters whose problems are so weakly articulated they hardly inspire sympathy.
The whole experience is enough to make one give thanks for the missionary position, and heterosexual complacency in surely not the reaction Shortbus was looking for.
...the end result [is] a movie that has little to offer all but the most avant garde viewer.
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