Moore has again made a film which, though basically sound in logic, sugars the pill in a way which seems suspect in its determination to suggest that, as far as healthcare is concerned, America is bad and everywhere else is good.
Sicko (2007)
Rated: 12A
Runtime: 1 hr 53 mins
Theatrical Release: 26-10-2007
Synopsis: America's most incendiary filmmaker, Michael Moore, returned in 2007 with this health-care-industry exposé. SICKO tackles material as controversial as the topics explored in Moore's other films, yet does so in a way that places the focus on ordinary Americans affected by the nation's... America's most incendiary filmmaker, Michael Moore, returned in 2007 with this health-care-industry exposé. SICKO tackles material as controversial as the topics explored in Moore's other films, yet does so in a way that places the focus on ordinary Americans affected by the nation's health-care crisis. After providing some historical background on how our nation's medical care system became so ravaged and unfair, Moore interviews a series of individuals and families who have had their lives all but destroyed by the denial of care in the service of profit. While there are two sides to the gun-control debate and even a legitimate discourse for how to best wage the war on terror, it's simply impossible to justify how a baby girl can wind up dead because her mother's health insurance wasn't accepted at a nearby hospital. Moore smartly allows this and other stories to be told with little or no interference, conjuring strong feelings of empathy, rage, and deep sadness. Of course, SICKO isn't a PBS documentary, it's a Michael Moore movie, and his fingerprints are all over it. Moore visits countries that have universal health care--spectacularly so when he takes several World Trade Center workers to Guantanamo Bay (and then to Cuba) to receive health care that they were denied in the United States--and presents a compelling argument for adopting a similar system in the States. Moore's ultimate purpose here is to compel Americans to care for one another, and it's a simple request that shockingly must be made via a major motion picture, making SICKO essential viewing. [More]
Genre: Education/General Interest
Starring: Michael Moore
Reviews
A devastating exposure of America's iniquitous healthcare system, coolly marshalled and amusingly detailed by Moore.
Moore is rightly celebrated for his elaborately staged stunts and this film’s highlight, involving a boat-trip to Cuba, is as hilarious as it is disturbing.
If Moore were a more radical polemicist, he might have focused squarely on this alarming social injustice, but, perhaps rightly, he sees a broader one. Even the insured are handing themselves over to a bewildering lottery.
There are several laugh-out-loud moments and Moore is one of the few directors who makes politics entertaining.
A thought-provoking and often blackly-amusing movie that trumps even Fahrenheit 9/11 in terms of sheer entertainment.
While we all have our grumbles about the NHS, it’s hard not to be caught up in Moore’s righteous indignation on behalf of his countrymen, or not to feel a twitch of pride in our own.
Michael Moore's best film to date. Entertaining, moving, funny, hard-hitting, right-on. It won't silence his critics, but it will give them something to think about.
Entertaining, informative and frequently incendiary documentary, told in Moore's inimitable style, mixing humour, personal stories, on-camera publicity stunts and good old fashioned journalistic research to devastating effect.
An engaging, extremely well shot and edited film that draws on humour and irony to stir simple outrage.
A bitter but bracing pill. Moore constructs a fiery but unfanatical argument that boils down to a simple truth: Americans need to stop helping themselves and start helping each other.
Horrifying, heart-breaking, often hilarious - Moore’s latest shock doc is a potent polemic.
Moore's commentary can grate, but his most brilliant prank - escorting a group of 911 workers to Cuba for free healthcare - manages to be political gelignite and intensely moving at the same time.
‘Sicko’ is a quieter, more focused and less feral beast than its predecessor, ‘Fahrenheit 9/11’, but that’s not saying much.
Moore can’t resist over-egging the ironies, or revelling in the absurd. [There's] a strong whiff of sanctimony about Moore’s mighty indignation. It draws the sting from his satire.
...primarily comes off as an uneven effort that's sporadically as superfluous as it is interesting...
Moore's mere presence becomes politicizing, but this film attempts to make people realize the health of people in this country should have nothing to do with income and politics.
Related Forums
by: rottenrollin 12/19/07
Pictures
Trailers & Clips
Watch Now >>
News
posted by Jeff Giles January 11, 2008
If there's one Hollywood awards ceremony that you'd think would be able to go off without a hitch this year, it'd be the...
posted by Jeff Giles January 09, 2008
In what seems destined to go down as one of the season's few strike-free awards shows, the Critics' Choice Awards were...
posted by Jeff Giles December 10, 2007
Multiple honorees from four regional critics' circles include the Coen Brothers' No Country for Old Men, P.T....
posted by Jeff Giles November 20, 2007
A little over a week after reporting the names of the dozen films being submitted for Oscar consideration in the...


Top Critic