Moore still hasn't learned some basic rhetorical skills: Will he ever figure out that acknowledging contrary views gives your argument more credibility? But his movie is shocking, poignant and surprisingly entertaining.
Sicko (2007)
Tomatometer
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Reviews Counted:191
Fresh:177
Rotten:14
Average Rating:7.7/10
Consensus: Though some consider his political bent divisive, Michael Moore's humanism is pretty universal in this devastating, convincing, and very entertaining expose of America’s health care system. Moore's permissive to download Sicko paired with the film's activity-inspiring website made it a considerable accomplishment in grassroots activism.
Theatrical Release:26-10-2007
Synopsis: America's most incendiary filmmaker, Michael Moore, returned in 2007 with this health-care-industry exposé. SICKO tackles material as controversial as the topics explored in Moore's other films,... America's most incendiary filmmaker, Michael Moore, returned in 2007 with this health-care-industry exposé. SICKO tackles material as controversial as the topics explored in Moore's other films, yet does so in a way that places the focus on ordinary Americans affected by the nation's health-care crisis. After providing some historical background on how our nation's medical care system became so ravaged and unfair, Moore interviews a series of individuals and families who have had their lives all but destroyed by the denial of care in the service of profit. While there are two sides to the gun-control debate and even a legitimate discourse for how to best wage the war on terror, it's simply impossible to justify how a baby girl can wind up dead because her mother's health insurance wasn't accepted at a nearby hospital. Moore smartly allows this and other stories to be told with little or no interference, conjuring strong feelings of empathy, rage, and deep sadness. Of course, SICKO isn't a PBS documentary, it's a Michael Moore movie, and his fingerprints are all over it. Moore visits countries that have universal health care--spectacularly so when he takes several World Trade Center workers to Guantanamo Bay (and then to Cuba) to receive health care that they were denied in the United States--and presents a compelling argument for adopting a similar system in the States. Moore's ultimate purpose here is to compel Americans to care for one another, and it's a simple request that shockingly must be made via a major motion picture, making SICKO essential viewing. [More]
Starring: Michael Moore
Starring: Michael Moore
Director: Michael Moore
Director: Michael Moore
Producer: Kathleen Glynn, Michael Moore, Meghan O'Hara
Studio: Weinstein Company
Reviews for Sicko
Sicko, an investigation and indictment of a system choking on paperwork, greed, bad policy and countervailing goals, turns out to be a fuzzy, toothless collection of anecdotes, a few stunts and a bromide-rich conclusion.
You might applaud Sicko if you weren't afraid of breaking a finger and having to pay for it.
Though we will differ on the methods of improving the American health care system, Sicko’s enduring contribution is the undeniable evidence that the system is broken.
Here's an issue that transcends politics and speaks to basic human need and collective responsibility; perhaps we need Moore's cudgel to make the case bluntly.
Moore seems to trust his audience this time out, allowing the interview subjects to tell their stories without repeating his cheesy move from the past of stepping into the frame himself, shaking his head in awe.
SiCKO is, without argument, one of the most important films you'll ever see in your lifetime, which might be rather short depending upon your HMO.
SiCKO is sensational. It's perhaps the best movie Michael Moore has ever made
Simplista e ocasionalmente sem foco, o filme é bem sucedido ao ilustrar o horror do sistema de saúde dos EUA, mas falha ao limitar suas respostas à comparação com o sistema de outros paises, ignorando as muitas causas do problema.
In another lifetime, Michael Moore and George W. Bush probably would have been great friends.
If you chose to remain in this country after the 2004 election, then Moore's latest might get you mad enough to want to leave, especially if you've ever suffered through its inadequate health care system.
Despite the accusations of manipulation, condescension and playing fast and loose with the truth, Moore's brand of commentary is difficult to resist.
Moore winds up treating the audience the same way that, he says, powerful people treat the weak in America -- as dopes easily satisfied with fairy tales and bland reassurances.
Sicko is Moore’s best film: a documentary that mixes outrage, hope, and gonzo stunts in the right proportions; and that throws an unforgiving spotlight on what is, in both senses, the elephant in the room.
[Moore] turns potentially dry material into a film that's funny, poignant, and a call to arms.
Such coincidence grants Moore's film a narrative structure with a familiar political point: the crises facing regular citizens are connected, as well as ongoing.
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