Signs will have its admirers since its methodic nature suggests there's something profound going on beneath the surface. There really isn't though.
Signs (2002)
Tomatometer
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Reviews Counted:218
Fresh:161
Rotten:57
Average Rating:6.8/10
Consensus: With Signs, Shyamalan proves once again an expert at building suspense and giving audiences the chills.
Runtime: 1 hr 46 mins
Genre: Science-Fiction/Fantasy
Synopsis: It's contaminated. That's what pint-sized Bo (Abigail Breslin) says about every glass of water that she tries to drink, then rejects. This is just one in a long list of strange occurrences that are... It's contaminated. That's what pint-sized Bo (Abigail Breslin) says about every glass of water that she tries to drink, then rejects. This is just one in a long list of strange occurrences that are changing the lives of the Hess family. Things go awry when Graham Hess (Mel Gibson) and his brother, Merrill (Joaquin Phoenix), awake early one morning to find the dogs barking and the children--Bo, and her brother Morgan (Rory Culkin)--wandering bleary eyed in the corn fields. They discover a pattern of perfectly carved crop circles left the night before. Trying not to overreact, Graham ignores the media frenzy that has permeated all television and radio stations, and even shrugs off the oddly familiar information that Morgan reads in his book about extraterrestrials invading earth. The real challenge for Graham is to find the faith he needs to pull himself, and his family, through this unexplainable series of events. SIGNS is the long-anticipated film from writer-director M. Night Shyamalan (THE SIXTH SENSE, UNBREAKABLE), a suspenseful and uniquely chilling family story. [More]
Starring: Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin
Starring: Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin, Cherry Jones, M. Night Shyamalan, Patricia Kalember
Director: M. Night Shyamalan
Director: M. Night Shyamalan
Screenwriter: M. Night Shyamalan
Producer: Frank Marshall, Sam Mercer
Composer: James Newton Howard
Studio: Touchstone Pictures
Reviews for Signs
Shyamalan has a distinctive talent for finding surprising new approaches to familiar film genres that once seemed sucked dry of the capacity for surprise.
An intense and intelligent horror picture ... If you have trouble sleeping later, don't say that I didn't warn you.
It's easy for a filmmaker to blow up the world -- but what Shyamalan does is much riskier. He tries to blow our minds.
From the opening credits, dominated by an intriguing score by James Newton Howard, Signs draws you in, holding you in expectation as Shyamalan peels his story as leisurely as if he were paring an apple.
Uncommonly stylish but equally silly...the picture fails to generate much suspense, nor does it ask searching enough questions to justify its pretensions.
The result is a film that sags between its night sequences. The only comparison I can think of is a “Jaws” without a story between shark attacks.
Artfully directed and well-conceived, but fails to locate and maintain a consistent tone.
Yet no matter how unsatisfying the sci-fi denouement, Signs' title bout remains stark raving Mel vs. the Lord Almighty God. And it's a close one.
It has that rare quality of being able to creep the living hell out of you...
The film's opening and closing title cards seem to say as much about Father Graham's return to the cloth as it does about the size of the director's ego.
Tense and creepy...Shyamalan's strongest paranormal thriller to date.
Conceptually brilliant...Plays like a living-room War Of The Worlds, gaining most of its unsettling force from the suggested and the unknown.
Shyamalan starts off with [an] existing mystery, but he can’t solve it.
The last 10 minutes are so misguided and goofy, it's hard to believe they were made by the same people who did the rest of the film.
Signs is art-house Night of the Living Dead. There's a point where Mel tells his brother to "swing." Too bad it can't be at the end of a rope.
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